Dinah Jams
''Dinah Jams'' is the second studio album by vocalist Dinah Washington. It was recorded live in Los Angeles in 1954. ''Billboard'' in 1955 wrote: "The instrumental solos are excellent and the entire package is well recorded in a smoothly paced collection of hot and cool jazz." Track listing Tracks 2 and 3 are instrumentals. Personnel * Dinah Washington - vocals * Clifford Brown - trumpet * Maynard Ferguson - trumpet * Clark Terry - trumpet * Herb Geller - alto saxophone * Harold Land - tenor saxophone * Richie Powell - piano * Junior Mance - piano * George Morrow - double bass * Keter Betts - double bass * Max Roach - drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, c ... References Dinah Washington live albums 1954 live albums EmArcy Records live albums Albums ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dinah Washington
Dinah Washington (; born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was also known as "Queen of the Jukeboxes". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993. Early life Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Summertime (George Gershwin Song)
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera ''Porgy and Bess''. The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and " My Man's Gone Now" as "the best lyrics in the musical theater". ''Porgy and Bess'' Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934 and spent the next 20 months completing an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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You Go To My Head
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Many versions of the song have been recorded, and it has since become a pop and jazz standard. Melody and lyrics Alec Wilder terms Coots' melody as a "minor masterpiece". According to Ted Gioia, "'You Go to my Head' is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” Gillespie's lyrics begin: ''"You go to my head and you linger like a haunting refrain"''. Recordings, use in film, and performances Larry Clinton recor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marty Symes
Marty Symes (1904–1953) was an American lyricist. Symes was born in Brooklyn New York in 1904. His first significant collaborator was composer Jerry Livingston. In 1932 they wrote "Darkness on the Delta", which became a hit for Mildred Bailey. The next year the Casa Loma Orchestra recorded their " Under a Blanket of Blue" and " It's the Talk of the Town", both co-written with Al J. Neiburg. In 1936, Symes wrote the lyrics for Isham Jones's hit " There Is No Greater Love". It has been recorded by Guy Lombardo, Billie Holiday, Al Hibbler and many other artists and is considered a jazz standard. Nino Rota used Symes's " I Have But One Heart", composed by Johnny Farrow, in the 1972 film ''The Godfather ''The Godfather'' is a 1972 American Epic film, epic crime film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling The Godfather (novel), 1969 novel. The film stars an ensemble cast inc ...''. Symes died in Forest ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Isham Jones
Isham Edgar Jones (January 31, 1894 – October 19, 1956) was an American bandleader, saxophonist, bassist and songwriter. Career Jones was born in Coalton, Ohio, United States, to a musical and mining family. His father, Richard Isham Jones (1865–1945), was a violinist. The family moved to Saginaw, Michigan, where Jones grew up and started his first ensemble for church concerts. In 1911 one of Jones's earliest compositions "On the Alamo" was published by Tell Taylor Inc. In 1915, Jones moved to Chicago, Illinois. He performed at the Green Mill Gardens, then began playing at Fred Mann's Rainbo Gardens. Chicago remained his home until 1932, when he settled in New York City. He also toured England with his orchestra in 1925. In 1917, he composed the tune "We're in the Army Now" (also known as " You're in the Army Now") when the United States entered World War I. The same tune was popular during World War II and it is played by the U.S. Army Band. The Isham Jones band m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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There Is No Greater Love
