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Deep Focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus (optics), focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture. Since the aperture of a camera determines how much light enters through the lens, achieving deep focus requires a bright scene or long-exposure photography, long exposure. A wide-angle lens also makes a larger portion of the image appear sharp. It is also possible to achieve the illusion of deep focus with optical tricks (split-focus diopter) or by compositing two or more images together using focus stacking. The opposite of deep focus is shallow focus, in which the plane of the image that is in focus is very shallow. For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding ...
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Aperture Diagram
In optics, the aperture of an optical system (including a system consisting of a single lens) is the hole or opening that primarily limits light propagated through the system. More specifically, the entrance pupil as the front side image of the aperture and focal length of an optical system determine the cone angle of a bundle of ray (optics), rays that comes to a focus (optics), focus in the image plane. An optical system typically has many structures that limit ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens (optics), lens or mirror, or a ring or other fixture that holds an optical element in place or may be a special element such as a diaphragm (optics), diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the cone of rays that an optical system accepts (see entrance pupil). As a ...
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Masahiro Shinoda
was a Japanese film director, whose career spanned over four decades and covered a wide range of genres and styles. He was one of the central figures of the Japanese New Wave during the 1960s and 1970s. He directed films for Shochiku Studio from 1960 to 1965, before turning to Independent film, independent cinema from 1966 onward. His film style was characterized by Social exclusion, socially marginalized characters, many of whom turn to crime or suicide, and meticulous attention to pictorial beauty. He drew on traditional Japanese fiction and theater and some of his films bear the influence of Kenji Mizoguchi, whom he admired. Early life Shinoda was born on March 9, 1931, in Gifu Prefecture and attended Waseda University, where he studied theater and also participated in the Hakone Ekiden long-distance race. Career Shinoda joined the Shōchiku Studio in 1953 as an assistant director, where he worked on films by such directors as Yasujirō Ozu. He debuted as a director in 1960 ...
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Miami Vice (film)
''Miami Vice'' is a 2006 Crime film, crime Action film, action-thriller film written, directed, and produced by Michael Mann. It is an film adaptation, adaptation of the 1980s television series Miami Vice, of the same name, which Mann produced. It stars Colin Farrell as James "Sonny" Crockett and Jamie Foxx as Ricardo "Rico" Tubbs, Miami-Dade Police Department, MDSO detectives who go undercover to fight drug trafficking operations. The cast also features Gong Li, Naomie Harris, Barry Shabaka Henley, John Ortiz, Luis Tosar, Ciarán Hinds, Elizabeth Rodriguez, and Justin Theroux. Foxx brought up the idea of a ''Miami Vice'' film to Mann during a party for ''Ali (film), Ali''. This led Mann to revisit the series he co-produced. Like ''Collateral (film), Collateral'', which also starred Foxx, most of the film was shot with the Thomson Viper FilmStream Camera, Thomson Viper Filmstream Camera, while Super 35 was used for high-speed and underwater shots. ''Miami Vice'' premiered in Lo ...
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Focal Length
The focal length of an Optics, optical system is a measure of how strongly the system converges or diverges light; it is the Multiplicative inverse, inverse of the system's optical power. A positive focal length indicates that a system Convergence (optics), converges light, while a negative focal length indicates that the system Divergence (optics), diverges light. A system with a shorter focal length bends the Ray (optics), rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially Collimated beam, collimated (parallel) rays are brought to a Focus (optics), focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In mos ...
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Lens (optics)
A lens is a transmissive optical device that focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements''), usually arranged along a common axis. Lenses are made from materials such as glass or plastic and are ground, polished, or molded to the required shape. A lens can focus light to form an image, unlike a prism, which refracts light without focusing. Devices that similarly focus or disperse waves and radiation other than visible light are also called "lenses", such as microwave lenses, electron lenses, acoustic lenses, or explosive lenses. Lenses are used in various imaging devices such as telescopes, binoculars, and cameras. They are also used as visual aids in glasses to correct defects of vision such as myopia and hypermetropia. History The word ''lens'' comes from , the Latin name of the lentil (a seed of a lentil pla ...
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Film Gauge
Film gauge is a physical property of photographic film, photographic or Film stock, motion picture film stock which defines its width. Traditionally, the major movie film gauges are 8 mm film, 8 mm, 16 mm film, 16 mm, 35 mm movie film, 35 mm, and 70 mm film, 65/70 mm (in this case 65 mm for the negative and 70 mm for the release print; the extra five millimeters are reserved for the magnetic soundtrack). There have been other historic gauges in the past, especially in the silent era, most notably 9.5 mm film, as well as a panoply of others ranging from 3 mm to 75 mm. Larger film gauge is generally associated with higher image quality, higher image detail, greater materials expense, heavier camera equipment, larger and most costly movie projector, projection equipment, as well as greater bulk and weight for distribution and storage (both interim and archival). See also *Film format, includes the standards for image capture and projection, as well as film gauge ...
