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Desiya Thalaivar
Desiya was a dance- and house-music project that was fronted by the DJ-remixer- producer Matthew Parkhouse from New York and featured Melissa Yiannakou (now De Sa) on vocals. Its 1992 #1 hit on the US ''Billboard'' Hot Dance Music/Club Play chart, " Comin' on Strong," was released by Mute/Elektra Records and featured remixes by Tony Humphries, Larry Heard, and Masters at Work Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. They have bee .... It peaked at #74 in the UK Singles Chart in February 1992. References External linksDesiya at Discogs American dance music groups American house music groups Electronic music groups from New York (state) Mute Records artists {{house-band-stub ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and p ...
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Comin' On Strong (Desiya Song)
''Comin' On Strong'' is the fifth studio album by American country music artist Trace Adkins. It was released on December 2, 2003 on Capitol Records Nashville. The album produced two singles — " Hot Mama" and " Rough & Ready", which respectively reached No. 5 and No. 13 on the US ''Billboard'' Hot Country Songs charts. The album was certified platinum by the RIAA. The track "I'd Sure Hate to Break Down Here" was later recorded by Julie Roberts as "Break Down Here" on her self-titled debut album. Her version was released as a single in early 2004, peaking at No. 18 on the country charts. The song "Hot Mama" also appears on the game Karaoke Revolution Party. Track listing Personnel As listed in liner notes. *Trace Adkins – lead vocals *Mike Brignardello – bass guitar *Trey Bruce – percussion, programming *Pat Buchanan – electric guitar, harmonica *Lisa Cochran – background vocals * J. T. Corenflos – electric guitar *Vicki Hampton – background vocals *Aubrey ...
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American House Music Groups
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ...
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Masters At Work
Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. They have been referred to as one of the most influential artists in the history of house music. Biography In the late 1980s, Kenny "Dope" Gonzalez organized a series of block parties with his friend Mike Delgado under the name "Masters at Work". Gonzalez loaned the name to Todd Terry for his 1987 singles "Alright Alright" and "Dum Dum Cry", with editing by Mike Delgado and Franklin Martinez. Terry had attended Gonzalez's parties and became influential to him. When Vega was hired to mix one of Terry's freestyles, this eventually led him to meeting Gonzalez. Gonzalez and Vega then started using the name ''Masters at Work'' in 1990. In 1993, the duo also created the Nuyorican Soul moniker, blending their residence in New York City, Puerto Rican heri ...
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Larry Heard
Larry Heard (born May 31, 1960) is an American DJ, record producer, and musician who has recorded under various names, most notably Mr. Fingers. He is widely known as a pioneering figure in 1980s house music, and was leader of the influential group Fingers Inc., whose 1988 album '' Another Side'' was the first long-form house LP. He is regarded as a progenitor of the deep house subgenre, bridging the gap between the futurism of house and the lush sound of disco. His landmark 1986 single "Can You Feel It" would be a major influence on dance music. Early life Born on the South Side of Chicago, Heard grew up hearing jazz and Motown at home, and could play several instruments from a young age. Before beginning his solo musical career in 1983, he was the drummer, at the age of 17, in the band Infinity (a jazz fusion cover group that included Adonis). He is sometimes cited as having been a member of the Manhattan Transfer, but Heard has denied this, saying, " filled in for somebody o ...
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Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 continued to maintain their separate identities as labels. In Oct 2024, 300 Elektra Entertainment merged with Atlantic Records, though still retaining imprints on releases. History 1950–1971: Founding and early history Elek ...
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Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller (music producer), Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure (duo), Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Arca (musician), Arca, Inspiral Carpets, Moby, New Order (band), New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire (band), Wire, Yeasayer, Fever Ray, Nick Cave and the Bad Seeds, Yazoo (band), Yazoo, and M83 (band), M83. History Beginnings During 1978, Daniel Miller (music producer), Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute – Documentary Evidence – Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response – Daniel Miller Interview – E&MM 1984 "T.V.O.D."/"Warm Leath ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programs is to run down a music chart. History The first record chart was founded in 1952 by Percy Dick ...
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House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ...
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Hot Dance Music/Club Play
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by the ...
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