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Deixa Falar
Deixa Falar was a voluntary carnaval association that was based out of the Estácio neighborhood of Rio de Janeiro. It is considered the first ever samba school, along with being the first entity created under that title. Though Portela, for instance, had been established earlier, Deixa Falar is considered a pioneering samba school, having established key tenants of what a samba school is. The real nomenclature behind the association, however, is still slightly controversial. This is due to the fact that, between 1929 and 1932, even as it was still mentioned as a "samba school", they were considered a bloco. In fact, Deixa Falar never participated in carnival contests in that category. Deixa Falar existed only for a short time, creating "embassies" (visits to other samba schools such as Mangueira, Oswaldo Cruz, and Madureira) and parading at Praça Onze during the carnavals of 1929, 1930 and 1931. They did not participate in the first official samba school contest in Rio de J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estácio, Rio De Janeiro
Estácio is a neighborhood in Rio de Janeiro, Brazil. The neighborhood was named after Estácio de Sá Estácio de Sá (1520 – 20 February 1567) was a Portuguese soldier and officer. Sá travelled to the colony of Brazil on the orders of the Portuguese crown to wage war on the French colonists commanded by Nicolas Durand de Villegaignon. The ..., the founder of Rio de Janeiro. The place where samba began. References Neighbourhoods in Rio de Janeiro (city) {{RiodeJaneiro-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pai-de-santo
A ''pai-de-santo'' or ''pai de santo'' (, plural pais de santo ) is a male priest of Candomblé, Umbanda and Quimbanda, the Afro-Brazilian religions. In Portuguese, those words translate as "saint's father", which is a calque (word-to-word translative adaptation) of the Yoruba ''babalorisha'', a title given to the leaders of the African religions that originated the Brazilian ones. '' Baba'' means "father", and the contraction ''l'orisha'' means "of orisha". As a product of religious syncretism, the word ''orisha'' (meaning "elevated or ancestral spirit") was adapted into Portuguese as "saint".https://www.aulete.com.br/pai%20de%20santo In the Afro-Brazilian religions, priests (of both sexes) are seen as the owners of tradition, knowledge and culture; it is their responsibility to pass those on to the new generations, because there is no religious text to use for the record. See also * Babalawo * Mãe-de-santo A ''mãe-de-santo'' or ''mãe de santo'' (, plural mães de s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Schools Of Rio De Janeiro
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grupo De Acesso
The Grupo de Acesso - Access Group - was created for the first time in the city of Rio de Janeiro when the UGESB, FBES and UCES resolved to organize a unique competition, unlike the last three years, where schools would be divided into groups. Before this, there was only one association of samba schools and all the schools participated in the same division. However, in 1952, with the unification of the entities, people concluded that there were too many schools to parade in the same day, and divided the schools into groups according to each school's efficiency. Therefore, they decided to place in Group 1 (current Special Group) the best 24 schools, while the other schools would parade in Group 2 (current Access Group, or Grupo de Acesso), with the promise of possibilities of ascension or fall, promise that was only realized in 1954, two years later. In 1960, Group 3 (current Access Group B) was created, and in 1979, the first change of names, with the first Group D. The divisions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estácio De Sá (samba School)
The Grêmio Recreativo Escola de Samba Estácio de Sá is one of the most traditional samba schools of the Rio de Janeiro (city), city of Rio de Janeiro. It has won once the LIESA, top-tier Rio parade in 1992. History Founded in 1928 as a successor to Deixa Falar, coming from the same neighborhood and is considered by some researchers of samba as a single block, was in fact the first school of samba, because its components taught and spread samba, the school marched up to 1933. However, the Unidos de São Carlos came 20 years after. With the merger of the old samba schools heirs of Deixa Falar. Meanwhile, the Unidos de São Carlos always stayed in intermediate positions Special and often semprede in the access and sambas considered of better quality, as the Círio de Nazaré and Bahia, Arte negra na legendária Bahia. In 1986, with change to neighborhood where is the school. In 1986, with the change to the neighborhood where is the school. The thing moved and getting in goo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saúde, Rio De Janeiro
Saúde is a neighborhood of Rio de Janeiro, Brazil. Its population in 2000 was 2186. Located on the coast, just north of the historical centre in downtown Rio, west of Praça Mauá and east of Gamboa, Rio de Janeiro, it contains several notable hospitals such as Hospital dos Servidores de Estado and Hospital Pro Matre; the name Saúde means "Health" in Portuguese. It is marked by many homes for the lower middle class and numerous sheds, warehouses and depots are located in the region. The Church of Our Lady of Saúde was built in 1789 on the seafront and gave its name to the neighborhood of Saúde, although the church belongs, nowadays, to the neighborhood of Gamboa, Rio de Janeiro, Gamboa. Pedra do Sal, a historic and religious site, is located within Saúde. The Community Descendents of the Quilombos of Pedra do Sal (Portuguese language, Portuguese: ''Comunidade Remanescentes de Quilombos da Pedra do Sal'') were recognized as a historic site in 1984 by INEPAC, the Institute fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jornal Do Brasil
