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Design Elements
Color Color is the result of light reflecting back from an object to our eyes. The color that our eyes perceive is determined by the pigment of the object itself. Color theory and the color wheel are often referred to when studying color combinations in visual design. Color is often deemed to be an important element of design as it is a universal language which presents the countless possibilities of visual communication. Color serves various purposes to contribute to the overall effectiveness of the design. It is used as an element to convey meaning and emotion, create visual hierarchy, enhance brand identity, improve readability and accessibility, create visual interest and appeal, differentiate information and elements, and make cultural and contextual significance. Hue, Colorfulness, saturation, and brightness are the three characteristics that describe color. *Hue can simply be referred to as "color" as in red, yellow, or green. Color theory in visual design Color theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color
Color (or colour in English in the Commonwealth of Nations, Commonwealth English; American and British English spelling differences#-our, -or, see spelling differences) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, emission spectra, emission, Reflection (physics), reflection and Transmittance, transmission. For most humans, colors are perceived in the visible light spectrum with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain. Colors have perceived properties such as hue, colorfulness (saturation), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organic Form
In romantic literature, a work has organic form if the structure has originated from the materials and subjects used by the author. Using the organic metaphor, the structure is seen to grow as a plant. It stands in contrast to a mechanical form, a work which has been produced in accordance with artificial rules. The lack of rules in Shakespeare's works led some critics to claim that they lacked form; Samuel Taylor Coleridge leapt to his defence with the concept of organic form. Overview Coleridge, an English poet, philosopher, literary critic, and founder of the Romantic movement, suggested that the concept of organic form meant that a poem or literary piece was shaped, rather than structured, from within. The use of the form allowed a piece to uniquely develop itself as it unfolded, and ultimately revealed an emphasis on the whole outcome of the piece, including the connections of each development to each other. In contrast to the more mechanical processes and rules which many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrylic Paint
Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or it may have its own unique characteristics not attainable with other media. Water-based acrylic paints are used as latex house paints, as latex is the technical term for a suspension of polymer microparticles in water. Interior latex house paints tend to be a combination of binder (sometimes acrylic, vinyl, PVA, and others), filler, pigment, and water. Exterior latex house paints may also be a co-polymer blend, but the best exterior water-based paints are 100% acrylic, because of its elasticity and other factors. Vinyl, however, costs half of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. Oil paint also has practical advantages over other paints, mainly because it is waterproof. The earliest surviving examples of oil paint have been found in Asia from as early as the 7th century AD, in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, mostly on wood. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. The thickness of the coat has considerable bearing on the time required for drying: thin coats of oil paint dry relatively quickly. The vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paint
Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics. Primitive forms of paint were used tens of thousands of years ago in cave paintings. Clean-up solvents are also different for water-based paint than oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house). History Paint was used in some of the earliest known human artworks. Some cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early ''Homo sapiens'' as long as 40,000 years ago. Paint may be even older. In 2003 and 2004, South African archeologists reported finds in Blombos Cave of a 100,000-y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assemblage (art)
Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials. The term also may be applied to free-standing works that have been assembled. History The origin of the art form dates to the cubist constructions of Pablo Picasso c. 1912–1914. The origin of the word (in its artistic sense) may be traced back to the early 1950s, when Jean Dubuffet created a series of collages of butterfly wings, which he entitled ''assemblages d'empreintes''. However, Marcel Duchamp, Jean Arp and others had been working with found objects for many years prior to Dubuffet. Russian artist Vladimir Tatlin created his "counter-reliefs" in 1914. Alongside Tatlin, the earliest woman artist to try her hand at assemblage was Elsa von Freytag- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papier Collé
''Papier collé'' (French: ''pasted paper'' or ''paper cut outs'') is a type of collage and collaging technique in which paper is adhered to a flat mount. The difference between collage and papier collé is that the latter refers exclusively to the use of paper, while the former may incorporate other two-dimension (non-paper) components. As the term papier collé is not commonly used, this type of work is often simply called collage. Cubist painter Georges Braque, inspired by Pablo Picasso's collage method, invented the techniqueCooper, Philip. ''Cubism''. London: Phaidon, 1995, p. 14. and first used it in his 1912 work, '' Fruit Dish and Glass''. Braque continued to use the technique in works such as ''Bottle, Newspaper, Pipe, and Glass''. Papier collé is primarily used to refer specifically to the paper collages of the Cubists. Notable collage artists Some of the notable collage artists are: * Georges Braque * Joseph Cornell * Juan Gris * Henri Matisse * Robert Motherw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage
Collage (, from the , "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assembly of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) Collage may refer to the technique as a whole, or more specifically to a two-dimensional work, assembled from flat pieces on a flat substrate, whereas Assemblage (art), assemblage typically refers to a three-dimensional equivalent. A collage may sometimes include Clipping (publications), magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (visual Arts)
In the visual arts, texture refers to the perceived surface quality of a work of art. It is an element found in both two-dimensional and three-dimensional designs, and it is characterized by its visual and physical properties. The use of ''texture'', in conjunction with other design elements, can convey a wide range of messages and evoke various emotions. Physical The physical texture, also known as ''actual texture'' or ''tactile texture,'' refers to the patterns of variations found on a solid surface. These can encompass a wide range of materials, including but not limited to fur, canvas, wood grain, sand, leather, satin, eggshell, matte, or smooth surfaces like metal or glass. Physical texture differentiates itself from visual texture by having a ''physical quality'' that can be felt by touching the surface. The specific use of texture can impact the perceived smoothness or roughness conveyed by an artwork. For instance, ''rough surfaces'' can create a visually ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture Arbre
Texture may refer to: Science and technology * Image texture, the spatial arrangement of color or intensities in an image * Surface texture, the smoothness, roughness, or bumpiness of the surface of an object * Texture (roads), road surface characteristics with waves shorter than road roughness * Texture (cosmology), a theoretical topological defect in the structure of spacetime * Crystallographic texture, distribution of crystallographic orientations in a polycrystalline material * Texture (geology), a physical appearance or character of a rock * Texture mapping, a bitmap image applied to a surface in computer graphics * Soil texture, a relative proportion of grain sizes of a soil Arts * Texture (visual arts), an element of design and its application in art Music * Texture (music), an overall sound created by the interaction of aspects of a piece of music * ''Textures'' (album), a 1989 album by Brian Eno * Textures (band), a metal band from the Netherlands, who formed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artificiality
Artificiality (the state of being artificial, anthropogenic, or man-made) is the state of being the product of intentional human manufacture, rather than occurring naturally through processes not involving or requiring human activity. Connotations Artificiality often carries with it the implication of being false, counterfeit, or deceptive. The philosopher Aristotle wrote in his ''Rhetoric'': However, artificiality does not necessarily have a negative connotation, as it may also reflect the ability of humans to replicate forms or functions arising in nature, as with an artificial heart or artificial intelligence. Political scientist and artificial intelligence expert Herbert A. Simon observes that "some artificial things are imitations of things in nature, and the imitation may use either the same basic materials as those in the natural object or quite different materials. Herbert A. Simon, ''The Sciences of the Artificial'' (1996), p. 4. Simon distinguishes between the arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
