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Det Sjungande Trädet (opera)
''Det sjungande trädet'' (''The Singing Tree''), Op. 110, is an opera in two acts by the Finnish composer Erik Bergman. The Swedish-language libretto, based on a Swedish fairy tale, was written by Bo Carpelan. The opera premiered on 3 September 1995 at the Helsinki Opera House. Background and performance history ''Det sjungande trädet'' was Bergman's only full-length opera and was composed between 1986 and 1988 as a commission from the Finnish National Opera. Prior to that, the closest he had come to the operatic genre was his 1971 ''Samothrake'' Op. 69, a 12-minute "musico-dramatic tableau" for speaker, mixed choir, and dancers.Kaipainen, Jouni (1992)"Bergman's Grand Synthesis". ''Nordic Sounds'', Vol. 11, pp. 6–8 Carpelan's libretto is primarily based on the Swedish fairy tale, '' Prins Hatt under jorden'' (Prince Hatt under the Ground) which was in turn based on the ancient myth of Cupid and Psyche, but it also incorporates other elements from Swedish and Finnish folk tale ...
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Prince Hat Under The Ground
Prince Hat under the Ground ( Swedish: ''Prins Hatt under jorden'') is the Swedish version of an old Scandinavian fairy tale. The Norwegian version is called ''East of the Sun and West of the Moon'' ( Norwegian: ''Østenfor sol og vestenfor måne''). It was collected in Småland or Blekinge by Gunnar Olof Hyltén-Cavallius and George Stephens and published in '' Svenska folksagor och äfventyr'' (1:1-2, 1844-49). It has been filmed on several occasions and forms the basis of Erik Bergman's opera '' Det sjungande trädet''.Korhonen, Kimmo (1998)"Erik Bergman in Profile" (English translation by Susan Sinisalo). Music Finland. Retrieved 17 February 2015. It is of the Aarne-Thompson-Uther type 425A, " The Monster as Bridegroom", of the cycle about "the search for the lost husband". The themes of marriage to the monstrous or mysterious husband, of curiosity inspired by the mother, and even the drops of spilled tallow are very similar to the Hellenistic romance of ''Cupid and Psyche'' ...
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Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ...
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Swedish-language Operas
Swedish ( ) is a North Germanic language from the Indo-European language family, spoken predominantly in Sweden and parts of Finland. It has at least 10 million native speakers, making it the fourth most spoken Germanic language, and the first among its type in the Nordic countries overall. Swedish, like the other Nordic languages, is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Age. It is largely mutually intelligible with Norwegian and Danish, although the degree of mutual intelligibility is dependent on the dialect and accent of the speaker. Standard Swedish, spoken by most Swedes, is the national language that evolved from the Central Swedish dialects in the 19th century, and was well established by the beginning of the 20th century. While distinct regional varieties and rural dialects still exist, the written language is uniform and standardized. Swedish is the most widely spoken second language in Finlan ...
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1995 Operas
1995 was designated as: * United Nations Year for Tolerance * World Year of Peoples' Commemoration of the Victims of the Second World War This was the first year that the Internet was entirely privatized, with the United States government no longer providing public funding, marking the beginning of the Information Age. America Online and Prodigy offered access to the World Wide Web system for the first time this year, releasing browsers that made it easily accessible to the general public. Events January * January 1 ** The World Trade Organization (WTO) is established to replace the General Agreement on Tariffs and Trade (GATT). ** Austria, Finland and Sweden join the European Union. * January 9 – Valeri Polyakov completes 366 days in space while aboard then ''Mir'' space station, breaking a duration record. * January 10– 15 – The World Youth Day 1995 festival is held in Manila, Philippines, culminating in 5 million people gathering for John Paul II's concluding mass ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Gramophone (magazine)
''Gramophone'' (known as ''The Gramophone'' prior to 1970) is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Ch ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ...
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Peter Lindroos
Paul Peter Christer Lindroos (26 February 1944 – 17 November 2003) was a Finnish opera singer who appeared in leading tenor roles throughout Europe but was particularly associated with the Finnish National Opera and the Royal Danish Opera. Although he specialised in the 19th-century Italian '' spinto'' repertoire, he also sang in many 20th-century works and created the role of The King in Erik Bergman's '' Det sjungande trädet'' in 1995. In his later years he was a professor of voice at the Sibelius Academy in Helsinki and the Malmö Academy of Music in Sweden. He died along with his young son in a car accident near Malmö at the age of 59. He is buried in Pohja, Finland, the town of his birth. Life and career Lindroos was born to a musical family in Pohja, a village in the Swedish-speaking region of Finland. His father Bertel was the organist in Pohja's Swedish-language Lutheran Church and his mother Hjördis a singer in the church choir and local concerts. He initially stud ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Petteri Salomaa
Juha Petteri Salomaa (born 26 August 1961) is a Finnish operatic bass-baritone who has had an active international singing career in operas and concerts since the late 1970s. He has performed on more than 30 recordings with a variety of record labels, including Decca Records, Deutsche Grammophon, Harmonia Mundi, His Master's Voice, and Philips Records among others. He taught on the voice faculty at the Sibelius Academy from 2003–2008, and currently serves as a visiting professor of singing at the Royal College of Music, Stockholm. Life and career Born in Helsinki as the son of opera singer , Salomaa began his musical studies as a cellist. In 1976, at the age of 15, he entered the Sibelius Academy where he began to pursue studies as a vocalist for the first time. His vocal teachers have included Kim Borg, Hans Hotter, Yevgeny Nesterenko and Erik Saedén. In 1981, at the age of 20, he won the National Singing Competition in Lappeenranta. He earned a bachelor's degree from the ...
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