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Dave Schildkraut
Dave Schildkraut (January 7, 1925 – January 1, 1998) was an American jazz alto saxophonist. Biography Schildkraut first played professionally with Louis Prima in 1941. Following this he played with Buddy Rich (1946), Anita O'Day (1947), Stan Kenton (1953–54), Pete Rugolo (1954), Oscar Pettiford (1954), Miles Davis ("Solar" on ''Walkin''', " I'll Remember April" on '' Blue Haze'' 1954), George Handy (1955), Tony Aless (1955), and Ralph Burns, Tito Puente, Johnny Richards, and Kenton again in 1959. From the 1960s, he played freelance in New York City, where he appeared regularly with Eddie Bert at the West End Cafe. Later in his life he went into semi-retirement. He recorded only one album as a leader, in 1979. However, the album was released only in 2000 by Endgame Records as ''Last Date''. By this time, Schildkraut's playing style was described as having adjusted from youthful mimicry of Parker to showing influence from the likes of John Coltrane, Warne Marsh and Lee Konitz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Richards
Johnny Richards (born Juan Manuel Cascales, November 2, 1911 – October 7, 1968) was an American jazz arranger and composer scoring numerous sound tracks for television and film. He was a pivotal composer/arranger for cutting edge, adventurous performances and recording sessions by Stan Kenton's big band in the 1950s and early 1960s; such as ''Cuban Fire!'', '' Kenton's West Side Story'' and ''Adventures in Time''. Biography Richards was born in Toluca, Mexico, to a Spanish father (Juan Cascales y Valero) and a Mexican mother (Maria Celia Arrue aka Marie Cascales), whose parents were Spanish immigrants to Mexico. He entered the United States on August 4, 1919 at Laredo, Texas, along with his mother, three brothers (also professional musicians) and sister: Siblings: * Jose Luis Cascales (Joe) * Carlos Guillermo Cascales (known in the music world as Chuck Cabot) * Maria de los Angeles Cascales (Angeles/Anne Beaufait) * Juan Adolfo Cascales (Jack; 1918–1975), played doub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kenton Era
''The Kenton Era'' is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955. accessed April 19, 2016 Critical reception The review by Scott Yanow states "Kenton is heard reminiscing about his first 15 years in the business, there are some selections taken from his famous 1941 stint at the Rendezvous Ballroom in Balboa, CA, numbers from rehearsals in 1944, radio airchecks dating from 1944-48, some startling performances by Kenton's Innovations orchestra of 1950-51 and a few swinging numbers from his 1952-53 big ba ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenton Showcase
''Kenton Showcase'' refers to two 10-inch LPs by bandleader Stan Kenton recorded in early 1954 on Capitol, one each featuring compositions by Bill Holman and Bill Russo. These albums were combined as a 12-inch LP in 1955.Vosbein, PStan Kenton Discography: Kenton Showcase - The Music of Bill Holmanaccessed April 17, 2016 accessed April 17, 2016 Critical reception The review by Scott Yanow states "It's a fine showcase for the two talented writers".Track listing All compositions by Bill Russo (tracks 1-8) or Bill Holman (tracks 9-17 & 20) unless noted. # "A Theme of Four Values" ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Bennett
Anthony Dominick Benedetto (August 3, 1926 – July 21, 2023), known professionally as Tony Bennett, was an American jazz and traditional pop singer. He received many accolades, including 20 Grammy Awards, a Grammy Lifetime Achievement Award, Lifetime Achievement Award, and two Primetime Emmy Awards. Bennett was named a NEA Jazz Masters, National Endowments for the Arts Jazz Master and a Kennedy Center Honors, Kennedy Center Honoree. He founded the Frank Sinatra School of the Arts in Astoria, Queens, New York, along with Exploring the Arts, a non-profit arts education program. He sold more than 50 million records worldwide and earned a star on the Hollywood Walk of Fame. Bennett began singing at an early age. He fought in the final stages of World War II as a United States Army, U.S. Army infantryman in the European theatre of World War II, European Theater. Afterward, he developed his singing technique, signed with Columbia Records and had his first number-one popular song wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Arnold
Arnold Buddy Grishaver (April 30, 1926 – November 9, 2003), known professionally as Buddy Arnold, was an American jazz saxophonist. Career Arnold took up the sax at age nine and turned pro while still in his teens. At 16 years old, Arnold performed at the Apollo Theater with the Georgie Auld Orchestra with singer Billy Eckstine. At age 18 he joined the Army and led an Army Dance Band from 1944 to 1946. Following this he played with Joe Marsala, Will Osborne (singer), Herbie Fields, Buddy Rich. His first recordings were in 1949 with Gene Williams and the Junior Thornhill Band with Claude Thornhill before leaving to study music and economics at Columbia University. In 1951 he began playing again, touring with Buddy DeFranco, then worked with Jerry Wald, Tex Beneke, Elliot Lawrence, Stan Kenton, and Neal Hefti. His debut album as a leader, ''Wailing'', was released by Paramount in 1956. He did further work for the label with Phil Sunkel. Arnold's career was sporadic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DownBeat
''DownBeat'' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm that it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the " downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Since 2008, the Hall of Fame also includes winners from the Veterans Committee. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz Double bass, upright bassist, composer, bandleader, pianist, and author. A major proponent of collective Musical improvisation, improvisation, he is considered one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize jazz ensemble, ensembles to pioneering the post-bop style on seminal recordings like ''Pithecanthropus Erectus (album), Pithecanthropus Erectus'' (1956) and ''Mingus Ah Um'' (1959) and progressive big band experiments such as ''The Black Saint and the Sinner Lady'' (1963). Mingus's compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous Modulation (music), changes of key, instrumental virtuosity, and Jazz improvisation, improvisation based on a combination of harmonic structure, the use of scales, and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style to a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz
Leon "Lee" Konitz (October 13, 1927 – April 15, 2020) was an American jazz Alto saxophone, alto saxophonist and composer. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the COVID-19, disease. Biography Early life Konitz was born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warne Marsh
Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax. Biography Marsh came from an affluent artistic background: his father was Hollywood cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. He was the nephew of actresses Mae Marsh and Marguerite Marsh and film editor Frances Marsh. He was tutored by Lennie Tristano. Marsh was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of Lick (music), licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