"There Is No Greater Love" is a 1936 jazz standard composed by Isham Jones, with lyrics by Marty Symes. It was the last hit song for Jones's orchestra before the bandleader turned the orchestra over to Woody Herman, beginning the latter's 50-year career as a bandleader. The song is often played as a ballad – an example of this approach is Dinah Washington's 1954 recording on '' Dinah Jams''. Medium-tempo swing renditions have also been recorded by several artists, including Miles Davis, Gene Ammons, and Sonny Stitt. Other versions * Isham Jones with Woody Herman – 1936 * Duke Ellington – 1936 * Billie Holiday – 1947 * Patti Page - '' Patti Page Sings for Romance'' (1953). * Dinah Washington – '' Dinah Jams'' (1954) * Miles Davis – ''Miles'' (1955) * Peggy Lee - '' The Man I Love'' (1957). * Sonny Rollins – '' Way Out West'' (1957) * Nat King Cole - '' The Very Thought of You'' (1958). * Ahmad Jamal - ''At the Pershing: But Not For Me'' (1958) * Sammy Davis Jr. - ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to "The Way You Look Tonight". Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top-10 hit for The Four Seasons. Swedish singer-songwriter Neneh Cherry had a European hit with her reworking of the song for the 1990 ''Red Hot + Blue'' charity album. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the secon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bob Russell (songwriter)
Bob Russell (born Sidney Keith Rosenthal;Sheldon., Sidney (2005). The Other Side of Me'. New York: Warner Books. p. 62–63, 65, 68, 104. . "Early one morning, I received a phone call. 'Sidney?' 'Yes.' 'Hi, pal. This is Bob Russell.' Not only was I not his pal, but I had never heard of Bob Russell. ''Probably a salesman.'' 'I'm sorry,' I said, 'but I haven't time to—' 'You should've done some songs with Max Rich.' I was startled for a moment. Who could have known? But then I realized who it was. 'Sidney Rosenthal!' 'Bob Russell,' he corrected. 'I'm coming out to Hollywood to see you.' 'Great!' One week later, Bob Russell arrived and moved into the last available room in Gracie's boardinghouse." April 25, 1914 – February 18, 1970) was an American songwriter (mainly lyricist) born in Passaic, New Jersey."Bob Russell Biogra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Salvatore Camarata
Salvador "Tutti" Camarata (May 11, 1913 – April 13, 2005) was an American composer, arranger, trumpeter, and record producer. He was also known as "Toots" Camarata. Early life and career Camarata was born in Glen Ridge, New Jersey, United States, and studied music at Juilliard School in New York as a student of Bernard Wagenaar, Joseph Littau, Cesare Sodero, and Jan Meyerowitz. His early career was as a trumpet player for bands such as Jimmy and Tommy Dorsey, Benny Goodman and others, eventually becoming the lead trumpet and arranger for Jimmy Dorsey (arranging such hits as ''Tangerine'', ''Green Eyes'' and ''Yours''). He also did arranging for Glen Gray and the Casa Loma Orchestra, Benny Goodman, Louis Armstrong, Bing Crosby, Nancy Sinatra, Billie Holiday, Ella Fitzgerald, Duke Ellington and many others. He conducted and orchestrated a recording of Jascha Heifetz. During World War II, he served as a flight instructor in the Army Air Forces. London Records In 1944, J. Arth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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No More (1944 Song)
"No More" is a song with music by Toots Camarata (also known as Tutti Camarata) and words by Bob Russell. It is usually mentioned in connection with Billie Holiday, who recorded it on October 4, 1944. The song is sometimes listed as "(You Ain't Gonna Bother Me) No More". According to one source, Holiday would refer to "No More" as one of her favorite songs. Recording session Billie Holiday, with Toots Camarata and his orchestra (Decca) New York City, October 4, 1944: with Russ Case (trumpet), Hymie Schertzer (alto saxophone), Jack Cressey (alto saxophone), Larry Binyon (tenor saxophone), Paul Ricci (tenor saxophone), Dave Bowman (piano), Carl Kress (guitar), Haig Stephens (bass), Johnny Blowers drums, Toots Camarata (conductor, arranger), Billie Holiday vocal + 6 strings Other notable vocal versions Other singers who have performed it include: *Dinah Washington – ''Dinah Jams'' (1954) *Abbey Lincoln – '' Abbey Lincoln's Affair'' (1956), ''Abbey Sings Billie'' (1989) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music City, Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music and was a popular singer who recorded his own as well as others' songs from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", "Days of Wine and Roses (song), Days of Wine and Roses", "Autumn Leaves (1945 song), Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway theatre, Broadway shows. He received nineteen Academy Awards, Oscar nominations, and won four Academy Award for Best Original Song, Best Original Song Oscars. Early life Mercer was born in 1909, in Savannah, Georgia, where one o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |