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Desertshore Installation
''The Desertshore Installation'' is a box set that was released by Throbbing Gristle. The 12-CDr set documents the recording sessions of the cover version of Nico's third studio album, ''Desertshore''. These recordings were made as a document of TG's Desertshore Installation. These sessions were open to the public and a short question and answer session is included in the recordings. Each session lasted for approximately two hours and there were two sessions per day, an afternoon and an evening session. The box set only had one pressing. A number of jams recorded during the installation appear on Throbbing Gristle's tour-only album release ''The Third Mind Movements Throbbing Gristle were an English music and visual arts group formed in Kingston upon Hull by Genesis P-Orridge and Cosey Fanni Tutti, later joined by Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of in ...''. CDr information # Friday Afternoon Disc A - (1:09:02) # Frid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throbbing Gristle
Throbbing Gristle were an English music and visual arts group formed in Kingston upon Hull by Genesis P-Orridge and Cosey Fanni Tutti, later joined by Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 in the COUM exhibition ''Prostitution'', and released their debut single " United/Zyklon B Zombie" and debut album '' The Second Annual Report'' the following year. P-Orridge's lyrics mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language inspired by the techniques of William S. Burroughs. The band released several subsequent studio and live albums – including '' D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), '' 20 Jazz Funk Greats'' (1979), and '' Heathen Earth'' (1980) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Records
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre. Background Artists released through the label included Cabaret Voltaire, Clock DVA, SPK, Thomas Leer & Robert Rental, The Leather Nun, plus ''outrage'' artist Monte Cazazza, the author William S. Burroughs' auditory works, and a solo album by Throbbing Gristle member Chris Carter. A notable departure from the ''industrial'' form of the label was the blues standard " Stormy Weather" sung by Elisabeth Welch, taken from the soundtrack of Derek Jarman's film ''The Tempest''. The label's first LP was Throbbing Gristle's debut LP ''The Second Annual Report,'' which was limited to 786 copies. It came in bootleg-like packaging: a plain white card sleeve with glued-on xerox information strips. The Indu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Endless Not
''Part Two'' (also known as ''Part Two: The Endless Not'') is an album by English industrial band Throbbing Gristle, released in 2007 through record label Mute Records. Background In a similar vein to the band's 1978 album '' D.o.A: The Third and Final Report'', the album features four tracks each created by each individual member of the group. Bryin Dall was the co-writer and performer on the track by Genesis P-Orridge. The cover image is a picture of Mount Kailash taken by Martin Gray. Release ''Part Two: The Endless Not'' was released in 2007 through record label Mute Records. Included with the first 4000 copies is one of four "totemic gifts", each made from one of the following materials: bone, wood, rubber and copper. A fifth stainless steel totem was made available in a Japanese edition of the CD. A sixth totemic gift is made of 23 carat gold. The gifts were handmade under the supervision of Peter Christopherson in Thailand. Critical reception ''Part Two: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TGV (Throbbing Gristle DVD Set)
''TGV'' is a limited edition 7 DVD set of archival footage of the English industrial band Throbbing Gristle. Included in this set were some of Throbbing Gristle's live performances, as well as rehearsals and short films. The release was limited to 2,000 copies and was initially only available direct from the band's website, but later some sellers were offering it online. Contents From 1979–81 shows at: *Oundle School *Recording Heathen Earth at the Industrial Records Studios, Martello St. London *Sheffield University * Rafters Club, Manchester *The Lyceum, London *Kezar Pavilion, San Francisco From 2004–05: *A short film of the Cabinet Gallery Exhibition "TG24" by Andrew Wheatley *Rare footage of TG rehearsing at Mute Studios in February 2004. *The band's performance at the Astoria Theatre 2004 *All Tomorrow’s Parties performance at Camber Sands 2004 *Both performances from Turin, Italy 2005 Also: *Derek Jarman Michael Derek Elworthy Jarman (31 January 1942 – 19 Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nico
Christa Päffgen (; 16 October 1938 – 18 July 1988), known by her stage name Nico, was a German singer, songwriter, actress, and model. Nico had roles in several films, including Federico Fellini's '' La Dolce Vita'' (1960) and Andy Warhol's ''Chelsea Girls'' (1966). At the insistence of Warhol, she sang lead on three songs of the Velvet Underground's debut album '' The Velvet Underground & Nico'' (1967). At the same time, she started a solo career and released '' Chelsea Girl'' (1967). Her friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument. John Cale of the Velvet Underground became her musical arranger and produced '' The Marble Index'' (1968), '' Desertshore'' (1970), '' The End...'' (1974) and other subsequent albums. In the 1980s, Nico toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desertshore
''Desertshore'' is the third studio album by German musician Nico. It was released in December 1970 on the Reprise label and co-produced by John Cale and Joe Boyd. Recording ''Desertshore'' was co-produced by John Cale and Joe Boyd. "Janitor of Lunacy" was composed as a tribute to her friend Brian Jones, founding member of the Rolling Stones, who had died the previous year. The back and front covers feature stills from the film '' The Inner Scar'' by Philippe Garrel which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the film's soundtrack. Legacy Like '' The Marble Index, Desertshore'' obtained a small cult following its release, but was overlooked by most large publications and the public in general. However, it has received mainstream praise from critics in subsequent years with AllMusic and The New Rolling Stone Album Guide in particular providing a strong and positive reception. Tiny Mix Tapes rated ''Desertshor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Third Mind Movements
Throbbing Gristle were an English music and visual arts group formed in Kingston upon Hull by Genesis P-Orridge and Cosey Fanni Tutti, later joined by Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 in the COUM exhibition ''Prostitution'', and released their debut single " United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. P-Orridge's lyrics mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language inspired by the techniques of William S. Burroughs. The band released several subsequent studio and live albums – including '' D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), '' 20 Jazz Funk Greats'' (1979), and '' Heathen Earth'' (1980) � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Compilation Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube (algebra), cube. As an early prime number in the series of positive integers, the number seven has symbolic associations in religion, mythology, superstition and philosophy. The seven classical planets resulted in seven being the number of days in a week. 7 is often considered lucky in Western culture and is often seen as highly symbolic. Evolution of the Arabic digit For early Brahmi numerals, 7 was written more or less in one stroke as a curve that looks like an uppercase vertically inverted (ᒉ). The western Arab peoples' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arab peoples developed the digit from a form that looked something like 6 to one that looked like an uppercase V. Both modern Arab forms influenced the European form, a two-stroke form cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
