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Derrière Le Miroir
''Derrière le Miroir'' (, ) is a French art magazine created in 1946 and published until 1982. Art galleries, auction houses and booksellers often refer to this art magazine simply as D.L.M. or DLM. Aimé Maeght is the founder, editor and publisher. History In October 1945, the French art dealer Aimé Maeght opened his art gallery at 13 Rue de Téhéran in Paris. The opening of the gallery coincides with the end of World War II and the return of a number of exiled artists back to France. The magazine was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are: Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel, Eduardo Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimé Maeght
Aimé Maeght (; 27 April 1906 – 5 September 1981) was a French art dealer, collector, lithographer, and publisher. He founded the Galerie Maeght in Paris and Barcelona, and the Fondation Maeght in Saint-Paul-de-Vence near Nice (southern France). Though the original Flemish pronunciation is pronounced "", the French pronunciation of surname Maeght sounds more similar to '. Art dealer As a youth, Maeght studied art and music, training as a lithographer at the Ecole des Beaux-Arts in Nîmes.Watkins (2008) His first commercial encounter in the art world came in 1930, when Pierre Bonnard came to his Cannes shop and had Maeght print a program for a Maurice Chevalier concert with a Bonnard lithograph. After the programs were produced, Maeght put the lithograph in the print-shop window. A quick sale encouraged the artist to give him a second picture. Maeght made his Paris debut as a major art dealer on the Rue de Teheran in 1945, after World War II. On sale were all the paintings done b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Apollinaire
Guillaume Apollinaire (; ; born Kostrowicki; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist and art critic of Poland, Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism (art), Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie. He wrote poems without punctuation, in his attempt to be resolutely modern in both form and subject. Apollinaire wrote one of the earliest Surrealist literary works, the play ''The Breasts of Tiresias'' (1917), which became the basis for Francis Poulenc's 1947 opera ''Les mamelles de Tirésias''. Influenced by Symbolist poetry in his youth, he was admired during his lifetime by the young poets who later formed the nucleus of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |