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Dhadd
Dhadd ( pa, ਢੱਡ), also spelled as Dhad or Dhadh is an hourglass-shaped traditional musical instrument native to Punjab that is mainly used by the Dhadi singers. It is also used by other folk singers of the region. Design and playing The dhadd is made of wood with thin a waist like an hourglass. The skin on both sides is tightened with ropes that help in holding the instrument firmly together. Its design is very similar to other Indian drums: the simple Damru, the Udukai, and the sophisticated Idakka. The Damru has knotted cords to strike its ends, but the Dhadd lacks such cords. The Damru is played by shaking/rotating quickly so that the knotted cords strike its ends, and is also played with a stick sometimes. The Udukai and the Dhad have similar techniques of playing, but the social significance is different. ;Playing The Dhadd is played by tapping/striking fingers on one of its ends. The pitch of the drum is raised by tightening a small cloth band wrapped around t ...
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Dhadi (music)
Dhadi ( pa, ਢਾਡੀ (Gurmukhi), Dhādi), also spelled as Dhadhi, is one who sings ballads using Dhadd and Sarangi, the folk instruments of Punjab. According to Kahn Singh Nabha's Mahan Kosh the definition of ''dhadhi'' is "One who sings ballads of warriors playing Dhadd". Dhadis are a distinct group performers emerged in the time of Sikh gurus. The word ''Dhadi'' can be translated in English to be a ''minstrel'' or ''bard''. The word is used several times in the Sikh religious text, Guru Granth Sahib, in the meaning of humbleness. In his compositions, Guru Nanak Dev Ji called himself a Dhadhi of God. The word is also appeared in the writing of the third, fourth and fifth Guru and Bhagat Namdev. Dhadi refers both to a genre of Punjabi music and the performers who play it: a distinctly composed ensemble of ballad-singers. After briefly sketching the long yet hazy background of the art, this article reconstructs its more certain and recent history so far as it can be gleaned f ...
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Udukai
The udukkai, udukai or udukku ( Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu. The drums are an ancient design of hourglass drums similar to the northern damaru and southern idakka. Its shape is similar to other Indian hourglass drums, having a small snare stretched over one side. They are played with the bare hand, and the pitch may be tered by squeezing the lacing in the middle. It is made of wood or brass and is very portable. It originated in Tamil Nadu as well. Other members in the family include thehuruk, hurkî, hurko, hudko or hudka, utukkai. Another non-hourglass drum that is also referred to as udukkai is the damru (while in the hands of Shiva). Hudukkâ Known from xiii th century , this is a drum barrel converted hourglass by adding membranes wide overhanging ends. The kuddukâ is similar but does not grelotet is played with the stick. It is still use ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.'' The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, an ...
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Damru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wris ...
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Tsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian Dhadd. There are two basic techniques when playing a tsuzumi; holding the cords slack and hitting the drumhead on the very center, or squeezing the cords and hitting the drumhead closer to where it meets the wooden body. The former produces softer ''pon'' and ''pu'' sounds, whereas the latter produces higher-pitched ''ta'' and ''chi'' sounds. Because the practice of hitting a drumhead on the very center may result in hindering the sound by causing vibration radiating on two opposite sides of the drumhead to cancel out with each other, the tsuzumi is tuned with tiny leather patches applied on ...
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Sarangi
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as '' gamaks'' (shakes) and '' meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived f ...
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Dhadi Jatha Of Des Raj
Dhadi may refer to : * Dhadi (music), a genre of folk ballads from Punjab, India * Dhadi (caste), a subgroup of the Mirasi of Punjab, India, traditionally performers of the dhadi ballads * Dhadi State, a former hill state of India, located in the Simla Hills See also * Dadhi Dadhi is a small village in Rupnagar district, Punjab, India, near the towns of Rupnagar city, Kiratpur Sahib and Anandpur Sahib. The village is situated on the bank of the Sutlej river about south of Anandpur, north of Rupnagar and from ...
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Idakka
The ''idakka'' (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name idaykka or idakka is originated from the Sanskrit word श्रीढक्का (Śrīḍhakkā). In Sanskrit, a ḍhakkā is described as a double drum which makes ''ḍhak'' sound. ढक् इति गभीरशब्देन कायतीति (ḍhak iti gabhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousness ...
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Hourglass
An hourglass (or sandglass, sand timer, sand clock or egg timer) is a device used to measure the passage of time. It comprises two glass bulbs connected vertically by a narrow neck that allows a regulated flow of a substance (historically sand) from the upper bulb to the lower one. Typically, the upper and lower bulbs are symmetric so that the hourglass will measure the same duration regardless of orientation. The specific duration of time a given hourglass measures is determined by factors including the quantity and coarseness of the particulate matter, the bulb size, and the neck width. Depictions of an hourglass as a symbol of the passage of time are found in art, especially on tombstones or other monuments, from antiquity to the present day. The form of a winged hourglass has been used as a literal depiction of the well-known idiom " time flies". History Antiquity The origin of the hourglass is unclear. Its predecessor the clepsydra, or water clock, is known to have exi ...
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Punjab Region
Punjab (; Punjabi: پنجاب ; ਪੰਜਾਬ ; ; also romanised as ''Panjāb'' or ''Panj-Āb'') is a geopolitical, cultural, and historical region in South Asia, specifically in the northern part of the Indian subcontinent, comprising areas of eastern Pakistan and northwestern India. Punjab's capital and largest city and historical and cultural centre is Lahore. The other major cities include Faisalabad, Rawalpindi, Gujranwala, Multan, Ludhiana, Amritsar, Sialkot, Chandigarh, Jalandhar, and Bahawalpur. Punjab grew out of the settlements along the five rivers, which served as an important route to the Near East as early as the ancient Indus Valley civilization, dating back to 3000 BCE, and had numerous migrations by the Indo-Aryan peoples. Agriculture has been the major economic feature of the Punjab and has therefore formed the foundation of Punjabi culture, with one's social status being determined by land ownership. The Punjab emerged as an important agricultur ...
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Karnail Singh Paras
Karnail Singh Paras (28 June 1916 – 28 February 2009) was a Shiromani Kavishar award-winning Kavishar of Indian Punjab. He is the father of former union minister and Samajwadi Party politician Balwant Singh Ramoowalia and Canada based writer Iqbal Singh Ramoowalia. One of his granddaughters is married to famous Punjabi singer and actor Harbhajan Maan. Early life Paras was born as Karnail Singh on 28 June 1916, to father Tara Singh of Ramoowala village and mother Ram Kaur, in his maternal grandparents' village of Mehraj of Firozpur district (now Bathinda district) in British Punjab. His father died when he was only 14. He was sent to a Dera for the study of Gurbani where his teacher noticed his intelligence and called him, ''Paras'', that was fixed for ever as his last name. He was very fond of singing from his childhood. In 1938 he married Daljit Kaur of village Boparai. The couple has 6 children; 4 sons and 2 daughters. Career Paras was inspired by Kavishar Mohan Singh Rode ...
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