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Dada J
Dada () or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia. Within the umbrella of the movement, people used a wide variety of artistic forms to protest the logic, reason, and aestheticism of modern capitalism and modern war. To develop their protest, artists tended to make use of nonsense, irrationality, and an anti-bourgeois sensibility. The art of the movement began primarily as performance art, but eventually spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism and maintained political affinities with radical politics on the left-wing and far-left politics. The movem ...
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Grand Opening Of The First Dada Exhibition, Berlin, 5 June 1920
Grand may refer to: People with the name * Grand (surname) * Grand L. Bush (born 1955), American actor Places * Grand, Oklahoma, USA * Grand, Vosges, village and commune in France with Gallo-Roman amphitheatre * Grand County (other), several places * Grand Geyser, Upper Geyser Basin of Yellowstone, USA * Le Grand, California, USA; census-designated place * Mount Grand, Brockville, New Zealand Arts, entertainment, and media * ''Grand'' (Erin McKeown album), 2003 * "Grand" (Kane Brown song), 2022 * ''Grand'' (Matt and Kim album), 2009 * ''Grand'' (magazine), a lifestyle magazine related to related to grandparents * ''Grand'' (TV series), American sitcom, 1990 * Grand Production, Serbian record label company Other uses * Great Recycling and Northern Development Canal, also known as GRAND Canal * Grand (slang), one thousand units of currency * Giant Radio Array for Neutrino Detection, also known as GRAND See also * * * Grand Hotel (other) * Grand st ...
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Radical Politics
Radical politics denotes the intent to transform or replace the principles of a society or political system, often through social change, structural change, revolution or radical reform. The process of adopting radical views is termed radicalisation. The word derives from the Latin ("root") and Late Latin ("of or pertaining to the root, radical"). Historically, political use of the term referred exclusively to a form of progressive electoral reformism, known as Radicalism, that had developed in Europe during the 18th and 19th centuries. However, the denotation has changed since its 18th century coinage to comprehend the entire political spectrum, though retaining the connotation of "change at the root". History The ''Oxford English Dictionary'' traces usage of 'radical' in a political context to 1783. The ''Encyclopædia Britannica'' records the first political usage of 'radical' as ascribed to Charles James Fox, a British Whig Party parliamentarian who in 1797 p ...
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Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ...
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Cubism
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form. Instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term ''cubism'' is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, ; ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, Futurism and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal," intended only to please the eye. Instead, he wanted to use art to serve the mind. Duchamp is remembered as a pioneering figure partly because of the two famous scandals he provoked -- his ''Nude Descending a Staircase'' that was the most talked-about work of the landmark ...
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Internationalism (linguistics)
In linguistics, an internationalism or international word is a loanword that occurs in several languages (that is, translingually) with the same or at least similar meaning and etymology. These words exist in "several different languages as a result of simultaneous or successive borrowings from the ultimate source". Pronunciation and orthography are similar so that the word is understandable between the different languages. It is debated how many languages are required for a word to be considered an internationalism. Furthermore, the languages required can also depend on the specific target language at stake. For example, according to Ghil'ad Zuckermann, the most important languages that should include the same lexical item in order for it to qualify as an internationalism in Hebrew are Yiddish, Polish, Russian, French, German and English. The term is uncommon in English, although English has contributed a considerable number of words to world languages, e.g., the sport t ...
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Hobby Horse (toy)
A hobby horse (or hobby-horse) is a child's toy horse. Children played at riding a wooden hobby horse made of a straight stick with a small horse's head (of wood or stuffed fabric), and perhaps reins, attached to one end. The bottom end of the stick sometimes had a small wheel or wheels attached. This toy was also sometimes known as a cock horse (as in the nursery rhyme ''Ride a cock horse to Banbury Cross'') or stick horse. Hobby horses feature in the worship of Rajasthani folk deity Baba Ramdevji, a reference to a Baba Ramdevji#Folklore about Baba Ramdevji, story about his childhood; wooden toy horses are popular offerings at his temple at Ramdevra. They also figured in the public rites of the Romanian Călușari. Hobby horsing as a sport became popular among young women in Finland and elsewhere in the 21st century. Other meanings A hobby horse is not always a riding-stick like the child's toy; larger hobby horses feature in some traditional seasonal customs (such as Mummer ...
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Paper Knife
The terms paper knife and letter opener are often used interchangeably to refer to a knife-like desktop tool. In truth, they are actually for different functions and were in use at different times. Paper knives are used for cutting open the pages of hand-produced books where the folding of printed sheets creates some closed edges that require severing of the paper before reading. Letter openers "evolved" from paper knives into longer, blunter blades for the sole purpose of opening envelopes. Paper knives are no longer in common use, except perhaps by antiques enthusiasts. An electric version of a letter opener is also available, which uses motors to slide the envelopes across a blade, and is also able to handle increased numbers of envelopes, but the blade can slice into the contents of the envelope and damage them. Letter openers may be designed from wood, metals, such as stainless steel, silver, or pewter, plastic, ivory, or a combination of materials. Often the style of the h ...
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Machine Aesthetic
The machine aesthetic "label" is used in architecture and other arts to describe works that either draw the inspiration from industrialization with its mechanized mass production or use elements resembling structures of complex machines (ships, planes, etc.) for the sake of appearance. As an example of the latter, buildings in the International Modernism style frequently used horizontal strips of metal-framed windows crossing the smooth walls to imitate an ocean liner in a deliberate violation of the "truth to materials" principle (as the walls were actually made of bricks). Machine aesthetic is neither an art style, nor an art movement in itself, but a common trait shared by multiple movements of the first three decades of the 20th century (so called First Machine Age), including French purism, Dutch De Stijl, Russian suprematism and productivism, German constructivism (Bauhaus), and American precisionism. With the notable exception of dadaists, most adherents of machine aest ...
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Artistic Style
In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories" or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art". Style can be divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are often made, such as between "early", "middle" or "late". In some artists, such as Picasso for example, these divisions may be marked and easy to see; in others, they are more subtle. Style is ...
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Texas Studies In Literature And Language
''Texas Studies in Literature and Language'', commonly known as TSLL, is a peer-reviewed academic journal devoted to the humanities. It publishes essays reflecting a variety of critical approaches and all periods of literary history, with selected issues centering on special topics. Founded in 1911 as ''Studies in English'', it was subsequently issued as ''The University of Texas Studies in English'' (1949-1956) and ''Texas Studies in English'' (1957-1958) before assuming its current name. It remains "one of the oldest, if not the oldest, scholarly journals of its kind in North America." The journal is published quarterly by the University of Texas Press in Austin, Texas. It is indexed in Academic Search Complete, MLA International Bibliography, Russian Academy of Sciences Bibliographies, Book Review Index, ArticleFirst, Periodicals Index Online, ProQuest Research Library, Arts and Humanities Citation Index, and Web of Science. Notable scholars who have published in TSLL include ...
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