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Dipylon Amphora
The Dipylon Amphora (also known as Athens 804) is a large Ancient Greek painted vase, made around 750 BC, and is now held by the National Archaeological Museum, Athens. Discovered at the Dipylon cemetery, this stylistic vessel belonging to the Geometric period is credited to an unknown artist: the Dipylon Master. The amphora is covered entirely in ornamental and geometric patterns, as well as human figures and animal-filled motifs. It is also structurally precise, being that it is as tall as it is wide. These decorations use up every inch of space, and are painted on using the black-figure technique to create the silhouetted shapes. Inspiration for the Greek vase derived not only from its intended purpose as a funerary vessel, but also from artistic remnants of Mycenaean civilization prior to its collapse around 1100 BC. The Dipylon Amphora signifies the passing of an aristocratic woman, who is illustrated along with the procession of her funeral consisting of mourning family and ...
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Dipylon Master
The Dipylon Master was an ancient Greek vase painter who was active from around 760–750 BC. He worked in Athens, where he and his workshop produced large funerary vessels for those interred in the Dipylon Gate cemetery, whence his name comes. His work belongs to the very late stage of the Geometric Style. His vases served as grave markers and libation receptacles for aristocratic graves and as such are decorated with a depiction of the prothesis scene representing the mourning of the deceased. Almost 50 vases have been attributed to the Dipylon Master and his workshop. Examples include the Dipylon Amphora in National Archaeological Museum, Athens, and the Elgin Amphora in the British Museum. See also * List of Greek vase painters * Pottery of ancient Greece Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus ...
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Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed in ...
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Mycenaean Greece
Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age in Ancient Greece, spanning the period from approximately 1750 to 1050 BC.. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.Lazaridis, Iosif et al.Genetic origins of the Minoans and Mycenaeans. ''Nature'', 2017Supplementary Information "The Mycenaeans", pp. 2–3).. The Mycenaeans were mainland Greeks, Greek peoples who were likely stimulated by their contact with insular Minoan civilization, Minoan Crete and other Mediterranean Sea, Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, Midea (Argolid), Midea in the Peloponnese, Orchomenus (Boeotia), Orchomenos, Thebes, Greece, Thebes, Athens in Cen ...
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Mourner
A mourner is someone who is attending a funeral or who is otherwise recognized as in a period of grief and mourning prescribed either by religious law or by popular custom. Many cultures expect mourners to curtail certain activities, usually those considered frivolous or that are accompanied by expressions of joy. History Historically, some cultures have employed professional mourners to make a public showing of grief to honor the deceased (particularly those in the Near East The ''Near East''; he, המזרח הקרוב; arc, ܕܢܚܐ ܩܪܒ; fa, خاور نزدیک, Xāvar-e nazdik; tr, Yakın Doğu is a geographical term which roughly encompasses a transcontinental region in Western Asia, that was once the hist ...).Footnote 1 in Sabar, Y. (1976). "Lel-Huza: Story and History in a Cycle of Lamentations for the Ninth of Ab in the Jewish Neo-Aramaic Dialect of Zakho, Iraqi Kurdistan." ''Journal of Semitic Studies'' (21) 138-162. Business Traced back to the year 1877, it ...
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Bier
A bier is a stand on which a corpse, coffin, or casket containing a corpse is placed to lie in state or to be carried to the grave.''The American Heritage Dictionary of the English Language'' (American Heritage Publishing Co., Inc., New York, 1973), s.v., "bier" In Christian burial, the bier is often placed in the centre of the nave with candles surrounding it, and remains in place during the funeral. The bier is a flat frame, traditionally wooden but sometimes of other materials. In antiquity it was often a wooden board on which the dead were placed, covered with a shroud. In modern times, the corpse is rarely carried on the bier without being first placed in a coffin or casket, though the coffin or casket is sometimes kept open. A bier is often draped with cloth to lend dignity to the funeral service. The modern funeral industry uses a collapsible aluminium bier on wheels, known as a "church truck" to move the coffin to and from the church or funeral home for services. B ...
