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Dansaekhwa
Dansaekhwa (Korean: 단색화, also known as Tansaekhwa), often translated as "monochrome painting" from Korean, is a retroactive term grouping together disparate artworks that were exhibited in South Korea beginning in the mid 1970s. While the wide range of artists whose work critics and art historians consider to fall under this category are often exhibited together, they were never part of an official artistic movement nor produced a manifesto. Nonetheless, their artistic practices are seen to share "a commitment to thinking more intensively about the constituent elements of mark, line, frame, surface and space around which they understood the medium of painting." Their interests compose a diverse set of formal concerns that cannot be reduced to a preference for limited color palettes. Dansaekhwa ignited a series of debates on how to define and understand not only Dansaekhwa, but contemporary Korean art as a whole. It was at the center of discussions in Korea during the latter h ...
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Joan Kee
Joan Kee is an art historian specializing in modern and contemporary art. Her book, ''Contemporary Korean Art: Tansaekhwa and the Urgency of Method'', published by University of Minnesota Press in 2013, is credited with sparking global interest in Dansaekhwa, a major constellation of abstract paintings produced in South Korea from the 1960s. In 2014, she curated ''From All Sides: Tansaekhwa and the Urgency of Method'', a group show of representative Tansaekhwa artists that was widely acclaimed. She has been cited as Tansaekhwa's most prominent Anglophone scholar. Kee teaches at the University of Michigan where she is Associate Professor in the History of Art. Her latest book, Models of Integrity: Art and Law in Post-Sixties America', was published February 2019. The book includes discussion of the following artists, among others; Christo and Jeanne-Claude, Gordon Matta-Clark, Tehching Hsieh, Felix Gonzalez-Torres and Sally Mann. Kee is a contributing editor to Artforum, advisory ed ...
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Park Seo-Bo Working On A Piece Of His Ecriture At His Hapjeong-dong Studio In 1977
A park is an area of natural, semi-natural or planted space set aside for human enjoyment and recreation or for the protection of wildlife or natural habitats. Urban parks are green spaces set aside for recreation inside towns and cities. National parks and country parks are green spaces used for recreation in the countryside. State parks and provincial parks are administered by sub-national government states and agencies. Parks may consist of grassy areas, rocks, soil and trees, but may also contain buildings and other artifacts such as monuments, fountains or playground structures. Many parks have fields for playing sports such as baseball and football, and paved areas for games such as basketball. Many parks have trails for walking, biking and other activities. Some parks are built adjacent to bodies of water or watercourses and may comprise a beach or boat dock area. Urban parks often have benches for sitting and may contain picnic tables and barbecue grills. The largest ...
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Curator
A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. In recent years the role of curator has evolved alongside the changing role of museums, and the term "curator" may designate the head of any given division. More recently, new kinds of curators have started to emerge: "community curators", "literary curators", " digital curators" and " biocurators". Collections curator A "collections curator", a "museum curator" or a "keeper" of a cultural heritage institution (e.g., gallery, museum, library or archive) is a content specialist charged with an institution's collections and involved with the interpretation of heritage material including historical artifacts. A collections curator's concern necessarily involves tangible objects of some sort—artwork, ...
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Art Informel
Informalism or Art Informel is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, matter painting, New Paris School, tachisme and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this tendency, each artist allows full freedom of expression to the unforeseen quality of materials (a tas ...
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Art Manifesto
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom (of expression) and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name. In 1855 Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition. And in 1886 the Symbolist Manifesto was published in the French newspaper ''Le Figaro'' by the poet and essayist ...
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Artist Collective
An artist collective is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything that is relevant to the needs of the artist; this can range from purchasing bulk materials, sharing equipment, space or materials, to following shared ideologies, aesthetic and political views or even living and working together as an extended family. Sharing of ownership, risk, benefits, and status is implied, as opposed to other, more common business structures with an explicit hierarchy of ownership such as an association or a company A company, abbreviated as co., is a Legal personality, legal entity representing an association of people, whether Natural person, natural, Legal person, legal or a mixture of both, with a specific objective. Company members share a common p .... Overview Artist collectives have occurred throughout history, often gathere ...
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Korean Art
Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds. The earliest examples of Korean art consist of Stone Age works dating from 3000 BC. These mainly consist of votive sculptures and more recently, petroglyphs, which were rediscovered. This early period was followed by the art styles of various Korean kingdoms and dynasties. Korean artists sometimes modified Chinese traditions with a native preference for simple elegance, spontaneity, and an appreciation for purity of nature. The Goryeo dynasty (918–1392) was one of the most prolific periods for a wide range of disciplines, especially pottery. The Korean art market is concentrated in the Insadong district of Seoul where over 50 small galleries exhibit and occasional fine arts auctions. Galleries are cooperatively run, small and often with curated and finely designed exhibits. In every town there are smaller reg ...
