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Dandamudi Ramamohan Rao
Dandamudi Ramamohan Rao also known as Dandamudi Ramamohana Rao is an Indian mridangam player. He received the ''Kala Praveena'' title from the Andhra Pradesh Sangeet Natak Academy in 1981 and the Sangeet Natak Akademi Award for mridangam from Sangeet Natak Akademi, Government of India in 1994. Biography Dandamudi Ramamohan Rao was born on 18 March 1933, in Vuyyuru in present-day Andhra Pradesh. He began learning the mridangam at the age of six. An exponent of the Pudukottai style of mridangam, he received training from eminent musicians such as K. Ranganayakulu, Potluri Veeraraghava Chowdhury, Tirupati Ramanuja Suri, Edara Nagaraju and Palani Subramaniam Pillai. He gave his first concert in 1939. Along with the mridangam, he has also mastered the Kanjira and Morsing. His wife, Nidumolu Sumathi, a renowned mridangam player, was first his student and later his co-performer. He died on 31 January 2011 at Vijayawada. Career In his mridangam career spanning over five decades, othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hindu
''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It was founded as a weekly publication in 1878 by the Triplicane Six, becoming a daily in 1889. It is one of the Indian Newspaper of record, newspapers of record. , ''The Hindu'' is published from 21 locations across 11 states of India. ''The Hindu'' has been a family-owned newspaper since 1905, when it was purchased by S. Kasturi Ranga Iyengar from the original founders. It is now jointly owned by Iyengar's descendants, referred to as the "Kasturi family", who serve as the directors of the holding company. Except for a period of around two years, when Siddharth Varadarajan, S. Varadarajan held the editorship of the newspaper, senior editorial positions of the paper have always been held by members of the original Iyengar family or by those appointed by them under their direction. In June 2023, the former chairperson of the group, Malini Parthasarathy, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Male Classical Musicians
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Instrumentalists
This is a list of Carnatic instrumentalists: musicians famous for playing the carnatic music of South India. Musicians are listed by the instrument they have played. Bowed strings Violin * Lalgudi Jayaraman * Kunnakudi Vaidyanathan * Tirumakudalu Chowdiah * Dwaram Venkataswamy Naidu * M. S. Gopalakrishnan * T. N. Krishnan * H.K. Venkatram * L. Vaidyanathan * L. Subramaniam * L. Shankar * Mysore brothers - Mysore Nagaraj & Dr. Mysore Manjunath * Embar Kannan * G. J. R. Krishnan and Lalgudi Vijayalakshmi * Ragini Shankar * A. Kanyakumari * Ganesh and Kumaresh * M. Narmadha * Vittal Ramamurthy * V. V. Ravi * Nedumangad Sivanandan * Delhi P. Sunder Rajan * B. Sasikumar * Gingger Shankar * Jyotsna Srikanth * Balabhaskar * Abhijith P. S. Nair * Ambi Subramaniam Plucked strings Veena * Karaikudi Sambasiva Iyer * Chitti Babu (musician), Challapally Chitti Babu * Emani Sankara Sastry * S. Balachander * Doraiswamy Iyengar * E. Gayathri * Jayanthi Kumaresh * Kalpakam Swaminathan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam Players
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of Mri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morsing
The morsing (also mukharshanku, mourching, morching or morchang; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്, English: "jaw harp") is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and made t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjira
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the ''mridangam''. Construction Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English language, English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament of India#Building, Parliament House. The academy's List of Sangeet Natak Akademi fellows, Fellowship and Sangeet Natak Akademi Award, Award are considered very prestigious. Functions Sangeet Natak Akademi is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. The academy functions as the apex body of the performing arts in the country to preserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vuyyuru
Vuyyuru is a town in Krishna district of the Indian state of Andhra Pradesh. It is a Nagar panchayat and the headquarters of Vuyyuru Mandal. It is emerging as neighbourhood of Vijayawada, India situated 30 km away. History It was part of Satavahana dynasty during the 1st century CE. In 1000 A.D. the Cholas spread their power to Kolleru area and during that period some of them settled at this place. After that it eventually became part of Kakatiya dynasty. By the 14th Century the village grew in size and population, came under the rule of the Zamindar, Zamindaars of Nuzvid Estate, Nuzivid. Demographics Census of India, the town had a population of 46,490. The total population constitutes 23,312 males and 23,178 females —a sex ratio of 994 females per 1000 males, higher than the national average of 940 per 1000. 4,332 children are in the age group of 0–6 years, of which 2,151 are boys and 2,181 are girls. The town's average literacy rate stands at 81.87% with 34,5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nidumolu Sumathi
Nidumolu Sumathi (born 16 October 1950), also known as Dandamudi Sumathi is an Indian percussionist, primarily playing the mridangam. She is married to "Mridangam Maestro" Dandamudi Ramamohan Rao. She is one of the first female mridangam players in India, and the first female Laya Vinyasam artist. Sumathi received India's fourth-highest civilian award, Padma Shri, in 2021. Early life Dandamudi Sumathi Ram Mohan Rao was born on 16 October 1950 in Eluru, West Godavari district, Andhra Pradesh. Her parents were Sri Nidumolu Raghavaiah and Smt.Nidumolu Venkataratnamma. At age six Sumathi started learning mridangam from her father who was a mridangam vidwan. He took her to concerts and supported her interest in percussion. She gave her first performance at age 10. In 1964, after completing a certificate and diploma course in mridangam, she studied under Sri Dandamudi Ram Mohan Rao. She learned many intricate techniques from her guru and started giving performances. In 2003, she b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