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Image Sensor
An image sensor or imager is a sensor that detects and conveys information used to form an image. It does so by converting the variable attenuation of light waves (as they refraction, pass through or reflection (physics), reflect off objects) into signal (electrical engineering), signals, small bursts of electric current, current that convey the information. The waves can be light or other electromagnetic radiation. Image sensors are used in electronics, electronic imaging devices of both analogue electronics, analog and digital electronics, digital types, which include digital cameras, camera modules, camera phones, optical mouse devices, medical imaging equipment, night vision equipment such as thermography, thermal imaging devices, radar, sonar, and others. As technological change, technology changes, electronic and digital imaging tends to replace chemical and analog imaging. The two main types of electronic image sensors are the charge-coupled device (CCD) and the active-pixel s ...
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The Best Years Of Our Lives
''The Best Years of Our Lives'' (also known as ''Glory for Me'' and ''Home Again'') is a 1946 American drama film directed by William Wyler and starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo and Harold Russell. The film is about three United States servicemen re-adjusting to societal changes and civilian life after coming home from World War II. The three men come from different services with different ranks that do not correspond with their civilian social class backgrounds. It is one of the earliest films to address issues encountered by returning veterans in the post World War II era. The film was a critical and commercial success. It won seven Academy Awards: Best Picture, Best Director (William Wyler), Best Actor (Fredric March), Best Supporting Actor ( Harold Russell), Best Film Editing (Daniel Mandell), Best Adapted Screenplay ( Robert E. Sherwood), and Best Original Score ( Hugo Friedhofer). In addition, Russell was also a ...
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André Bazin
André Bazin (; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine '' Cahiers du cinéma'' in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. He is notable for arguing that realism is the most important function of cinema. His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage, were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader p ...
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Gregg Toland
Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' ''Citizen Kane'' (1941), William Wyler's ''The Best Years of Our Lives'' (1946), and John Ford's ''The Grapes of Wrath'', and '' The Long Voyage Home'' (both, 1940). He is also known for his work as a director of photography for ''Wuthering Heights'' (1939), '' The Westerner'' (1940), '' Ball of Fire'' (1941), '' The Outlaw'' (1943), ''Song of the South'' (1946) and ''The Bishop's Wife'' (1947). Toland earned six Academy Award nominations for Best Cinematography, and won for his work on ''Wuthering Heights''. He was voted one of the top ten most influential cinematographers in the history of film by the International Cinematographers Guild in 2003. Career Toland was born in Charleston, Illinois, on May 29, 1904, to Jennie, a housekeeper, and Frank Toland. His mot ...
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James Wong Howe
Wong Tung Jim, A.S.C. (; August 28, 1899 – July 12, 1976), known professionally as James Wong Howe (Houghto), was a Chinese-born American cinematographer who worked on over 130 films. During the 1930s and 1940s, he was one of the most sought after cinematographers in Hollywood due to his innovative filming techniques. Howe was known as a master of the use of shadow and one of the first to use deep-focus cinematography, in which both foreground and distant planes remain in focus. Born in Canton ( Taishan), China, Howe immigrated to the United States at age five and grew up in Washington. He was a professional boxer during his teenage years, and later began his career in the film industry as an assistant to Cecil B. DeMille. Howe pioneered the use of wide-angle lenses and low-key lighting, as well as the use of the crab dolly. Despite the success of his professional life, Howe faced significant racial discrimination in his private life. He became an American citizen ...
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Jacques Tati
Jacques Tati (; born Jacques Tatischeff, ; 9 October 1907 – 5 November 1982) was a French mime, filmmaker, actor and screenwriter. In an ''Entertainment Weekly'' poll of the Greatest Movie Directors, he was voted 46th (a list of the top 50 was published), though he had directed only six feature-length films. Tati is perhaps best known for his character Monsieur Hulot, featured in ''Les Vacances de Monsieur Hulot'' (1953), ''Mon Oncle'' (1958), ''Playtime'' (1967) and ''Trafic'' (1971). ''Playtime'' ranked 23rd in the 2022 ''Sight and Sound'' critics' poll of the greatest films ever made. As David Bellos puts it, "Tati, from ''l'École des facteurs'' to ''Playtime'', is the epitome of what an ''auteur'' is (in film theory) supposed to be: the controlling mind behind a vision of the world on film." Family origins Tati was of Russian, Dutch, and Italian ancestry. His father, Georges-Emmanuel Tatischeff (1875-1957), was born in Paris, the son of Dmitry Tatischeff (Дмитрий ...
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