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Denise Murrell
Denise Murrell is a curator at large for 19th- and 20th-century art at the Metropolitan Museum of Art in New York City. She is best known for her 2018 exhibition ''Posing Modernity: The Black Model from Manet and Matisse to Today'', which explored how French Impressionist painters and later artists portrayed black models. In 2019, the ''New York Observer'' included her on its "Arts Power 50" list of "individuals working to strengthen the impact, reach, social responsibility or financial stability of the arts industry". Early life and education Murrell spent her teenage years in Gastonia, North Carolina. At the time, she aspired to become a history professor. Murrell earned her M.B.A. from Harvard Business School in 1980. She was one of only 30 black students in her class and one of less than ten women. Murrell began her career in business and finance at Citicorp bank and Institutional Investor publishing group. In 1997, she became the managing director for the Institutional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Art
Twentieth-century art—and what it became as modern art—began with modernism in the late nineteenth century. Overview Nineteenth-century movements of Post-Impressionism ( Les Nabis), Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brücke strove for emotional Expressionism. Another German group was Der Blaue Reiter ("The Blue Rider"), led by Kandinsky in Munich, who associated the ''blue rider'' image with a spiritual non-figurative mystical art of the future. Kandinsky, Kupka, R. Delaunay and Picabia were pioneers of abstract (or non-representational) art. Cubism, generated by Picasso, Braque, Metzinger, Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image. Futurism incorporated the depiction of movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (Manet)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a '' demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ArtNet
Artnet.com is an art market website. It is operated by Artnet Worldwide Corporation, which has headquarters in New York City, in the United States, and is owned by Artnet AG, a German publicly traded company based in Berlin that is listed on the Frankfurt Stock Exchange. The company increased revenues by 25.3% to 17.3 million EUR in 2015 compared with a year before. Company history The company was founded as Centrox Corporation in 1989 by Pierre Sernet, a French collector who developed database software which allowed images of artworks to be associated with market prices. Hans Neuendorf, a German art dealer, began to invest in the company in the 1990s; he became chairman in 1992 and chief executive officer A chief executive officer (CEO), also known as a central executive officer (CEO), chief administrator officer (CAO) or just chief executive (CE), is one of a number of corporate executives charged with the management of an organization especial ... in 1995. That s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romare Bearden
Romare Bearden (September 2, 1911 – March 12, 1988) was an American artist, author, and songwriter. He worked with many types of media including cartoons, oils, and collages. Born in Charlotte, North Carolina, Bearden grew up in New York City and Pittsburgh, Pennsylvania, and graduated from New York University in 1935. He began his artistic career creating scenes of the American South. Later, he worked to express the humanity he felt was lacking in the world after his experience in the US Army during World War II on the European front. He returned to Paris in 1950 and studied art history and philosophy at the Sorbonne. Bearden's early work focused on unity and cooperation within the African-American community. After a period during the 1950s when he painted more abstractly, this theme reemerged in his collage works of the 1960s. '' The New York Times'' described Bearden as "the nation's foremost collagist" in his 1988 obituary.Fraser, C. Gerald Romare Bearden, Collagist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Woman With Peonies
''Black Woman with Peonies'' is a painting by Frédéric Bazille, produced in late spring 1870, a few months before the outbreak of the Franco-Prussian War which would claim his life. It has been in the Musée Fabre, in Montpellier, since 1918. It is an oil on canvas and its dimensions are 60.3 cm (23.7 in) × 75.2 cm (29.6 in). In the year that he painted it, Bazille created another, similar, image with the same model, currently in the collection of the National Gallery of Art. He may have conceived both works as a tribute to Manet. Both paintings make use of Peony, peonies, a type of flower Édouard Manet grew in his garden and painted frequently. In one of his most famous paintings, ''Olympia (Manet), Olympia'', Manet depicted a black servant bringing a bouquet of peonies to a reclining prostitute. The model who posed for Bazille is unidentified, but is the same model who posed for Thomas Eakins's painting ''Female Model'' (1867–1869), in which she wears the same headscarf a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Bazille
Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss La La At The Cirque Fernando
''Miss La La at the Cirque Fernando'' is an oil on canvas painting by the French Impressionist artist Edgar Degas. Painted in 1879 and exhibited at the Fourth Impressionist Exhibition in Paris that same year, it is now in the collection of the National Gallery in London. It is Degas's only circus painting, and Miss La La is the only identifiable person of color in Degas's works. The special identity of Miss La La and the great skills Degas used in painting her performance in the circus made this piece of art important, widely appreciated but, at the same time, controversial. Introduction Degas visited the recently established Cirque Fernando at least four times between the 19th and 25th of January 1879. The star attraction was the act of Miss La La, a mixed-race acrobat, known as ''la femme canon''. The nickname came from her most sensational trick: to fire a cannon suspended on chains that she held in her teeth while hanging from the trapeze, hooked at the knees. Degas made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darren Walker
Darren Walker (born August 28, 1959) currently serves as 10th president of the Ford Foundation, a private foundation dedicated to human welfare. In June 2020, Walker led the Ford Foundation to issue a $1 billion designated social bond to stabilize non-profit organizations in the wake of the COVID-19 pandemic. Walker is a member of the Reimagining New York Commission and co-chair of 2020 New York City Census. In October 2021, Walker announced that the Ford Foundation will divest its investments from " fossil fuels and seek opportunities to invest in alternative and renewable energy in the future"; including investing in "funds that address the threat of climate change, and support the transition to a green economy." Before joining the Ford Foundation, Walker was vice president at the Rockefeller Foundation and COO of Harlem's Abyssinian Development Corporation. He co-founded both the US Impact Investing Alliance and the Presidents' Council on Disability Inclusion in Philanthr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Foundation
The Ford Foundation is an American private foundation with the stated goal of advancing human welfare. Created in 1936 by Edsel Ford and his father Henry Ford, it was originally funded by a US$25,000 gift from Edsel Ford. By 1947, after the death of the two founders, the foundation owned 90% of the non-voting shares of the Ford Motor Company. (The Ford family retained the voting shares.) Between 1955 and 1974, the foundation sold its Ford Motor Company holdings and now plays no role in the automobile company. Ahead of the foundation selling its Ford Motor Company holdings, in 1949, Henry Ford II created the , a separate corporate foundation that to this day serves as the philanthropic arm of the Ford Motor Company and is not associated with the foundation. The Ford Foundation makes grants through its headquarters and ten international field offices. For many years, the foundation's financial endowment was the largest private endowment in the world; it remains among the wealth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Paris
The School of Paris (french: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. The School of Paris was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. ''School of Paris'' was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost everyone, by the 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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