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David Watts (song)
"David Watts" is a song written by Ray Davies that originally appeared on the Kinks' 1967 album '' Something Else by the Kinks''. It was also the American and Continental Europe B-side to " Autumn Almanac". It has been included on several compilation albums, including '' The Kink Kronikles'' (1972) and a live version recorded at Landmark Theatre in Syracuse, New York, 4 March 1980 was included on '' One for the Road'', a double live album released in June 1980. Background The song is about the singer's great admiration of fellow schoolboy David Watts, who appears to have a "charmed life". There is an undercurrent of either deep envy or, as AllMusic put it, "a schoolboy crush". It is also, as Jon Savage has written, one of Ray Davies' "sharpest homoerotic songs". Despite this, Davies has commented that he sought to keep the lyric ambiguous: "When it comes to songs like ' See My Friends' or 'David Watts', I like to leave their meaning open. In ybook, I wrote about how 'David Wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in London in 1963 by brothers Ray Davies, Ray and Dave Davies, and Pete Quaife. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their The Kinks' 1965 US tour#Ban, touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including Rhythm and blues, American R&B and rock and roll initially, and later adopting British music hall, Folk music, folk, and country music, country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' observational and satirical lyricism, and made apparent in albums such as ''Face to Face (The Kinks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Davies
David Russell Gordon Davies ( '; born 3 February 1947) is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, led by his older brother (and principal writer and singer) Ray, and the both of them were the only consistent members during their existence. Davies also sometimes undertook writing and/or lead vocals duties within the band, for example on songs such as " Death of a Clown", " Party Line", "Strangers" and "Rats". He has also embarked on a solo career, releasing several singles during the late 1960s and has since released eight solo albums. Davies is known for innovative electric guitar technique, specifically in being one of the first to use electric guitar distortion and exposing the effect to the mainstream. His signature distorted power chord riffs on songs would heavily influence future heavy metal and punk rock acts. He was inducted into the Rock and Roll Hall of Fame in 1990 as a member of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Weller
John William Weller (born 25 May 1958), better known as Paul Weller, is an English singer-songwriter and musician. Weller achieved fame in the late 1970s as the guitarist and principal singer and songwriter of the rock band the Jam, alongside Bruce Foxton and Rick Buckler. The band gained significant critical and commercial success in the United Kingdom, and were the most influential band of the mod revival of the late 1970s and early 1980s. Following the dissolution of the Jam at the end of 1982, Weller formed the Style Council with Mick Talbot, where he explored a wide variety of other musical styles, including pop, jazz, soul, hip hop, folk and classical. Although initially successful, the band's popularity declined in the late 1980s, leading them to break up in 1989. Weller began a solo career in the early 1990s, slowly re-establishing his commercial standing across his first four solo albums, ''Paul Weller (album), Paul Weller'' (1992), ''Wild Wood'' (1993), ''Stanley Road' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Foxton
Bruce Douglas Foxton (born 1 September 1955) is an English singer, songwriter and musician. Foxton's music career spans more than 40 years. He came to prominence in the late 1970s as bassist and backing vocalist of mod revival band the Jam. He occasionally performed the lead vocals, such as on the songs "Carnaby Street", " News of the World", " David Watts" and " Smithers-Jones". After the band's break-up, he pursued a brief solo career releasing one studio album, '' Touch Sensitive'', in 1984. The album's single " Freak" became a UK Top 20 hit in 1983. He played in several bands, including Sharp with former Jam member Rick Buckler, before joining Stiff Little Fingers in 1990. After leaving SLF in 2007, Foxton joined Rick Buckler and members of his tribute band, the Gift, to tour under the name From the Jam until the end of his guitar playing career in 2025. Early life and education Bruce Douglas Foxton was born the youngest of three boys on 1 September 1955, in Woking, Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Down In The Tube Station At Midnight
