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Die Eroberung Von Mexico
(''The Conquest of Mexico'') is an opera in four acts by Wolfgang Rihm, premiered at the Hamburg State Opera on 9 February 1992. Libretto and concept The libretto, by the composer, is based on Antonin Artaud's 1932 text, ''La conquête du Mexique'', but also included elements of Artaud's ''Le théâtre de Séraphin'' and of poetry by Octavio Paz (his 1937 poem, "The Root of Man"). The work also cites an Aztec poem believed to be from the early 16th century, originally written in Nahuatl. The opera, which Rihm himself refers to as a 'music-drama', centres on the encounter between the invader Cortez and the Aztec ruler Montezuma, which was conceived by Rihm as 'an encounter with the Self'. Montezuma (sung by a soprano) has his words echoed by two other female voices offstage, whilst those of Cortez are echoed by two speaking roles. Arseni (2015) Roles Synopsis Act I - ''Die Vorzeichen (The Omens)'' Cortez arrives in Mexico and determines to conquer it; Montezuma presages disast ...
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Wolfgang Rihm
Wolfgang Rihm (; 13 March 1952 – 27 July 2024) was a German composer of contemporary classical music and an academic teacher based in Karlsruhe. He was an influential post-war European composer, as "one of the most original and independent musical voices" there, composing over 500 works including several operas. The premiere of Rihm's ''Morphonie'' for orchestra at the 1974 Donaueschingen Festival won him international recognition. Rihm pursued a freedom of expression, combining avant-garde techniques with emotional individuality. His chamber opera ''Jakob Lenz (opera), Jakob Lenz'' was premiered in 1977, exploring the inner conflict of a poet's soul. The premiere of his opera ''Oedipus (opera), Oedipus'' at Deutsche Oper Berlin in 1987 was broadcast live and recorded as DVD. When his opera ''Dionysos (opera), Dionysos'' was first performed at the Salzburg Festival in 2010, it was voted World Premiere of the Year by ''Opernwelt''. He was commissioned to compose a work for the o ...
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La Malinche
Marina () or Malintzin (; 1500 – 1529), more popularly known as La Malinche (), was a Nahua woman from the Mexican Gulf Coast, who became known for contributing to the Spanish conquest of the Aztec Empire (1519–1521), by acting as an interpreter, advisor, and intermediary for the Spanish conquistador Hernán Cortés. She was one of 20 enslaved women given to the Spaniards in 1519 by the natives of Tabasco. Cortés chose her as a consort, and she later gave birth to their first son, Martín – one of the first ''Mestizos'' (people of mixed European and Indigenous American ancestry) in New Spain. La Malinche's reputation has shifted over the centuries, as various peoples evaluate her role against their own societies' changing social and political perspectives. Especially after the Mexican War of Independence, which led to Mexico's independence from Spain in 1821, dramas, novels, and paintings portrayed her as an evil or scheming temptress. In Mexico today, La Malinche ...
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Operas Based On Real People
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Operas Set In Mexico
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers e ...
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1992 Operas
Year 199 ( CXCIX) was a common year starting on Monday of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as the 15th pope. Births Valerian Roman ...
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German-language Operas
German (, ) is a West Germanic language in the Indo-European language family, mainly spoken in Western and Central Europe. It is the majority and official (or co-official) language in Germany, Austria, Switzerland, and Liechtenstein. It is also an official language of Luxembourg, Belgium and the Italian autonomous province of South Tyrol, as well as a recognized national language in Namibia. There are also notable German-speaking communities in other parts of Europe, including: Poland (Upper Silesia), the Czech Republic ( North Bohemia), Denmark (North Schleswig), Slovakia (Krahule), Romania, Hungary (Sopron), and France (Alsace). Overseas, sizeable communities of German-speakers are found in the Americas. German is one of the major languages of the world, with nearly 80 million native speakers and over 130 million total speakers as of 2024. It is the most spoken native language within the European Union. German is the second-most widely spoken Germanic language, after English ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Journal Of The Royal Musical Association
''Journal of the Royal Musical Association'' is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal is published by Cambridge University Press on behalf of the Royal Musical Association and the editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The editor-in-chief heads all departments of the organization and is held accoun ... is Freya Jarman. Abstracting and indexing The journal is abstracted and indexed in: Further reading * External links * {{Official website, http://www.tandfonline.com/rrma Cambridge University Press academic journals English-language journals Publications established in 1874 Music journals Biannual journals ...
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Universal Edition
Universal Edition (UE) is an Austrian classical music publishing firm. Founded in 1901 in Vienna, it originally intended to provide the core classical works and educational works to the Austrian market. The firm soon expanded to become one of the most important publishers of modernist and contemporary classical music. History 20th century Universal Edition was founded on 1 June 1901 in Vienna. It was formed by the publishers Bernhard Herzmansky (himself from the firm), and as an attempt to compete with the Leipzig-based publishers Breitkopf & Härtel and Edition Peters. UE itself describes this as an attempt to "simply to counter the predominance of the foreign music trade in Vienna with a domestic music publishing house". In a financial boost for UE, the Austrian Ministry of Education gave a 5 July 1901 decree that Austrian music schools should prefer UE editions over those by German publishers. The firm's creation was announced next month in the '' Neues Wiener Tagbla ...
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Salzburg Festival
The Salzburg Festival () is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play ''Jedermann (play), Jedermann'' (''Everyman''). Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals were held in Salzburg at irregular intervals since 1877 by the International Mozarteum Foundation but were discontinued in 1910. A festival was planned for 1914, but it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's revival wa ...
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