''Jornal do Brasil'', widely known as ''JB'', is a daily newspaper published by Editora JB in Rio de Janeiro, Brazil. The paper was founded in 1891 and is the third oldest extant Brazilian paper, after the ''Diário de Pernambuco'' and ''O Estado de S. Paulo''. On 31 August 2010 it became a digital newspaper, folding its print edition until 25 February 2018, when it was printed again. History It is often believed that the newspaper was founded by former supporters of the deposed monarchy and sported conservative views in its early decades. However at the time, the monarchy was leading the fight for the end of slavery so can be considered liberal for the period. Many important Brazilian writers and journalists eventually worked for ''Jornal do Brasil'', especially after the 1964 coup d'état. ''Jornal do Brasil'' was an important opponent for challenging censorship although it never was radically against the dictatorship and its editors did not follow a rebellious line against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floor Tom
A floor tom or low tom is a double-headed tom-tom drum which usually stands on the floor on three legs. However, they can also be attached to a cymbal stand with a drum clamp, or supported by a rim mount. It is a cylindrical drum without snare wires, and tend to produce a booming, resonant sound which can vary in pitch. The floor toms are the lowest tuned drums played with sticks on a regular drum set. Common sizes are * 16x16, that is, in both depth and diameter. This was the original size and is still most common. * × 14 for jazz and fusion (music), fusion kits, and very occasionally with a 16x16 as well. * 18x16; that is, in diameter and 16 in depth, the most common size for a second floor tom, used with a 16x16. * 16x18, a rarer size sometimes used for a second floor tom, also with a 16 × 16. Floor toms can be mounted: * In the traditional manner, with three adjustable legs. * On three legs but connected to them by means of a rim mount on the lower rim, the original f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuíca
The cuíca () is a Brazil, Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in Samba (music), samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. In drum kit list, the mute and open cuíca sound is a F5 and G5. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to enslaved Bantu peoples, Bantu people, to Spain, and to Muslim traders – structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic . The cuíca was used in Africa as a call for the male lion since the sound mimics the roar of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcebíades Barcelos
Alcebíades Maia Barcelos (25 July 1902 – 18 March 1975), also known by his stage name Bide, was a Brazilian samba musician and composer. Barcelos was born in Niterói in 1902. His brother, Mano Rubem, was a fellow samba musician. They moved to Rio de Janeiro, to the neighborhood of Estácio, in 1908. Initially a shoemaker, he frequently attended the Turma do Estácio samba de roda sessions in Estácio, and became acquainted with the samba musicians that brought the maxixe dance into the fold of the samba genre, as was the case at that time. He, along with Mano Rubem and other big names in samba at the time such as Ismael Silva, Heitor dos Prazeres, and Baiaco, formed Deixa Falar in 1928, considered to be the first samba school in Rio de Janeiro. He is also credited with creating the surdo as part of his work with Deixa Falar. He wrote songs for and collaborated with names such as Benedito Lacerda and Sílvio Caldas, though his most well-known collaboration came with Armando ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engenho De Dentro
Engenho de Dentro is a middle-class and lower-middle-class neighbourhood in the Rio de Janeiro#North Zone, North Zone of Rio de Janeiro, Brazil. It borders the neighbourhoods of Abolição, Água Santa, Rio de Janeiro, Água Santa, Cachambi, Encantado, Rio de Janeiro, Encantado, Inhaúma, Rio de Janeiro, Inhaúma, Lins de Vasconcelos, Méier, Pilares and Todos os Santos, Rio de Janeiro, Todos os Santos. The Estádio Olímpico João Havelange, Nilton Santos Olympic Stadium, home stadium of Botafogo de Futebol e Regatas, Botafogo F.R. and one of the venues of the 2007 Pan American Games, 2016 Summer Olympics and 2016 Summer Paralympics, Paralympics, is situated in Engenho de Dentro. The Olímpica de Engenho de Dentro station is the SuperVia train station in Rio de Janeiro that serves this neighborhood. From Central do Brasil station, passengers can reach Engenho de Dentro neighbourhood and Nilton Santos stadium in 25 minutes taking the Japeri, Santa Cruz or Deodoro lines, leaving the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zé Espinguela
José Gomes da Costa, also called Zé Spinelli and Zé Espinguela (c. 1890–1945), was a Brazilian journalist, writer, pai-de-santo, and samba musician, who was a member of the Bloco dos Arengueiros, a founder of the Estação Primeira de Mangueira, and an organizer of one of the first samba competitions on 20 January 1929. The contest occurred at his house on Rua Adolpho Bergamini in the Engenho de Dentro neighborhood, the same area where Arranco samba school now stands. Biography Espinguela was born around 1890 in Rio de Janeiro. As a precursor, he held a contest in 1927. Heitor dos Prazeres won with the song ''A Tristeza Me Persegue''. Being a member of Mangueira, Zé Espinguela acted in an impartial manner as a judge of the 1929 contest, awarding Conjunto Oswaldo Cruz, now known as Portela. Ironically, the group that is considered the first samba school, Deixa Falar, had been eliminated by Espinguela for presenting wind instruments, which were prohibited as they had be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
