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Dalaba Frith Glick Rieman Kihlstedt
''Dalaba Frith Glick Rieman Kihlstedt'', also stylized as ''DalabaFrithGlickRiemanKihlstedt'', is a 2003 studio album of improvised experimental music by Lesli Dalaba, Fred Frith, Eric Glick Rieman and Carla Kihlstedt. It was recorded at Guerrilla Recording in Oakland, California, and was released by Accretions Records in San Diego, California in 2003. The quartet was first proposed by Glick Rieman to Frith, with whom he had worked at Mills College in Oakland. Frith added Dalaba to the project, and Glick Rieman, Frith and Dalaba performed with John Zorn at Derek Bailey's Incus Festival at Tonic in New York City. Kihlstedt joined the trio later at the suggestion of Glick Rieman, and the quartet's first performance was at Myles Boisen's Guerrilla Recording studio in Oakland. Reception In a review of the album at AllMusic, François Couture wrote that there is " beautiful level of understanding" between the four musicians, and that while the music is improvised, it "sounds deep ...
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Fred Frith
Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including ''Traffic Continues'' (1996, performed 1998 by Frith and Ensemble Modern) and ''Freedom in Fragments'' (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics. He is the subjec ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ...
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Experimental Music Albums
An experiment is a procedure carried out to support or refute a hypothesis, or determine the efficacy or likelihood of something previously untried. Experiments provide insight into cause-and-effect by demonstrating what outcome occurs when a particular factor is manipulated. Experiments vary greatly in goal and scale but always rely on repeatable procedure and logical analysis of the results. There also exist natural experimental studies. A child may carry out basic experiments to understand how things fall to the ground, while teams of scientists may take years of systematic investigation to advance their understanding of a phenomenon. Experiments and other types of hands-on activities are very important to student learning in the science classroom. Experiments can raise test scores and help a student become more engaged and interested in the material they are learning, especially when used over time. Experiments can vary from personal and informal natural comparisons ( ...
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Collaborative Albums
Collaboration (from Latin ''com-'' "with" + ''laborare'' "to labor", "to work") is the process of two or more people, entities or organizations working together to complete a task or achieve a goal. Collaboration is similar to cooperation. Most collaboration requires leadership, although the form of leadership can be social within a decentralized and egalitarian group.Spence, Muneera U. ''"Graphic Design: Collaborative Processes = Understanding Self and Others."'' (lecture) Art 325: Collaborative Processes. Fairbanks Hall, Oregon State University, Corvallis, Oregon. 13 April 2006See also. Teams that work collaboratively often access greater resources, recognition and rewards when facing competition for finite resources. Caroline S. Wagner and Loet Leydesdorff. Globalisation in the network of science in 2005: The diffusion of international collaboration and the formation of a core group.'' Structured methods of collaboration encourage introspection of behavior and communication. ...
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2003 Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the ...
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Stroh Violin
The Stroh violin or Stroviol is a type of stringed musical instrument that is mechanically amplified by a metal resonator and horn attached to its body. The name Stroviol refers to a violin, but other instruments have been modified with the amplification device, including the viola, cello, double bass, ukulele, mandolin, and guitar. John Matthias Augustus Stroh, an electrical engineer in London, invented the instrument in 1899. Description The Stroh violin has a horn at the end of the fingerboard to project the sound to an audience or recording horn, and often a smaller monitoring horn that the performer placed at their ear to hear what was being played more distinctly. The Stroh violin is much louder than a standard wooden violin, and its directional projection of sound made it particularly useful in the early days of phonographic recording. Wooden violins recorded poorly with the early acoustic-mechanical recording method, and the Stroh violin improved this by produc ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the record sleeve, sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often ...
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Chris Cutler
Chris Cutler (born 4 January 1947) is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world. Cutler created and runs the British independent record label Recommended Records and is the editor of its sound-magazine, '' RēR Quarterly''. He has given a number of public lectures on music, published numerous articles and papers, and written a book on the political theory of contemporary music, '' File Under Popular'' (1984). Cutler also assembled and released '' The 40th Anniversary Henry Cow Bo ...
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Maybe Monday
Maybe Monday is an American experimental electroacoustic improvisation music ensemble comprising guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. The trio was formed in San Francisco in March 1997 when they performed in a concert at the Great American Music Hall. They have since toured the United States, Canada and Europe, and released three albums between 1999 and 2008. Their music has been described as a "delicate mesh of electric and acoustic, ethnic and urban, tradition and experiment". History The idea behind Maybe Monday was Fred Frith's when he suggested to Miya Masaoka and Larry Ochs that they perform together at a concert in San Francisco in March 1997. Frith, an English multi-instrumentalist, composer and improvisor was a founding member of the English avant-rock group Henry Cow, and was currently Composer-in-Residence in the Music Department at Mills College in Oakland, California. Ochs was a founding member of the San Francisco-b ...
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Digital Wildlife
''Digital Wildlife'' is an album by composer and guitarist Fred Frith's group Maybe Monday which was released on the Winter & Winter label. Reception Allmusic gave the album 3½ stars. JazzTimes' Aaron Steinberg observed "''Digital Wildlife'' can sound, at any random point, like chamber-classical, abstract rock or folk. Frith also takes the title of the recording quite seriously: he seems to have taken tapes from the group's live-time improvisations and mixed them into a multilayered, abruptly shifting, densely overlapping collage of machine music. Acoustic and electronic elements have been cut, rearranged and pasted into a dreamy floating space, where any voice could at any time sound thoroughly foregrounded, distant, looped or distorted beyond recognition... ''Digital Wildlife'' has ambience to spare, though to most it will sound like a racket. Give this one some time. Frith has carefully crafted his own lexicon of sound, and once you've tuned in to what he's doing this beautifu ...
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