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Diamond Cut Audio Restoration Tools
Diamond Cut Audio Restoration Tools (also known as DC-Art and Diamond Cut Audio Lab) is a set of digital audio editor tools from Diamond Cut Productions used for audio restoration, record restoration, sound restoration of gramophone records and other audio containing media. Origins Diamond Cut Audio Restoration Tools (DC-Art) was originally a private venture by R&D engineer Craig Maier and software engineer Rick Carlson. Developed in the early 1990s, the original concept was conceived in an attempt to preserve the extensive Edison Lateral collection of test pressing recordings held at the Edison National Historic Site in West Orange, New Jersey. DC-Art was developed so that the many test pressings could be transferred to digital tape for preservation and archival purposes. The total number of songs which were recorded with the original software numbered over 1200 in anywhere from two to five takes and included many recordings that had not been played since the late 1920s. In ...
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Software Bug
A software bug is an error, flaw or fault (technology), fault in the design, development, or operation of computer software that causes it to produce an incorrect or unexpected result, or to behave in unintended ways. The process of finding and correcting bugs is termed "debugging" and often uses formal techniques or tools to pinpoint bugs. Since the 1950s, some computer systems have been designed to deter, detect or auto-correct various computer bugs during operations. Bugs in software can arise from mistakes and errors made in interpreting and extracting users' requirements, planning a program's software architecture, design, writing its source code, and from interaction with humans, hardware and programs, such as operating systems or Library (computing), libraries. A program with many, or serious, bugs is often described as ''buggy''. Bugs can trigger errors that may have ripple effects. The effects of bugs may be subtle, such as unintended text formatting, through to more o ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same ...
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Median Filter
The median filter is a non-linear digital filtering technique, often used to remove noise from an image or signal. Such noise reduction is a typical pre-processing step to improve the results of later processing (for example, edge detection on an image). Median filtering is very widely used in digital image processing because, under certain conditions, it preserves edges while removing noise (but see the discussion below), also having applications in signal processing. Algorithm description The main idea of the median filter is to run through the signal entry by entry, replacing each entry with the median of neighboring entries. The pattern of neighbors is called the "window", which slides, entry by entry, over the entire signal. For one-dimensional signals, the most obvious window is just the first few preceding and following entries, whereas for two-dimensional (or higher-dimensional) data the window must include all entries within a given radius or ellipsoidal region (i.e. ...
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Impulse Noise (audio)
Impulse noise is a category of ( acoustic) noise that includes unwanted, almost instantaneous (thus impulse-like) sharp sounds (like clicks and pops)—typically caused by electromagnetic interference, scratches on disks, gunfire, explosions, and synchronization issues in digital audio. High levels of such a noise (200+ decibels) may damage internal organs, while 180 decibels are enough to damage human ears. An impulse noise filter can enhance the quality of noisy signals to achieve robustness in pattern recognition and adaptive control systems. A classic filter used to remove impulse noise is the median filter, at the expense of signal degradation. Thus it's quite common to get better performing impulse noise filters with model-based systems, which are programmed with the time and frequency properties of the noise to remove only impulse obliterated samples. See also * Audio synchronizer * Crackling noise * Record restoration * Gaussian noise Gaussian noise, named after Carl Fri ...
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Shellac Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records cont ...
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Inflexion Point
In differential calculus and differential geometry, an inflection point, point of inflection, flex, or inflection (British English: inflexion) is a point on a smooth plane curve at which the curvature changes sign. In particular, in the case of the graph of a function, it is a point where the function changes from being concave (concave downward) to convex (concave upward), or vice versa. For the graph of a function of differentiability class (''f'', its first derivative ''f, and its second derivative ''f'''', exist and are continuous), the condition ''f'' = 0'' can also be used to find an inflection point since a point of ''f'' = 0'' must be passed to change ''f'''' from a positive value (concave upward) to a negative value (concave downward) or vice versa as ''f'''' is continuous; an inflection point of the curve is where ''f'' = 0'' and changes its sign at the point (from positive to negative or from negative to positive). A point where the second derivative vanishes but d ...
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Radio Broadcast
Radio broadcasting is transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (''radio''). Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM ( amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (digital audio broadcasting), HD radio, DRM (Digital Radio Mondiale). Television broadcasting is a ...
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Voice-operated Switch
In telecommunications, a voice operated switch, also known as VOX or voice-operated exchange, is a switch that operates when sound over a certain threshold is detected. It is usually used to turn on a transmitter or recorder when someone speaks and turn it off when they stop speaking. It is used instead of a push-to-talk button on transmitters or to save storage space on recording devices. On cell phones A mobile phone, cellular phone, cell phone, cellphone, handphone, hand phone or pocket phone, sometimes shortened to simply mobile, cell, or just phone, is a portable telephone that can make and receive calls over a radio frequency link whil ..., it is used to save battery life. Intercom systems that use a speaker in a room as both a speaker and a microphone will often use VOX on the main console to switch the audio direction during a conversation. The circuit usually includes a delay between the sound stopping and switching direction, to avoid the circuit turning off during ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of   rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compou ...
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Surface Noise
In sound and music production, sonic artifact, or simply artifact, refers to sonic material that is accidental or unwanted, resulting from the editing or manipulation of a sound. Types Because there are always technical restrictions in the way a sound can be recorded (in the case of acoustic sounds) or designed (in the case of synthesised or processed sounds), sonic errors often occur. These errors are termed artifacts (or sound/sonic artifacts), and may be pleasing or displeasing. A sonic artifact is sometimes a type of digital artifact, and in some cases is the result of data compression (not to be confused with dynamic range compression, which also may create sonic artifacts). Often an artifact is deliberately produced for creative reasons. For example to introduce a change in timbre of the original sound or to create a sense of cultural or stylistic context. A well-known example is the overdriving of an electric guitar or electric bass signal to produce a clipped, distorte ...
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Clicking Noise
A click is a sonic artifact in sound and music production. Analog recording artifact On magnetic tape recordings, clicks can occur when switching from magnetic play to record in order to correct recording errors and when recording a track in sections. On phonograph records, clicks are perceived in various ways by the listener, ranging from tiny 'tick' noises which may occur in any recording medium through ' scratch' and 'crackle' noise commonly associated with analog disc recording methods. Analog clicks can occur due to dirt and dust on the grooves of the vinyl record or granularity in the material used for its manufacturing, or through damage to the disc from scratches on its surface. Digital recording artifact In digital recording, clicks (not to be confused with the click track) can occur due to multiple issues. When recording through an audio interface, insufficient computer performance or audio driver issues can cause clicks, pops and dropouts. They can result from i ...
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