Dance In Zimbabwe
Dancing in Zimbabwe is an important aspect of the Zimbabwean culture, tradition, spirituality and history. There are many dances that reflect the culture of the people, although the dances may have changed throughout the years. Ethnic diversity is also a key factor in influencing the dances of the Zimbabwean culture. These dances are self-reflective, for the entire community because all music and dance are communal events. Dance to Zimbabweans is a very spiritual, powerful tool that carries on traditions, and chronicles the important events of their history and culture. Background The Republic of Zimbabwe has a population that is about 16 million people; the majority, about 76%, live in rural areas. This is a very important detail in light of how many crops are produced by Zimbabwe: coffee, corn, wheat, sugar, tea, and cotton.Stark, A., (1986) ''Zimbabwe, a Treasure of Africa'' , Minneapolis, Minn: Dillon Press This agricultural aspect of life is apparent in many of the dances th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harare Carnival Dancers
Harare ( ), formerly Salisbury, is the capital and largest city of Zimbabwe. The city proper has an area of , a population of 1,849,600 as of the 2022 census and an estimated 2,487,209 people in its metropolitan province. The city is situated in north-eastern Zimbabwe in the country's Mashonaland region. Harare Metropolitan Province incorporates the city and the municipalities of Chitungwiza, Epworth and Ruwa. The city sits on a plateau at an elevation of above sea level, and its climate falls into the subtropical highland category. The city was founded in 1890 by the Pioneer Column, a small military force of the British South Africa Company, and was named Fort Salisbury after the British Prime Minister Lord Salisbury. Company administrators demarcated the city and ran it until Southern Rhodesia achieved responsible government in 1923. Salisbury was thereafter the seat of the Southern Rhodesian (later Rhodesian) government and, between 1953 and 1963, the capital of the Ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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African Dance
African dance (also Afro dance, Afrodance and Afro-dance) refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance uses the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles. History Characteristics Traditional dance in Africa occurs collectively, expressing the values and desires of the community more than that of individuals or couples. Although dances may appear spontaneous, they are usually strictly choreographed. Improvisation is limi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Culture Of Zimbabwe
Zimbabwe has many different cultures, which may include beliefs and ceremonies, one of them being Shona. Zimbabwe's largest ethnic group is Shona. History The roots of Zimbabwean civilisation stretch far back in time, weaving a tapestry of cultural and political innovation. The tale begins with the Bantu-speaking farmers, who, during the Iron Age, traversed the Limpopo River, infusing the region with new agricultural techniques and ironworking skills (Beach, 1994). These migrants forged the foundation of early Zimbabwe, a cultural legacy evidenced today by the imposing stone walls of Great Zimbabwe, an architectural marvel that stood as the nerve centre of an influential precolonial state, flourishing between the 11th and 15th centuries (Fontein, 2006). Great Zimbabwe, which gave the modern nation its name, was a political and economic powerhouse, its influence rippling throughout Southern Africa. The city was part of an extensive trading network, exchanging gold, ivory, cop ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Borrowdale Dance
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The Borrowdale dance (also known as the ''dance of horses'') is a Zimbabwean dance named after the horse-racing track situated in the Borrowdale suburb of Zimbabwe's capital city, Harare. The dance is characterised by fancy footwork and galloping body movements in the style of racing horses. The dance was popularized by members of the Khiama Boyz, including Macheso, Madzibaba, and Tazvida. See also *Dance in Zimbabwe References African dances Dance Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Northern Ndebele People
The Northern Ndebele people (; ; ) are a Nguni ethnic group native to Southern Africa. Significant populations of native speakers of the Northern Ndebele language (siNdebele) are found in Zimbabwe and as amaZulu in South Africa. They differ from Southern Ndebele people who speak isiNdebele of KwaNdebele. Regional classification The Northern Ndebele language spoken by the Ndebele people of Zimbabwe is generally the same as the isiZulu language spoken by the Zulu people of South Africa with a few pronunciation and word meaning differences. Northern Ndebele spoken in Zimbabwe and Southern Ndebele (or Transvaal Ndebele) spoken in South Africa are separate but related languages with some degree of mutual intelligibility, although the former is more closely related to Zulu. Southern Ndebele, while maintaining its Nguni roots, has been influenced by the Sotho languages. Etymology The Northern Ndebele, specifically the Khumalo (amaNtungwa) people under Mzilikazi, were origi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shona People
The Shona people () also/formerly known as the Karanga are a Bantu peoples, Bantu ethnic group native to Southern Africa, primarily living in Zimbabwe where they form the majority of the population, as well as Mozambique, South Africa, and worldwide diaspora. There are five major Shona language/dialect clusters: Manyika, Karanga, Zezuru, Korekore, Kalanga, and Ndau. Classification The Shona people are grouped according to the dialect of the language they speak. Their estimated population is 22.6 million: * Korekore people, Korekore (northern region of Zimbabwe) * Zezuru people, Zezuru (central Zimbabwe) * Manyika tribe, Manyika (eastern Zimbabwe around Mutare, Buhera, Nyanga, Zimbabwe, Nyanga and into Mozambique) * Ndau people, Ndau (southeast Zimbabwe around Mutare, Chimanimani, Chipinge and into Mozambique) * Karanga people, Karanga (south-central Zimbabwe around Masvingo) * Kalanga people, Kalanga (southwest Zimbabwe, interspersed with the Northern Ndebele people, Ndebele ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marimba
The marimba ( ) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass band, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu languages, Bantu origin, deriving from the prefix meaning 'many' and meaning 'xylophone'. The term is akin to kongo languages, Kikongo and Swahili ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polyrhythm
Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single Part (music), part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the Clave (rhythm)#Son clave, son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Wolfgang Amadeus Mozart, Moz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Africa
The continent of Africa is vast and its music is diverse, with different Regions of Africa, regions and List of African countries, nations having many distinct musical traditions. African music includes the genres like makwaya, highlife, Mbube (genre), mbube, township music, Jùjú music, jùjú, Fuji music, fuji, jaiva, afrobeat, Afro fusion, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include music of the United States, American music like Dixieland jazz, blues, jazz, and many Caribbean music, Caribbean genres, such as calypso music, calypso (see kaiso) and soca music, soca. Latin American music genres such as cumbia, salsa music, son cubano, Cuban rumba, rumba, conga (music), conga, Bomba (Puerto Rico), bomba, samba and Zouk (musical movemen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Weapon Dance
A weapon dance employs weapons—or stylized versions of weapons—traditionally used in combat in order to simulate, recall, or reenact combat or the moves of combat in the form of dance, usually for some ceremony, ceremonial purpose. Such dancing is quite common to folk ritual on many parts of the world. Weapon dancing is certainly ancient; among the earliest historical references we have are those that refer to the pyrrhichios, a weapon dance in ancient Sparta, in which the dance was used as a kind of ritual training for battle. Related to weapon dances and war dances is the dance of the hunt. A very early reference to a weapon dance of the hunt comes in the form of a Petroglyph, rock carving at Çatalhöyük, Çatal Höyük, the large neolithic settlement in south-central Anatolia. It depicts a hunting ritual involving dancers holding their bows; one figure has a bow in each hand, two perform artistic leaps and another holds a horn-shaped stick and is striking a frame drum. Exa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Representative List Of The Intangible Cultural Heritage Of Humanity
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. , the programme compiles three lists. The longer Representative List of the Intangible Cultural Heritage of Humanity comprises cultural "practices and expressi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zimbabwe
file:Zimbabwe, relief map.jpg, upright=1.22, Zimbabwe, relief map Zimbabwe, officially the Republic of Zimbabwe, is a landlocked country in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Botswana to the southwest, Zambia to the north, and Mozambique to the east. The capital and largest city is Harare, and the second largest is Bulawayo. A country of roughly 16.6 million people as per 2024 census, Zimbabwe's largest ethnic group are the Shona people, Shona, who make up 80% of the population, followed by the Northern Ndebele people, Northern Ndebele and other #Demographics, smaller minorities. Zimbabwe has 16 official languages, with English, Shona language, Shona, and Northern Ndebele language, Ndebele the most common. Zimbabwe is a member of the United Nations, the Southern African Development Community, the African Union, and the Common Market for Eastern and Southern Africa. The region was long inhabited by the San people, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |