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Der Blaue Reiter
''Der Blaue Reiter'' (''The Blue Rider'') was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912). The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited. Traveling exhibitions in German and other European cities followed. ''The Blue Rider'' disbanded at the start of World War I in 1914. The artists associated with ''Der Blaue Reiter'' were important pioneers of modern art of the 20th century; they formed a loose network of relationships, but not an art group in the narrower sense like Die Brücke (The Bridge) in Dresden. The work of the affiliated artists is assigned to German Expressionism. History The forerunner of ''The Blue Rider'' was the Neue Künstlervereinigung München (N.K.V.M: New Artists' Ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blue Rider (Kandinsky Painting)
''The Blue Rider'' (German: ''Der Blaue Reiter'') is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s. Background Kandinsky was born in Moscow in 1866, the only son of a tea merchant. When his parents divorced, he was sent to live with an aunt; it was there he first discovered the magic of colours. At university, he decided to study Economics and Law, passing his exams "with ease". Shortly after marrying his cousin, after seeing a painting in Monet's series ''Haystacks'', he was faced with a dilemma to be either a professor, or to begin a career as an artist. He decided to learn painting, and thus, in 1896, the thirty-year-old went to Munich, Germany. Description It depicts a horseman in a blue cloak galloping through a meadow on a white horse with a forest in the background. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenbachhaus
The Lenbachhaus () is a building housing the Städtische Galerie (English: Municipal Gallery) art museum in Munich's ''Kunstareal''. The building The Lenbachhaus was built as a Florentine-style villa for the painter Franz von Lenbach between 1887 and 1891 by Gabriel von Seidl and was expanded 1927–1929 by Hans Grässel and again 1969–1972 by Heinrich Volbehr and Rudolf Thönnessen. Some of the rooms have kept their original design. The city of Munich acquired the building in 1924 and opened a museum there in 1929. The latest wing was closed to the public in 2009 to allow the expansion and restoration of the Lenbachhaus by Norman Foster, Baron Foster of Thames Bank, Norman Foster; the 1972 extension was demolished to make way for the new building. The museum reopened in May 2013. The architect placed the new main entrance on Museumsplatz in front of the Propylaea (Munich), Propylaea. The new facade, clad in metal tubes made of an alloy of copper and aluminum, will weather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galka Scheyer
Galka Scheyer (born Emilie Esther Scheyer; 15 April 1889, Braunschweig – 13 December 1945, Los Angeles) was a German-American painter, art dealer, art collector, and teacher. She was the founder of the "Blue Four," an artists' group that consisted of Lyonel Feininger, Wassily Kandinsky, Paul Klee and Alexej von Jawlensky. Early life and education Born in 1889 in Braunschweig, Germany, to a middle-class Jewish family, Galka Emmy Scheyer studied art and English in London, took painting lessons from Braunschweig artist Gustav Lehmann, traveled to Italy with him and spent a couple of years in Paris at the École des Beaux-Arts. By 1916, she was working as a painter in Brussels.Suzanne Muchnic (December 08, 2002)A queen to four kings''Los Angeles Times''. ''The Blue Four'' and California Scheyer's commitment to the Blue Four began in 1915, when she first saw the work of Russian artist Jawlensky in Lausanne, Switzerland. She organized his participation in a group show at Nassauisc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures ''Writings on Form and Design Theory'' (''Schriften zur Form und Gestaltungslehre''), published in English as the ''Paul Klee Notebooks'', are held to be as important for modern art as Leonardo da Vinci's ''A Treatise on Painting'' was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. Early life and training Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Klee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyonel Feininger
Lyonel Charles Adrian Feininger (; July 17, 1871January 13, 1956) was a German-American painter, and a leading exponent of Expressionism. He also worked as a caricaturist and comic strip artist. He was born and grew up in New York City. In 1887 he traveled to Europe and studied art in Hamburg, Berlin and Paris. He started his career as a cartoonist in 1894 and met with much success in this area. He also worked as a commercial caricaturist for 20 years. At the age of 36, he began to work as a fine artist. His work, characterized above all by prismatically broken, overlapping forms in translucent colors, with many references to architecture and the sea, made him one of the most important artists of classical modernism. Furthermore he produced a large body of photographic works and created several piano compositions and fugues for organ. Life and work Lyonel Feininger was born to German-American violinist and composer Karl Feininger and American singer Elizabeth Feininger. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Macke
August Robert Ludwig Macke (3 January 1887 – 26 September 1914) was a German Expressionist painter. He was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly active time for German art: he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. As an artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. Like his friend Franz Marc and Otto Soltau, he was one of the young German artists who died in the First World War. Early life August Robert Ludwig Macke was born in Germany on 3 January 1887, in Meschede, Westphalia. He was the only son of August Friedrich Hermann Macke (1845–1904), a building contractor and amateur artist, and his wife, Maria Florentine, née Adolph, (1848–1922), who came from a farming family in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First World War
World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting took place mainly in European theatre of World War I, Europe and the Middle Eastern theatre of World War I, Middle East, as well as in parts of African theatre of World War I, Africa and the Asian and Pacific theatre of World War I, Asia-Pacific, and in Europe was characterised by trench warfare; the widespread use of Artillery of World War I, artillery, machine guns, and Chemical weapons in World War I, chemical weapons (gas); and the introductions of Tanks in World War I, tanks and Aviation in World War I, aircraft. World War I was one of the List of wars by death toll, deadliest conflicts in history, resulting in an estimated World War I casualties, 10 million military dead and more than 20 million wounded, plus some 10 million civilian de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." From a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. The concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rayonism
Rayonism (or Rayism or Rayonnism) was a style of abstract art that developed in Russia in 1910–1914. Founded and named by Russian Cubo-Futurists Mikhail Larionov and Natalia Goncharova, it was one of Russia's first abstract art movements. Background In 1909, Italian poet F. T. Marinetti published the ''Founding Manifesto of Futurism.'' The Futurists took speed, technology and modernity as their inspiration, depicting the dynamic character of early 20th century life; examples of Italian Futurists are Umberto Boccioni and Giacomo Balla. Shortly after the movement started, Russian Futurism, Ego-Futurism and Cubo-Futurism began; in Russia, the movement was developed by painter David Burliuk, poets Aleksei Kruchyonykh, Vasily Kamensky and Vladimir Mayakovsky, and many others. Larionov and Goncharova were early followers of Russian Futurism. In 1910, the latter two people, together with many associates such as Aristarkh Lentulov and Ilya Mashkov, they founded the exhibiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubism
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form. Instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term ''cubism'' is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
