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De Ceremoniis
The or (fully ) is the conventional Latin name for a Greek book of ceremonial protocol at the court of the Byzantine emperors in Constantinople. Its Greek title is often cited as ("Explanation of the Order of the Palace"), taken from the work's preface, or ("On the Order of the Palace"). In non-specialist English sources, it tends to be called the ''Book of Ceremonies of Constantine VII Porphyrogennetos'' (variably spelt), a formula used by writers including David Talbot Rice and the modern English translation. History and sources It was written or at least commissioned by Emperor Constantine VII (reigned 913-959), probably around 956-959. The compilation of Rep. I 17 (Leipzig, Universitätsbibliothek) was partially revised later under Nikephoros II (963-969), perhaps under the supervision of Basil Lekapenos, the imperial '' parakoimomenos'', and it also contains earlier descriptions of the 6th century."De Ceremoniis" in ''The Oxford Dictionary of Byzantium'', Oxford Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantine VII Porphyrogenitus
Constantine VII Porphyrogenitus (; 17 May 905 – 9 November 959) was the fourth Byzantine emperor of the Macedonian dynasty, reigning from 6 June 913 to 9 November 959. He was the son of Emperor Leo VI and his fourth wife, Zoe Karbonopsina, and the nephew of his predecessor Alexander. Most of his reign was dominated by co-regents: from 913 until 919 he was under the regency of his mother, while from 920 until 945 he shared the throne with Romanos Lekapenos, whose daughter Helena he married, and his sons. Constantine VII is best known for the '' Geoponika'' (τά γεοπονικά), an important agronomic treatise compiled during his reign, and three, perhaps four, books; (bearing in Greek the heading Πρὸς τὸν ἴδιον υἱὸν Ῥωμανόν), (Περὶ τῆς Βασιλείου Τάξεως), '' De Thematibus'' (Περὶ θεμάτων Άνατολῆς καὶ Δύσεως), and '' Vita Basilii'' (Βίος Βασιλείου), though his authorship of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elevation Of The Cross
The Elevation of the Holy Cross (), also known as the Exaltation of the Holy Cross, is one of the Great Feasts of the Orthodox Church, celebrated on September 14. The feast is celebrated on the anniversary of the day on which St. Helena found the True Cross on which Jesus of Nazareth was crucified. The feast also commemorates the day in 335 AD on which the Church of the Holy Sepulchre in Jerusalem was dedicated, and the day in 629 AD on which Patriarch Sergius I elevated the True Cross at Hagia Sophia after it was recaptured from the Persians by Byzantine Emperor Heraclius. Along with Great Friday, it is one of the two Orthodox feast days which is a strict fast. Fasting is observed for this feast no matter on what day of the week it falls. In Eastern Orthodox Christianity, the official name of the feast is "Universal Exaltation of the Precious and Lifegiving Cross". During religious service on the feast day, a cross decorated with flowers is brought into the middle of the churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th-century Books
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Administrando Imperio
(; ) is a Greek-language work written by the 10th-century Byzantine Emperor Constantine VII. It is a domestic and foreign policy manual for the use of Constantine's son and successor, the Emperor Romanos II. It is a prominent example of Byzantine encyclopaedism. Author and background The emperor Constantine VII "Porphyrogenitus" (905–959) was only surviving son of the emperor Leo VI the Wise (886–912). Leo VI gave the crown to young Constantine VII in 908 and he became the co-emperor. Leo VI died in May 912, and his brother and co-emperor Alexander became the ruler of Constantinople, but Alexander died in 913. Constantine VII was too young to rule on his own, and the governorship was created. Later in May 919 Constantine VII married Helena Lekapene, daughter of Romanos Lekapenos. In December 920, Romanos I Lekapenos (920–944) was crowned a co-emperor, but he really took over the imperial reign in Constantinople. From 920, Constantine VII become increasingly distant f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Fontium Historiae Byzantinae
The ( English: "Corpus of Byzantine History Sources") or CFHB is an international project that aims to collect, edit, and provide textual criticism on historical sources from the time of the Byzantine Empire (4th–15th centuries AD). Its purpose is to make the works of Byzantine authors, especially those that had previously been unedited, available to modern research in an updated form. The project was launched at the 13th International Congress of Byzantine Studies in Oxford in 1966, and is under the auspices of the ''International Association of Byzantine Studies'' (AIEB) and its national branches. Publication series Each volume contains comments on the author, the surviving manuscripts as well as a translated and annotated version of the text. The original text is also frequently included, including facsimiles. The CFHB volumes are distinguished, according to their location of publication, in national series: * Series Atheniensis (Athens) * Series Berolinensis (Berlin) * S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Scriptorum Historiae Byzantinae
The (CSHB; ), also referred to as the Bonn Corpus, is a monumental fifty-volume series of primary sources for the study of Byzantine history (–1453), published in the German city of Bonn between 1828 and 1897. Each volume contains a critical edition of a Byzantine Greek historical text, accompanied by a parallel Latin translation. The project, conceived by the historian Barthold Georg Niebuhr, sought to revise and expand the original twenty-four volume (sometimes called the ''Byzantine du Louvre''), published in Paris between 1648 and 1711 under the initial direction of the Jesuit scholar Philippe Labbe. The series was first based at the University of Bonn; after Niebuhr's death in 1831, however, oversight of the project passed to his collaborator Immanuel Bekker at the Prussian Academy of Sciences in Berlin. While the first volume of the series received praise for its "minute care and attention" to textual details, later volumes produced under Bekker became infamous fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Gleditsch
