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Diabolus In Musica (ensemble)
Diabolus in Musica (founded Paris, 1992) is a French medieval music ensemble based in Tours and directed by Antoine Guerber.Goldberg: early music magazine: Issues 26-29 2004 "ANTOINE GUERBER Antoine Cuerber has directed Diabolus in Musica since 1992. After ten years of choral experience, he met Dominique Touron, the founder of the Bordeaux Ensemble, and Dominique Vellard..." Guerber studied medieval music under Dominique Vellard at the Centre de Musique Médiévale de Paris and at the Early Music Department of the Conservatoire National Supérieur in Lyon. Discography *1992 - ''Musique en Aquitaine''. Musique en Aquitaine au temps d' Aliénor (XIIe s.). Plein Jeu DMP 9105 C. *1994 - ''La Chambre des Dames''. Chansons et polyphonies de trouvères (XIIe & XIIIe siècles). Studio SM D2604 *1997 - ''Manuscrit de Tours''. Chants de fête du XIIIe siècle. Studio SM D2672 *1998 - ''Vox Sonora''. Conduits de l'École de Notre-Dame. Studio SM D2673 *1999 - ''La chanson de Guillaume''. Lai, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleanor Of Aquitaine
Eleanor ( – 1 April 1204; french: Aliénor d'Aquitaine, ) was Queen of France from 1137 to 1152 as the wife of King Louis VII, Queen of England from 1154 to 1189 as the wife of King Henry II, and Duchess of Aquitaine in her own right from 1137 until her death in 1204. As the heiress of the House of Poitiers, which controlled much of southwestern France, she was one of the wealthiest and most powerful women in western Europe during the High Middle Ages. She was a patron of poets such as Wace, Benoît de Sainte-Maure, and Bernart de Ventadorn. She was a key leading figure in the unsuccessful Second Crusade. Eleanor was the daughter of William X, Duke of Aquitaine, and Aénor de Châtellerault. She became duchess upon her father's death in April 1137, and three months later she married Louis, son of her guardian King Louis VI of France. A few weeks later, Eleanor's father-in-law died and her husband succeeded him as King Louis VII. Eleanor and Louis VII had two daughters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outhere
Outhere Music is a Belgian classical music and jazz publisher, directed by Charles Adriaenssen, which owns several formerly independent labels, many of them boutique early music specialists: * Fuga Libera, a Belgian label founded in 2004 under the direction of Michel Stockhem, and which became the basis of Outhere group. * Æon, a French specialist in contemporary music founded in 2000 and formerly directed by Damien Pousset, with some medieval releases. * Alpha, a French early music label founded in 1999 by Jean-Paul Combet, noted for its cover artwork chosen by and commented on by Denis Grenier. * Ramée, a German early music label founded by Rainer Arndt in 2004. * Ricercar, a Belgian early music label founded by musician Jérôme Léjeune in the 1980s, along with the Ricercar Consort. * Zig-Zag Territoires, a French early music label founded in 1998 by Sylvie Brély and Franck Jaffrès. * Outnote, a new jazz label set up in 2010 by Outhere and directed by Jean-Jacques Pussia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messe De Nostre Dame
''Messe de Nostre Dame'' (''Mass of Our Lady'') is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377). Widely regarded as one of the masterpieces of medieval music and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a single composer (in contrast to earlier compilations such as the Tournai Mass). Structure The ''Messe de Nostre Dame'' consists of 5 movements, the ''Kyrie'', ''Gloria'', ''Credo'', ''Sanctus'', and ''Agnus Dei'', followed by the dismissal ''Ite, missa est''. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another.Gombosi, O."Machaut's 'Messe Notre-Dame'." ''The Musical Quarterly'', Vol. 36, No. 2 (April, 1950), pp. 204–224 Machaut's ''Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume De Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapels in Rome and later and most importantly at Padua Cathedral. Life He was the son of a priest (also named Johannes Ciconia) and a woman of high social standing. Since at least three other men around Liège had that name as well, this has created biographical confusion, first solved by David Fallows in 1975. A Johannes Ciconia, probably the composer's father, worked in Avignon in 1350 as a clerk for the wife of Pope Clement VI's nephew. Another Johannes Ciconia is recorded in Liège in 1385 as a , generally identifying a person of young age; scholars agree that this is the composer himself. Papal records suggest that Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known '' Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertaintie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Mouton
Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Venetian School. Life He was born Jean de Hollingue either in 1459 or earlier, but records of his early life, as is so often the case with Renaissance composers, are scant. Most likely he was from the village of Haut-Wignes (now Wirwignes), near Boulogne-sur-Mer, in Samer. He probably began his first job, singer and teacher at the collegiate church in Saint Omer, then moved to Nesle (southeast of Amiens) in 1477, and in 1483 was made ''maître de chapelle'' there. Sometime around this time he became a priest, and in 1500 he was in charge of choirboys at the cathedral in Amiens. In 1501 he was in Grenoble, teaching choirboys, but he left the next year, most likely entering the service of Queen Anne of Brittany, and in 1509 he was granted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De La Rue
Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg-Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500. Biography Early life La Rue was probably born at Tournai, in modern Belgium, and likely educated at the Notre-Dame Cathedral there, which had a substantial musical establishment. He may have been the son of Jean de la Rue, a master ''enlumineur'' of the town of Tournai. While no records remain of his childhood, a Peter vander Straten (the Flemish equivalent of his name) is mentioned in the archives of the cathedral of Ste. Gudule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