"Down in the Tube Station at Midnight" is a single by the Jam, the second single from their third album, '' All Mod Cons''. Released in October 1978, it reached No. 15 on the UK Singles Chart. The single was backed by a cover version of the Who's song "So Sad About Us", and the song "The Night", written by Bruce Foxton. Production Originally, Paul Weller had wanted to exclude the song from the ''All Mod Cons'' album, on the grounds that the arrangement had not sufficiently developed during the recording sessions. He was persuaded to include it by the record's producer Vic Coppersmith-Heaven. The song was recorded on 7 August 1978 at RAK Studios in London together with "Mr. Clean", "In The Crowd" and "The Place I Love", all of which also appeared on ''All Mod Cons.'' Lyrical theme and musical composition The song tells the story of an unnamed narrator travelling on his own who enters a London Underground tube station at midnight to get the last train home, where he is attacked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
News Of The World (song)
"News of the World" is a single by British group the Jam released on 3 March 1978. The single reached No. 27 in the UK Singles Chart. "Aunties and Uncles (Impulsive Youths)" and "Innocent Man" appeared as its B-sides. The title refers to the former British tabloid newspaper, ''News of the World''. "News of the World" is not included on any of the band's studio albums. It was written and sung by bass guitarist Bruce Foxton rather than the band's usual frontman Paul Weller. It was the only Jam single to be written by Foxton apart from "Funeral Pyre" which was co-written by all three band members. The video for the single was filmed on the roof of Battersea Power Station in Battersea, London. The song was used as the theme tune for the British satirical panel game ''Mock the Week ''Mock the Week'' is a topical satirical celebrity panel show, created by Dan Patterson and Mark Leveson. It was produced by Angst Productions for BBC Two, and was broadcast from 5 June 2005 to 4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Parry (producer)
John Christopher Parry (born 7 January 1949) is a New Zealand record producer and former musician, known for being the former manager and producer for the Cure and for founding Fiction Records. Early life Parry was born in Lower Hutt, New Zealand; the son of Virginia and Thomas, who was British. He grew up with ten siblings: five sisters (Virginia, Margaret, Josephine, Annette and Helen) and five brothers (David, James Richard, Robin and Peter). In 1966, Parry was a management trainee at Philips Electrical. Career In 1967, whilst studying at Silverstream College, Parry auditioned as drummer for a band called the Sine Waves, who later renamed themselves the Fourmyula. He has stated "I got the job because I had a truck driver's licence". Within a year, the band had hit the charts, reaching number 2 in New Zealand with "Come with Me" and reached number 1 in 1969 with "Nature". The band made two trips to the UK, but were not so successful there. After the band split in 1971 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Coppersmith-Heaven
Vic Coppersmith-Heaven (born Victor Smith, August 1945, England) is an English sound engineer and record producer, best known for his production work with the Jam. Career Smith worked in the recording studios at Polydor after leaving school in 1961. By 1967, he worked as the engineer on Cat Stevens' album '' Matthew and Son'' and on the Rolling Stones' '' Let It Bleed''. Smith then engineered other hits such as " Honky Tonk Women" and Joe Cocker's " With a Little Help from My Friends". In early 1968, he produced the Nashville Teens' recording of " All Along the Watchtower", the earliest cover version of Bob Dylan's song, which was released as a single in the UK and Europe on Decca Records some six months before Jimi Hendrix's hit version. He produced for a number of artists, including Sunforest, who released an album on Nova, Deram Records's short-lived prog rock record label, in 1969. Sunforest was a psych- folk all-female British-American trio. Two of their recordings, " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polydor Records
Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon, Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. The company is usually mentioned as "Polydor Ltd. (UK)", or a similar form, for holding copyrights. Notable current and past artists signed to the label include Rainbow (rock band), Rainbow, Siouxsie and the Banshees, Yngwie J. Malmsteen, the Cure, James Brown, Ray, Goodman & Brown, Atlanta Rhythm Section, John Mayall, Deep Purple, Cream (band), Cream, the Moody Blues, the Who, Jimi Hendrix, Bee Gees, Lana Del Rey, Stephen Fretwell, the Jam, Style C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod Revival
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The Mod Revival started with disillusionment with the punk scene when commercialism set in. It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time. It gained momentum as an underground movement which was highlighted on London Weekend Show 20 May 1979, prior to the impending release of the film ''Quadrophenia''. The late 1970s mod revival was led by the band The Jam, who adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod influenced bands. It was heavily influenced by the 1979 film '' Quadrophenia''. The mod revival was a conscious effort to hark back to the earlier generation in terms of style and presentation. In the early 1980s in the UK, a mod revival scene influenced by the original mod subculture of the 1960s developed. 1970s The la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
