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Day After Day (Badfinger Song)
"Day After Day" is a song by the British rock band Badfinger from their 1971 album '' Straight Up''. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States and number 10 in the UK, ultimately earning gold accreditation from the Recording Industry Association of America. Recording "Day After Day" was written and sung by Pete Ham and produced by George Harrison, who plays some of the slide guitar parts of the song along with Ham. The record also features Leon Russell on piano. As the song was unfinished at the time Harrison left the Badfinger album to produce the Concert for Bangladesh, the final mix was done by Todd Rundgren, who took over ''Straight Up'' after Harrison's departure. Release Released as a single in the US in November 1971 (January 1972 elsewhere), it would become the group's highest charting single there, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badfinger
Badfinger were a Welsh rock music, rock band formed in Swansea in 1961. Their best-known lineup consisted of Pete Ham (guitar), Mike Gibbins (drums), Tom Evans (musician), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records. Initially known as the Iveys, the band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie"). From 1968 to 1973, Badfinger recorded five albums for Apple Records and toured extensively, before they became embroiled in the chaos of Apple's dissolution. Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It (Badfinger song), Come and Get It" (written and produced by Paul McCartney, 1970), "No Matter What (Badfinger song), No Matter What" (produced by Mal Evans, 1970), "Day After Day (Badfinger song), Day After Day" (produced by Geor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-Set
''Go-Set'' was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. NOTE: This PDF is 282 pages. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian "Molly" Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of ''Rolling Stone Australia, Rolling Stone'' magazine in late 1972. History Foundation: 1964–1967 In 1964, Monash University student newspaper ''Chaos co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper ''Lot's Wife (student newspaper), Lot's Wife''. Phillip Frazer was a staffer and later became co-editor wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Gibbins
Michael George Gibbins (12 March 1949 – 4 October 2005) was a Welsh musician, most notable for being the drummer of Badfinger. The Iveys Michael George Gibbins started playing drums while in the sea cadets. He played around South Wales for a time with a group called "The Misfits" before auditioning for the rival Welsh band The Iveys in 1964. The Iveys had a minor hit with " Maybe Tomorrow". In 1969, Paul McCartney produced the song " Come and Get It" for The Iveys, who prior to its release, changed their name to Badfinger and replaced Griffiths with guitarist Joey Molland. Badfinger After the success of "Come and Get It", Badfinger enjoyed success with hit songs " No Matter What", " Day After Day", and "Baby Blue". From early on, Gibbins began to contribute songs to the albums, despite often being overshadowed by the compositions of the other members, particularly Ham. He also composed and sang the originally unreleased songs "Loving You" (from the unreleased sessions for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joey Molland
Joseph Charles Molland II (21 June 1947 – 1 March 2025) was an English songwriter and rock guitarist whose recording career spanned five decades. He was best known as a member of Badfinger, the most successful of the acts he performed with. Molland was the last surviving member from the band's classic line-up. Career Molland's recording career began in earnest in 1967 when he joined Gary Walker (formerly of the Walker Brothers) for the group Gary Walker & The Rain. The band released several singles, an EP, and an album on the Polydor and Philips Records, Philips labels in the UK and Japan between 1967 and 1969. Titled ''#1'', the album featured four Molland songs and was especially well received in Japan, but the band broke up in early 1969. Molland joined Badfinger Badfinger were a Welsh rock music, rock band formed in Swansea in 1961. Their best-known lineup consisted of Pete Ham (guitar), Mike Gibbins (drums), Tom Evans (musician), Tom Evans (bass), and Joey Molland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Evans (musician)
Thomas Evans (5June 194719November 1983) was an English musician who was best known for his work as the bassist of the band Badfinger. He also co-wrote their 1970 song " Without You," which has been recorded by over 180 artists — most notably Harry Nilsson and Mariah Carey. Evans died by suicide in 1983, one of two members to do so, the first being Pete Ham in 1975. Badfinger In November 1969, the Iveys changed their name to Badfinger, and Paul McCartney of the Beatles gave the group a boost by offering them his song " Come and Get It", which he produced for the band. It became a featured track for the film '' The Magic Christian'', which starred Ringo Starr and Peter Sellers. A third Magic Christian song, "Carry On Till Tomorrow" was co-written by Evans and Ham.Matovina, DanWithout You: The Tragic Story of Badfinger Google Books, 2000. Retrieved 18 September 2008 Alongside Joey Molland, Evans played acoustic guitar on the 1971 John Lennon album, '' Imagine'', including t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Bolton
Michael Bolotin (born February 26, 1953), known professionally as Michael Bolton, is an American singer and songwriter. Bolton performed in the hard rock and heavy metal music genres from the mid-1970s to the mid-1980s, both on his early solo albums and those he recorded as the frontman of the band Blackjack. His early career also saw him as a successful songwriter, co-writing hits like " How Am I Supposed to Live Without You" for Laura Branigan, which he later recorded as a solo single. Bolton achieved peak recognition as a pop ballad singer in the late 1980s and early 1990s with collaborations with songwriters like Diane Warren and Desmond Child. During that time, he covered such songs as Otis Redding's " (Sittin' On) The Dock of the Bay" and Percy Sledge's " When a Man Loves a Woman". Despite his commercial success in the adult contemporary genre, Bolton faced criticism for being derivative. In 2000, he faced a controversial legal battle with the Isley Brothers over pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Gurvitz
Adrian Israel Gurvitz (; born 26 June 1949) is an English singer, songwriter, musician and record producer. His prolific songwriting ability has gained him hits with Eddie Money's No. 1 ''Billboard'' Mainstream Rock hit " The Love in Your Eyes" and with his own song "Classic", a No. 8 UK hit single, as well as the top 10 UK Rock Chart single "Race with the Devil", with his band the Gun. He also co-wrote the track "Even If My Heart Would Break" from the Grammy Award-winning soundtrack '' The Bodyguard''. His early bands the Gun, Three Man Army and the Baker Gurvitz Army were major influences to the first wave of the British hard rock circuit. Gurvitz also gained notability as a lead guitarist, known for his intricate, hard-driving solos. Gurvitz was placed at No. 9 by Chris Welch of ''Melody Maker''’s "Best Guitarists in the World" list. Early life Gurvitz's father was the tour manager for Cliff Richard and the Shadows and the Kinks. Adrian started playing guitar at the age of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner. Ballads are generally melodic enough to capture the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 19th century. Initially known as "tear-jerkers" or "drawing-room ballads", they were generally sen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of three major weekly music industry trade magazines in the United States, with ''Billboard'' and '' Cashbox''. It was founded in 1946 as ''Music Vendor''. In 1964, it was changed to ''Record World'' under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. History Growth ''Music Vendor'' published its first music chart for the week ending October 4, 1954. ''Record World'' was housed in New York City at 1700 Broadway, at 53rd Street, across the street from the Ed Sullivan Theater. Its West Coast editorial offices were located in Los Angeles on Sunset and Vine. Peak ''Record World'' showed musical diversity by printing a "Non-Rock" survey, comparable to ''Billboard's'' "Easy Listening" / "Adult Contemporary" chart. This chart began in the February 4, 1967, issue, and ended on April 1, 1972, having morphed to the name "The MOR Chart" by 1971. Several titles of interest appeared on this 40-position list without ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
