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Das Lied Von Der Erde
''Das Lied von der Erde'' (The song of the Earth) is an orchestral work for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six movements for a large orchestra and two singers as the soloist alternating in the movements. Mahler specified that the two singers should be a tenor and an alto, or else a tenor and a baritone if an alto is not available.''Das Lied von der Erde'' – Eine Symphonie für eine Tenor- und eine Alt- (oder Bariton-) Stimme und Orchester (nach Hans Bethges ''Die chinesische Flöte'') von Gustav Mahler, Partitur, 'The Song of the Earth''. A Symphony for tenor and alto (or baritone) voice and orchestra (after Hans Bethge's ''The Chinese Flute''). By Gustav Mahler. Score. Published by Universal Edition 1912. Mahler composed this work following the most painful period in his life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler's ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the Modernism (music), modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi Germany, Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Kingdom of Bohemia, Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the University of ...
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Antisemitism
Antisemitism or Jew-hatred is hostility to, prejudice towards, or discrimination against Jews. A person who harbours it is called an antisemite. Whether antisemitism is considered a form of racism depends on the school of thought. Antisemitic tendencies may be motivated primarily by negative sentiment towards Jewish peoplehood, Jews as a people or negative sentiment towards Jews with regard to Judaism. In the former case, usually known as racial antisemitism, a person's hostility is driven by the belief that Jews constitute a distinct race with inherent traits or characteristics that are repulsive or inferior to the preferred traits or characteristics within that person's society. In the latter case, known as religious antisemitism, a person's hostility is driven by their religion's perception of Jews and Judaism, typically encompassing doctrines of supersession that expect or demand Jews to turn away from Judaism and submit to the religion presenting itself as Judaism's suc ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air across the edge of a hole i ...
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Alexander Von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher. Biography Early life Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton Semlinski, emigrated from Žilina, Hungary (now in Slovakia) to Austria and married an Austrian woman. Both were from staunchly Roman Catholic families, and Alexander's father, , was raised as a Catholic. Alexander's mother, Clara Semo, was born in Sarajevo to a Sephardic Jewish father and a Bosniak mother. Alexander's entire family converted to the religion of his maternal grandfather, Judaism, and Zemlinsky was born and raised Jewish. His father added an aristocratic "von" to his name, though neither he nor his forebears were ennobled. He also began spelling his surname in Hungarian"Zemlinszky". He was also a freemason. Alexander studied the piano from a young age. He played the organ in his synagogue on holidays, and was admitted to the ...
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Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera '' Lady Macbeth of Mtsensk'' was initially a success but later condemned by the Soviet government, putting his career at risk. In 1948, his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Nevertheless, Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–1968). Over ...
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Song Cycle
A song cycle () is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in sequence, as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th-century examples in England. A song cycle is similar to a song collection, and the ...
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Gervase Elwes
Gervase Henry Cary-Elwes, DL (15 November 1866 – 12 January 1921), better known as Gervase Elwes, was an English tenor of great distinction, who exercised a powerful influence over the development of English music from the early 1900s up until his death in 1921 due to a railroad accident in Boston at the height of his career. Background to his career Elwes was born in Billing Hall, Northampton, the son of Valentine Dudley Henry Cary-Elwes (1832-1909) and his second wife, Alice Geraldine, daughter of Rev. Henry Ward, of Killinchy, County Down, brother of the 3rd Viscount Bangor. A relative was the famous miser John Elwes. Of the Northamptonshire and Lincolnshire landed gentry, he was educated at The Oratory School (a Roman Catholic school) and Woburn School, Weybridge, where he arrived in 1885, and finally at Christ Church, Oxford, where he was active as a cricketer and violinist. At the age of 22 he married Lady Winifride Mary Elizabeth Feilding, a daughter of Rudolph F ...
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Henry Wood
Sir Henry Joseph Wood (3 March 186919 August 1944) was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms". Born in modest circumstances to parents who encouraged his musical talent, Wood started his career as an organist. During his studies at the Royal Academy of Music, he came under the influence of the voice teacher Manuel García (baritone), Manuel García and became his accompanist. After similar work for Richard D'Oyly Carte's opera companies on the works of Arthur Sullivan and others, Wood became the conductor of a small operatic touring company. He was soon engaged by the larger Carl Rosa Opera Company. One notable event in ...
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Queen's Hall
The Queen's Hall was a concert hall in Langham Place, London, Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the The Proms, promenade concerts ("The Proms") founded by Robert Newman (impresario), Robert Newman together with Henry Wood. The hall had drab decor and cramped seating but superb acoustics. It became known as the "musical centre of the [British] British Empire, Empire", and several of the leading musicians and composers of the late 19th and early 20th centuries performed there, including Claude Debussy, Edward Elgar, Maurice Ravel and Richard Strauss. In the 1930s, the hall became the main London base of two new orchestras, the BBC Symphony Orchestra and the London Philharmonic Orchestra. These two ensembles raised the standards of orchestral playing in London to new heights, and the hall's resident ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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Curse Of The Ninth
The curse of the ninth is a superstition connected with the history of classical music. It is the belief that a ninth symphony is destined to be a composer's last and that the composer will be fated to die while or after writing it, or before completing a tenth. History The curse of the ninth superstition originated in the late- Romantic period of classical music. According to Arnold Schoenberg, the superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote '' Das Lied von der Erde'', which, while structurally a symphony, was able to be disguised as a song cycle, each movement being a setting of a poem for soloist and orchestra. Then he wrote his Ninth Symphony and thought he had beaten the curse, but died with his Tenth Symphony incomplete. This superstition, however, was only hatched by Mahler. Before him, Beethoven and Schubert had died before or while writing their tenth symphonies. Upon realizing this, Mahler created the curse of the ninth and l ...
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Richard Freed
Richard Donald Freed (December 27, 1928 – January 1, 2022) was an American music critic, program annotator and administrator. He was noted for the concert program notes he authored for various orchestras and ensembles in the US. Early life Freed was born in Chicago on December 27, 1928. His father immigrated to the United States from Russia and ran a furniture store; his mother was a housewife. He was raised in Tulsa, Oklahoma, where he read about music and records with the 1941 Victor catalog as bedside book. He studied at the University of Chicago where he received his Bachelor of Philosophy degree in 1947. Freed first worked as a contributing editor at the '' Saturday Review''. He went on to be assistant director to Irving Kolodin from 1962 to 1963, and as a staff critic for ''The New York Times'' and ''The Audio Beat'' two years later. Career Freed was an assistant to the director of the University of Rochester's Eastman School of Music (1966–1970) and direct ...
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