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Dodecasyllable
Dodecasyllable Verse (poetry), verse () is a Meter (poetry), line of verse with twelve syllables. 12 syllable lines are used in a variety of poetic traditions. Dodecasyllabic meter was invented by Jacob of Serugh (d. 521), a Miaphysitism, Miaphysite bishop. With the so-called "political verse" (i.e. pentadecasyllable verse) it is the main metre of Byzantine poetry. It is also used in Italian and French poetry, and in poetry of the Croats (the most famous example being Marko Marulić). In an Anglo-Saxon and French context, the dodecasyllable is generally called the "alexandrine", after the French language, French French Alexandrine, equivalent. See also * hexasyllable, octosyllable, decasyllable, and hendecasyllable — lines of 6, 8, 10, and 11 syllables, respectively * hexameter — a line of 6 metrical feet, which is generally 12 syllables References

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Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ...
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Jacob Of Serugh
Jacob of Serugh (, ; ; 452–521), also called Jacob of Sarug or Mar Jacob (), was one of the foremost poets and theologians of the Syriac Christian tradition, second only to Ephrem the Syrian and equal to Narsai. He lived most of his life as an ecclesiastical official in Suruç, in modern-day Turkey. He became a bishop (of Batnan) near the end of his life in 519. He was a Miaphysite (a form of Non-Chalcedonian Christianity), albeit moderate compared to his contemporaries. Jacob is best known for the homilies he wrote in the late fifth and early sixth centuries. He wrote in prose, as well as in 12-syllable ( dodecasyllabic) meter, which he invented, and he was known for his eloquence. According to Jacob of Edessa, he composed 763 works during his lifetime. Around 400 survive, and over 200 of those have been published. The longest is about 1,400 verses. By the time of his death, he had a great reputation. His works were so popular that of any author from late antiquity, only ...
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Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent ( accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the '' chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian ep ...
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Hendecasyllable
In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where – = a long syllable, u = a short syllable, and × = an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian hendecasyllable (): × × – u u – u – u – – This line is named after Phalaecus, a minor Hellenistic poet who used it in e ...
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Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhyme A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciou ...d verse is historically the most commonly used form of verse in English. It generally has a discernible ...
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Syllable
A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are most often consonants). In phonology and studies of languages, syllables are often considered the "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre; properties such as stress, tone and reduplication operate on syllables and their parts. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Most languages of the world use relatively simple syllable structures that often alternate between vowels and consonants. Despite being present in virtually all human languages, syllables still have no precise definition that is valid for all known languages. A common criterion for finding syllable bound ...
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Miaphysitism
Miaphysitism () is the Christological doctrine that holds Jesus, the Incarnate Word, is fully divine and fully human, in one nature ('' physis'', ). It is a position held by the Oriental Orthodox Churches. It differs from the Dyophysitism of the Catholic Church, Eastern Orthodox Churches, the Church of the East and the major Protestant denominations, which holds that Jesus is one "person" of two "natures", a divine nature and a human nature, as defined by the Council of Chalcedon in 451. While historically a major point of controversy within Christianity, some modern declarations by both Chalcedonian and miaphysite () churches claim that the difference between the two Christological formulations does not reflect any significant difference in belief about the nature of Christ. Other statements from both Chalcedonian and miaphysite churches claim that such difference is indeed theological although "widened by non-theological factors" Terminology The word ''miaphysite'' der ...
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Croats
The Croats (; , ) are a South Slavs, South Slavic ethnic group native to Croatia, Bosnia and Herzegovina and other neighboring countries in Central Europe, Central and Southeastern Europe who share a common Croatian Cultural heritage, ancestry, Culture of Croatia, culture, History of Croatia, history and Croatian language, language. They also form a sizeable minority in several neighboring countries, namely Croats of Slovenia, Slovenia, Burgenland Croats, Austria, the Croats in the Czech Republic, Czech Republic, Croats in Germany, Germany, Croats of Hungary, Hungary, Croats of Italy, Italy, Croats of Montenegro, Montenegro, Croats of Romania, Romania, Croats of Serbia, Serbia and Croats in Slovakia, Slovakia. Due to political, social and economic reasons, many Croats migrated to North and South America as well as New Zealand and later Australia, establishing a Croatian diaspora, diaspora in the aftermath of World War II, with grassroots assistance from earlier communities an ...
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Marko Marulić
Marko Marulić Splićanin (; ; 18 August 1450 – 5 January 1524), was a Croatian poet, lawyer, judge, and Renaissance humanist. He is the national poet of Croatia. According to George J. Gutsche, Marulić's epic poem '' Judita'' "is the first long poem in Croatian", and "gives Marulić a position in his own literature comparable to Dante in Italian literature." Marulić's Latin poetry is of such high quality that his contemporaries dubbed him "The Christian Virgil." He has been called the "crown of the Croatian medieval age", the "father of the Croatian Renaissance",Marulianum
''Center for study of Marko Marulić and his literary activity.'' – Retrieved on 28 November 2008.
and "The Father of Croatian literature." Marulić scholar
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Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in '' Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine ...
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French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien language, Francien) largely supplanted. It was also substratum (linguistics), influenced by native Celtic languages of Northern Roman Gaul and by the Germanic languages, Germanic Frankish language of the post-Roman Franks, Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Fra ...
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French Alexandrine
The French alexandrine () is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem '' Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' Roman d'Alexa ...
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