|
Die Abreise
''Die Abreise'' (''The Departure'') is a comic opera in one act by composer Eugen d'Albert. The libretto was written by Ferdinand Sporck, a friend of the composer, after a play by August Ernst Steigentesch. Composition history Eugen d'Albert composed the opera in 1896. The score was published by in 1898, and is now available from Boosey & Hawkes. Performance history The opera was first performed 20 October 1898 at the Alte Oper in Frankfurt, under the baton of Ludwig Rottenberg. Roles Synopsis :''Time and place:'' The garden hall of a summer residence in central Germany, at the end of the 18th century. Gilfen and Luise have been married for many years, and the passion in their relationship has dimmed considerably. Gilfen has been planning to undertake a long journey, but he has postponed his departure every time because he was afraid his wife would take advantage of the situation. And so, he never departed. Trott, a friend of the couple, is in love with Luise, so it is eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, '' opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Prey
Hermann Prey ( Berlin, 11 July 1929 – Krailling, 22 July 1998) was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles ''Die schöne Müllerin'' and '' Die Winterreise'' and the collection of songs '' Schwanengesang'', as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's ''Passions'' and Brahms' ''A German Requiem''. Early life and education Hermann Prey was born in Berlin and grew up in Germany. He was scheduled to be drafted when World War II ended. He studied voice at the Hochschule für Musik in Berlin and won the prize of the Frankfurt contest of the Hessischer Rundfunk in 1952. Career Repertoire and nota ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. German is one of the major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In The 18th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1898 Operas
Events January–March * January 1 – New York City annexes land from surrounding counties, creating the City of Greater New York as the world's second largest. The city is geographically divided into five boroughs: Manhattan, Brooklyn, Queens, The Bronx and Staten Island. * January 13 – Novelist Émile Zola's open letter to the President of the French Republic on the Dreyfus affair, ''J'Accuse…!'', is published on the front page of the Paris daily newspaper ''L'Aurore'', accusing the government of wrongfully imprisoning Alfred Dreyfus and of antisemitism. * February 12 – The automobile belonging to Henry Lindfield of Brighton rolls out of control down a hill in Purley, London, England, and hits a tree; thus he becomes the world's first fatality from an automobile accident on a public highway. * February 15 – Spanish–American War: The USS ''Maine'' explodes and sinks in Havana Harbor, Cuba, for reasons never fully established, killing 266 m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Eugen D'Albert
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Music Magazine
''BBC Music Magazine'' is a British monthly magazine that focuses primarily on classical music. History The first issue appeared in September 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher together with the Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012. ''BBC Music Magazine'' has also an edition in North America which was first published in March 1993. The magazine reflects the broadcast output of BBC Radio 3 being devoted primarily to classical music, though with sections on jazz and world music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The magazine's circulation is 37,530. Profits "are returned to the BBC". The magazine features articles on subjects such as favourite conductors and trends in 21st-century classical music 21st-century classical music is Western art music in the contemporary classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edda Moser
Edda Moser (born 27 October 1938) is a German operatic soprano. She was particularly well known for her interpretations of music by Mozart. Her 1973 recital LP ' received the Grand Prix du Disque. Life and career Moser was born in Berlin, the daughter of the musicologist Hans Joachim Moser. She is aunt to cellist Johannes Moser and pianist Benjamin Moser. She studied at the Stern Conservatory with Hermann Weißenborn and Gerty König and made her debut as Kate Pinkerton in ''Madama Butterfly'' at the Deutsche Oper Berlin in 1962. After singing in the Würzburg Opera Chorus from 1962 until 1963, she sang at the opera houses in Hagen, Bielefeld, Hamburg and Frankfurt, before joining the Vienna State Opera in 1971. She also sang in Salzburg. She made her American debut in November 1968, when she appeared at the Metropolitan Opera in the role of Wellgunde in '' Das Rheingold''. She went on to sing various roles there over nine seasons, including the parts of Donna Anna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