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Mass Production
Mass production, also known as flow production or continuous production, is the production of substantial amounts of standardized products in a constant flow, including and especially on assembly lines. Together with job production and batch production, it is one of the three main production methods. The term ''mass production'' was popularized by a 1926 article in the ''Encyclopædia Britannica'' supplement that was written based on correspondence with Ford Motor Company. ''The New York Times'' used the term in the title of an article that appeared before publication of the ''Britannica'' article. The concepts of mass production are applied to various kinds of products: from fluids and particulates handled in bulk (food, fuel, chemicals and mined minerals), to parts and assemblies of parts ( household appliances and automobiles). Some mass production techniques, such as standardized sizes and production lines, predate the Industrial Revolution by many centuries; how ...
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Yushin Constitution
The fourth Republic of Korea () was the government of South Korea from November 1972 to March 1981. The Fourth republic was founded on the approval of the Yushin Constitution in the 1972 constitutional referendum, codifying the ''de facto'' dictatorial powers held by President Park Chung-hee, and succeeding the third republic. Park and his Democratic Republican Party ruled under the centralized and authoritarian Yushin System until the assassination of Park on 26 October 1979. The Fourth Republic entered a period of political instability under Park's successor, Choi Kyu-hah, and the escalating martial law declared after Park's death. Choi was unofficially overthrown by Chun Doo-hwan in the coup d'état of December Twelfth in December 1979, and began the armed suppression of the Gwangju Democratization Movement against martial law. Chun launched the coup d'état of May Seventeenth in May 1980, establishing a military dictatorship under the National Council for Reunificatio ...
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Korean War
{{Infobox military conflict , conflict = Korean War , partof = the Cold War and the Korean conflict , image = Korean War Montage 2.png , image_size = 300px , caption = Clockwise from top:{{Flatlist, * A column of the U.S. 1st Marine Division's infantry and armor moves through Chinese lines during their breakout from the Chosin Reservoir * UN landing at Incheon harbor, starting point of the Battle of Incheon * Korean refugees in front of a U.S. M46 Patton tank * U.S. Marines, led by First Lieutenant Baldomero Lopez, landing at Incheon * F-86 Sabre fighter aircraft , date = {{Ubl, 25 June 1950 – 27 July 1953 (''de facto'')({{Age in years, months, weeks and days, month1=6, day1=25, year1=1950, month2=7, day2=27, year2=1953), 25 June 1950 – present (''de jure'')({{Age in years, months, weeks and days, month1=6, day1=25, year1=1950) , place = Korean Peninsula, Yellow Sea, Sea of Japan, K ...
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Division Of Korea
The division of Korea began with the defeat of Japan in World War II. During the war, the Allied leaders considered the question of Korea's future after Japan's surrender in the war. The leaders reached an understanding that Korea would be liberated from Japan but would be placed under an international trusteeship until the Koreans would be deemed ready for self-rule. In the last days of the war, the U.S. proposed dividing the Korean peninsula into two occupation zones (a U.S. and Soviet one) with the 38th parallel as the dividing line. The Soviets accepted their proposal and agreed to divide Korea. It was understood that this division was only a temporary arrangement until the trusteeship could be implemented. In December 1945, the Moscow Conference of Foreign Ministers resulted in an agreement on a five-year four-power Korean trusteeship. However, with the onset of the Cold War and other factors both international and domestic, including Korean opposition to the trustee ...
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Korea Under Japanese Rule
Between 1910 and 1945, Korea was ruled as a part of the Empire of Japan. Joseon Korea had come into the Japanese sphere of influence with the Japan–Korea Treaty of 1876; a complex coalition of the Meiji government, military, and business officials began a process of integrating Korea's politics and economy with Japan. The Korean Empire, proclaimed in 1897, became a protectorate of Japan with the Japan–Korea Treaty of 1905; thereafter Japan ruled the country indirectly through the Japanese Resident-General of Korea. Japan formally annexed the Korean Empire with the Japan–Korea Treaty of 1910, without the consent of the former Korean Emperor Gojong, the regent of the Emperor Sunjong. Upon its annexation, Japan declared that Korea would henceforth be officially named Chōsen. This name was recognized internationally until the end of Japanese colonial rule. The territory was administered by the Governor-General of Chōsen based in Keijō (Seoul). Japanese rule prior ...
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