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Lying In Repose
Lying in repose is the tradition in which the body of a deceased person, often of high social stature, is made available for public viewing. Lying in repose differs from the more formal honor of lying in state, which is generally held at the principal government building of the deceased person's country and often accompanied by a guard of honour. United States In the United States of America, "lying in state" is generally considered to be when one's body is placed in the rotunda of the United States Capitol. When the deceased person is placed in another location, like the Great Hall of the Supreme Court, they lie in repose, as was the case following the deaths of Justices Antonin Scalia in February 2016 and Ruth Bader Ginsburg in September 2020. The remains of presidents who die in office generally lie in repose in the East Room of the White House while those of a deceased former president generally lie in repose in his home state. However, as an example to the contrary, when ...
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Ancient Greek Funeral And Burial Practices
Ancient Greek funerary practices are attested widely in the literature, the archaeological record, and in ancient Greek art. Finds associated with burials are an important source for ancient Greek culture, though Greek funerals are not as well documented as those of the ancient Romans. Mycenaean Period The Mycenaeans practiced a burial of the dead, and did so consistently. The body of the deceased was prepared to lie in state, followed by a procession to the resting place, a single grave or a family tomb. These processions were usually done by family or friends of the deceased. Processions and ritual laments are depicted on burial chests ''(larnakes)'' from Tanagra. Grave goods such as jewelry, weapons, and vessels were arranged around the body on the floor of the tomb. Graveside rituals included libations and a meal, since food and broken cups are also found at tombs. A tomb at Marathon contained the remains of horses that may have been sacrificed at the site after drawing the ...
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Pigment
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic, organic, and special pigments were marketed worldwide. Estimated at around US$14.86 billion in 2018 and will rise at over 4.9% CAGR from 2019 to 2026. The global demand for pigments was roughly US$20.5 billion in 2009. According to an April 2018 report by '' Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each year. Physical princip ...
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Meander (art)
__NOTOC__ A meander or meandros ( el, Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. Among some Italians, these patterns are known as "Greek Lines". Such a design also may be called the Greek fret or Greek key design, although these terms are modern designations even though the decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it. Usually the term is used for motifs with straight lines and right angles and the many versions with rounded shapes are called running scrolls or, following the entomological origin of the term, may be identified as water wave motifs. On one hand, the name "meander" recalls the twisting and turning path of the Maeander River in Asia Minor (present day Turkey) that is typical of river pathways. On another hand, as Karl Kerenyi pointed out, "the meander is the figure of a labyrinth in linear ...
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Concentric Objects
In geometry, two or more objects are said to be concentric, coaxal, or coaxial when they share the same center or axis. Circles, regular polygons and regular polyhedra, and spheres may be concentric to one another (sharing the same center point), as may cylinders (sharing the same central axis). Geometric properties In the Euclidean plane, two circles that are concentric necessarily have different radii from each other.. However, circles in three-dimensional space may be concentric, and have the same radius as each other, but nevertheless be different circles. For example, two different meridians of a terrestrial globe are concentric with each other and with the globe of the earth (approximated as a sphere). More generally, every two great circles on a sphere are concentric with each other and with the sphere. By Euler's theorem in geometry on the distance between the circumcenter and incenter of a triangle, two concentric circles (with that distance being zero) are t ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative me ...
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Protogeometric Style
The Protogeometric style (or "Proto-Geometric") is a style of Ancient Greek pottery led by Athens produced between roughly 1030 and 900 BCE, in the first period of the Greek Dark Ages. After the collapse of the Mycenaean- Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the mid 11th century BCE as the first expression of a reviving civilization. Following on from the development of a faster potter's wheel, vases of this period are markedly more technically accomplished than earlier Dark Age examples. The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush. Many other simple motifs can be found, but unlike many pieces in the following Geometric style, typically much of the surface is left plain. Like many pieces, the example illustrated includes a colour change in the main band, aris ...
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