Johann Friedrich Gleditsch (15 August 1653 – 26 March 1716) was a major book publisher in the late 17th and early 18th centuries. Early career Gleditsch was born in Eschendorf, near Pirna, on 15 August 1653, son of pastor Georg Gleditsch (1615–65) and his wife Catherine (née Nikolai, 1624–1671). After his father died when he was young, he attended the Thomas School in Leipzig. For financial reasons, he began to work for Elert Schumacher, a bookseller in Wittenberg, working as an assistant there until 1680. In 1681 he joined the publishing business of the late John Frederick Fritsch, whose widow Catarina Margaretha he married in November 1681. In the following years he developed the already prestigious company into a prominent scientific publisher, famous mainly for the publication in Leipzig of the Acta Eruditorum. He brought out the first issue of this work in cooperation with the great Erben publishing house in 1682. Independent publisher At the end of 1693 Gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter The Patrician
Peter the Patrician (, , ''Petros ho Patrikios''; –565) was a senior Byzantine official, diplomat, and historian. A well-educated and successful lawyer, he was repeatedly sent as envoy to Ostrogothic Italy in the prelude to the Gothic War of 535–554. Despite his diplomatic skill, he was not able to avert war, and was imprisoned by the Goths in Ravenna for a few years. Upon his release, he was appointed to the post of ''magister officiorum'', head of the imperial secretariat, which he held for an unparalleled 26 years. In this capacity, he was one of the leading ministers of Emperor Justinian I (r. 527–565), playing an important role in the Byzantine emperor's religious policies and the relations with Sassanid Persia; most notably he led the negotiations for the peace agreement of 562 that ended the 20-year-long Lazic War.. His historical writings survive only in fragments, but provide unique source material on early Byzantine ceremonies and diplomatic issues between Byza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticheron
A sticheron (Greek: "set in verses"; plural: stichera; Greek: ) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning ( Orthros) offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches. ''Stichera'' are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ''stichoi'' (sing: ''stichos''), but ''sticheraric'' poetry usually follows the hexameter and is collected in a book called sticherarion (Greek: ). A sticherarion is a book containing the stichera for the morning and evening services throughout the year, but chant compositions in the ''sticheraric melos'' can also be found in other liturgical books like the Octoechos or the ''Anastasimatarion'', or in the Anthology for the Divine Liturgy. The sticheraric melos and the troparion In the current traditions of Orthodox Chant, the ''sticherarion'' as a hymn book was also used to call a chant ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heirmos
The irmos (or heirmos from ) in the Byzantine liturgical tradition is the initial troparion of an ode of a canon.Nativity Epistle of Metropolitan Laurus, First Hierarch of the Russian Orthodox Church Outside of Russia The meter and melody of an irmos is followed by the remaining troparia of the ode; when more than one canon is used (as is typical at matins), only the first canon's irmos is sung, but the irmoi of the subsequent canons must be known in order to determine an ode's melody and so, even in canons where it is known that the irmos is never sung, the irmos is nonetheless specified. Note that in the Russian tradition, often only the irmos is sung, the rest of the ode simply being read; in Greek parishes, often the remaining troparia are simply eliminated, but in non-Russian traditions, all troparia of a canon are sung The term comes from the Greek verb "to tie, link" meaning that it poetically connects the Biblical ode to the subject of the canon. Because the irmos prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kontakion
A kontakion (Greek , ''kondákion'', plural κοντάκια, ''kondákia'') is a form of hymn in the Byzantine liturgical tradition. The kontakion form originated in Syriac hymnography and gained prominence in Byzantium during the 6th century, particularly through the work of St. Romanos the Melodist of Emesa. Kontakia have a number of strophes (''oikoi'' or ''ikoi'', stanzas; singular ''oikos'' or ''ikos'') and begin with a prologue (the ''prooimoion'' or ''koukoulion''). A kontakion sometimes has a biblical theme and may feature a dialogue between biblical characters. The only kontakion that is used in full length today is the Akathist to the Theotokos. Etymology The word ''kontakion'' derives from the Greek κόνταξ (''kóntax''), which means "rod" or "stick" and refers specifically to the rod around which a scroll is wound. While the genre dates to at least the 6th century, the word itself is attested only in the 9th century. The name is likely a reference to the fact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lupercalia
Lupercalia, also known as Lupercal, was a pastoral festival of Ancient Rome observed annually on February 15 to purify the city, promoting health and fertility. Lupercalia was also known as ''dies Februatus'', after the purification instruments called ''februa'', the basis for the month named '' Februarius''. Name The festival was originally known as Februa ("Purifications" or "Purgings") after the ' which was used on the day.. It was also known as ' and gave its name variously, as epithet to Juno Februalis, Februlis, or Februata in her role as patron deity of that month; to a supposed purification deity called Februus; and to February ('), the month during which the festival occurred. Ovid connects ' to an Etruscan word for "purging". The name ''Lupercalia'' was believed in antiquity to evince some connection with the Ancient Greek festival of the Arcadian Lykaia, a wolf festival (, ''lýkos''; ), and the worship of ''Lycaean Pan'', assumed to be a Greek equivalent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
