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Dab In The Middle
''Dab in the Middle'' is the fourth studio album by the Serbian rock band Smak, released in 1978. The record was named after English colloquial ''smack dab in the middle'', which means to be "In the middle of a storyline". Track listing Personnel * Boris Aranđelović – vocals * Radomir Mihajlović "Točak" – guitar * Tibor Levay – keyboards * Zoran Milanović – bass * Slobodan Stojanović "Kepa" – drums Guest * David Moos – Congas, Timbales, Maracas, Castanets, Gong, Cabasa The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle. The metal cabasa was created by Mar ... External links * {{Authority control Smak albums 1978 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smak
Smak ( sr-Cyrl, Смак; trans. ''The end time'') was a Serbian and SFRY, Yugoslav band from Kragujevac. The group reached the peak of popularity in the 1970s when it was one of the most notable acts of the yu rock, former Yugoslav rock scene. The band's leader, guitarist Radomir Mihailović, nicknamed Točak ("The Wheel"), is considered one of the most influential guitarists on the former Yugoslav rock scene. Formed in 1971 by the guitarist Radomir "Točak" Mihajlović and drummer Slobodan "Kepa" Stojanović, the band did not get a stable lineup until 1975 by which time bassist Zoran Milanović (musician), Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski became the band's official members. However, after recording their Smak (album), eponymous debut album, Ristovski left and the remaining quartet recorded their subsequent albums with various keyboardists before disbanding in 1981. After brief reunions between 1986 and 1992, the two founding memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slobodan Stojanović
Slobodan ( sr-Cyrl, Слободан) is a Serbo-Croatian masculine given name which means "free" (''sloboda'' / meaning "freedom, liberty") used among other South Slavs as well. It was coined by Serbian liberal politician Vladimir Jovanović who, inspired by John Stuart Mill's essay ''On Liberty'' baptised his son as Slobodan in 1869 and his daughter Pravda (Justice) in 1871. It became popular in both the Kingdom of Yugoslavia (1918–1945) and the Socialist Federal Republic of Yugoslavia (1945–1991) among various ethnic groups within Yugoslavia and therefore today there are also Slobodans among Croats, Slovenes and other Yugoslav peoples. During the decade after World War II, the name Slobodan (means "freedom") became the most popular Serbian male name, and it remained so until 1980. Common derived nicknames are Sloba, Slobo, Boban, Boba, Bobi and Čobi. The feminine counterpart is Slobodanka. A rare short form of the name Slobodan is Bodan, used sometimes in North Mace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabasa
The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle. The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova pieces. Precise rhythmic effects can be gained by the advanced player. The player places his non-dominant hand on the metal chain, to provide pressure, while holding the wooden handle with the other hand and twisting the instrument back and forth depending on the rhythmic pattern desired. In addition to Latin music, many band and orchestra pieces call for the cabasa. The African original version of the cabasa is called ''agbe'', and is constructed from dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the '' crotalum''. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: ''castaño''), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Moos
David Moos (born 23 October 1965) is the president of David Moos Art Advisory and a co-founder of The Museum Exchange. Career Moos was born in Toronto. He completed his bachelor's degree in art history at McGill University, Montreal and master's degree and doctorate in art history from Columbia University, New York. From 1998 to 2004, Moos was Curator of Contemporary Art at the Birmingham Museum of Art, Alabama. In this position, he organized the traveling exhibitions ''Samuel Mockbee and the Rural Studio: Community Architecture'', '' William Wegman: Fashion Photographs'', ''Yayoi Kusama: Early Drawings from the Collection of Richard Castellane, ''Jonathan Lasker'': Selective Identity'', and ''Radcliffe Bailey: The Magic City.'' He has worked with many other artists including Michael Awad, Willie Cole, Jessica Diamond, Stephen Hendee, Lonnie Holley, Luis Jimenez, Alex Katz, Anselm Kiefer, Mark Lewis, Beatriz Milhazes, Orlan, Tony Scherman, Frank Thiel, and Lawrence Weiner. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoran Milanović (musician)
Zoran Milanović (; born 30 October 1966) is a Croatian politician and the incumbent president of Croatia. First elected in 2020, he was re-elected in 2025 with 74% voter support. Prior to assuming the presidency, he was the prime minister of Croatia from 2011 to 2016, as well as the president of the Social Democratic Party (SDP) from 2007 to 2016. After graduating from the Zagreb Faculty of Law, Milanović started working in the Ministry of Foreign Affairs. He served as Advisor at the Croatian mission to the European Union and NATO in Brussels from 1996 to 1999. During the same year, he joined the SDP. In 1998, he earned his master's degree in European Union law at the Free University Brussels and was an assistant to the Croatian foreign minister for political multilateral affairs in 2003. In June 2007, he was elected president of the SDP, following the death of the long-time party leader and former prime minister Ivica Račan. Under Milanović's leadership the party finis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibor Levay
Tibor is a masculine Hungarian given name. * Originated shortened form of the medieval Hungarian name ''Tiborc''; which originates from the ancient Latin surname Tiburtius (other), Tiburtius. * from Etruscan civilization, Etruscan name Tibur, which means "honest man" Some notable people known by this name include: * Tibor Ág * Tibor Antalpéter * Tibor Benedek * Tibor Farkas * Tibor Feheregyhazi * Tibor Fischer * Tibor Gécsek * Tibor Hollo * Tibor Kalman * Tibor R. Machan * Tibor Mičinec * Tibor Nyilasi * Tibor Ordina * Tibor Őze Hungarian football manager * Tibor Parák * Tibor Pleiß * Tibor Polgár (1907–1993), Hungarian composer * Tibor Radó * Tibor Renyi * Tibor Selymes * Tibor Sisa Hungarian football manager * Tibor Stark * Tibor Szasz * Tibor Szele * Tibor Varga (ice hockey) * Tibor Varga (violinist) * Tibor Viniczai * Tibor Wlassics * Tibor Zsitvay See also * Ctibor (name) * ''Tibor'' is the Hungarian name for Tibru village, Cricău Commune, Alba County, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
