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Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet '' Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a suite of loosely connected dances. One 20th-century example is Jacques Iber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento
(; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the '' divertimento'' is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light. Genre As a separate genre, it appears to have no specific form, although most of the ''divertimenti'' of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical ''divertimento''), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical ''divertimento''). There are many other ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his "Ave Maria (Bach/Gounod), Ave Maria" (an elaboration of a Johann Sebastian Bach, Bach piece) and "Funeral March of a Marionette". Born in Paris into an artistic and musical family, Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or , ;Since 1932–35 the recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled . and ', , and ) means 'between the acts'. It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. But despite this, an entr'acte is often paired with a longer intermission, as an intermission is usually "between acts." However, there can also be an entr'acte on its own, usually between the two acts without an intermission. In the case of stage musicals, the serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded on the soundtrack between the first and second half of the film, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertissement (Ibert)
Jacques Ibert's ''Divertissement'' is a six-movement suite for chamber orchestra adapted by the composer in 1930 from incidental music he had written for a production of Eugène Labiche's stage comedy '' The Italian Straw Hat'' in 1929. It is among Ibert's best-known works and has been recorded many times. Background and premiere In the decade after the First World War, Jacques Ibert established himself as a leading French composer, winning France's top musical prize, the and becoming known to a large public for compositions such as (a symphonic poem based on Oscar Wilde's ''The Ballad of Reading Gaol'') and (''Ports of Call'', an orchestral representation of a Mediterranean sea voyage).Laederich, Alexandra"Ibert, Jacques."''Grove Music Online'', Oxford University Press, 2010 In 1929 he composed incidental music for a revival of Eugène Labiche's 1851 stage comedy ('' The Italian Straw Hat'') at the .Michel, p. 53 The following year he arranged the score into a six-movement div ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ballet), Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet ''La source (Saint-Léon), La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz '' en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Words And Phrases
French ( or ) is a Romance language of the Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. It was also influenced by native Celtic languages of Northern Roman Gaul and by the Germanic Frankish language of the post-Roman Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 26 countries, as well as one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of ''Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Jean Françaix
Below is a sortable list of compositions by Jean Françaix. The works are categorized by genre, date of composition and titles. Scores by Françaix are published mainly by Schott Music Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second-oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were foun ..., Éditions Transatlantiques, Éditions Max Eschig and Éditions Gérard Billaudot. External links Jean Françaix list of works {{DEFAULTSORT:List of compositions by Jean Francaix Francaix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Françaix
Jean René Désiré Françaix (pronunciation Fran-say or Fran-seks) was born on 23 May 1912, in Le Mans and died in 25 September 1997, in Paris). Françaix was a French neoclassical composer, pianist, and orchestrator known for his prolific output and vibrant style. Françaix composed for various genres, and is particularly known for his chamber works for piano as well as winds. Life Early Life Françaix's natural gifts were encouraged from an early age by his family. His father, Alfred Françaix, was Director of the Conservatoire of Le Mans as well as a musicologist, composer, and pianist; His mother, Jeanne Françaix, was a teacher of singing. Jean Françaix studied at the Conservatoire of Le Mans and then at the Paris Conservatory, and was only six when he took up composing, with a style heavily influenced by Ravel."Françaix, Jean René (23 May 1912, Le Mans)." ''Harvard Biographical Dictionary of Music''. Cambridge: Harvard University Press, 2003. Credo Reference. Web. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermède
''Intermède'' (also ''intermédie'', ''intramède'', ''entremets'') is a French theatrical entertainment or spectacle, often involving song and dance and inserted between the acts of a play. It was similar to the Italian '' intermedio''. The context in which the ''intermède'' was performed has changed over time. During the 16th century they were court entertainments in which ballet was an important element. The intermède was sometimes given between the acts of spoken plays, especially in the 17th century when they were performed with the works of Pierre Corneille and Jean Racine. Molière and Lully experimented with the form in their '' comédies-ballets'', sometimes coordinating the content with the plot of the play in which they were inserted, for example, in '' La Princesse d'Élide'' (1664). During the Age of Enlightenment, the term was used for one-act Italian operas, as performed in 18th-century France, either in the original language or in French translation (such as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
