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Stagecraft Software
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision. In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs. Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires the wo ...
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Robert Edmond Jones
Robert Edmond Jones (December 12, 1887 – November 26, 1954) was an American scenic, lighting, and costume designer. He is credited with incorporating the new stagecraft into the American drama. His designs sought to integrate scenic elements into the storytelling instead of having them stand separate and indifferent from the play's action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting. Life Born in Milton, New Hampshire, Jones attended Harvard University and graduated in 1910. Jones eventually moved to New York (1912), where, with friends made at Harvard, he began to do small design jobs. In 1913 Jones and several friends sailed to Europe to study the new stagecraft with Edward Gordon Craig in Florence. The school in Florence would not accept Jones, so he went to Berlin instead, spending a year in informal study with Max Reinhardt's Deutsches Theater. For a 1915 production of ''The Man ...
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Play (theatre)
A play is a form of drama that primarily consists of dialogue between Character (arts), characters and is intended for theatre, theatrical performance rather than mere Reading (process), reading. The creator of a play is known as a playwright. Plays are staged at various levels, ranging from London's West End theatre, West End and New York City's Broadway theatre, Broadway – the highest echelons of commercial theatre in the English-speaking world – to Regional theater in the United States, regional theatre, community theatre, and academic productions at universities and schools. A stage play is specifically crafted for performance on stage, distinct from works meant for broadcast or cinematic adaptation. They are presented on a stage before a live audience. Some dramatists, notably George Bernard Shaw, have shown little preference for whether their plays are performed or read. The term "play" encompasses the written texts of playwrights and their complete theatrical renditio ...
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West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes"West End"in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre represents the highest level of Theatre of the United Kingdom, commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Prominent screen actors, Cinema of the United Kingdom, British and World cinema, international alike, frequently appear on the London stage. There are approximately 40 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre—built as a showcase for the popular series of comic operas of Gilbert and Sullivan—was entirely lit by electricity in 1881. Society of London Theatre, The Society of London Theatre (SOLT) announced that 201 ...
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English Restoration
The Stuart Restoration was the reinstatement in May 1660 of the Stuart monarchy in Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II of England, Charles II. The Commonwealth of England had been governed by Lord Protector Oliver Cromwell and then his son Richard Cromwell. The term is also used to describe the reign of Charles II (1660–1685), and sometimes that of his younger brother King James II, James II (1685–1688). The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John Lambert (general), John Lambert then dominated government for a year. On 20 October 1659, George Monck, the governor of Scotland under the Cromwells, marched south with his army from Scotland to oppose Fleetwood and Lambert. Lambert's a ...
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Proscenium
A proscenium (, ) is the virtual vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage (theatre), stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a Social constructionism, social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meani ...
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Globe Theatre
The Globe Theatre was a Theater (structure), theatre in London associated with William Shakespeare. It was built in 1599 at Southwark, close to the south bank of the Thames, by Shakespeare's playing company, the Lord Chamberlain's Men. It was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closure 1642, London theatre closures of 1642. As well as plays by Shakespeare, early works by Ben Jonson, Thomas Dekker (writer), Thomas Dekker and John Fletcher (playwright), John Fletcher were first performed here. A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately from the site of the original theatre.Measured using Google Earth Location Examination of old leases and parish records has identified the plot of land acquired for building The Globe as extending from the west side of modern-day Southwark Bridge Road eastwards as far as Porter Street and fr ...
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Plen-an-gwary
A plen-an-gwarry or plain-an-gwary (), is a "playing-place" or round, a medieval amphitheatre found in Cornwall. A circular outdoor space used for plays, sports (especially Cornish wrestling),The Independent, 19 November 2000.''A tramps visit to Gwennap Pit and Redruth fair'', The Cornishman, 9 June 1881, p8. and public events, the plen-an-gwary was a Cornish variant of a construction style found across Great Britain. Formerly common across Cornwall, only two survive nearly complete today: the ''Plain'' in St Just in Penwith () and Saint Piran's Round near Perranporth ().''St Just Plain-an-Gwarry''.
Historic Cornwall. Retrieved 23 September 2012.
The theatre area could be used for local gatherings, sports events, and production of plays. Cornwall culture had a type of play called < ...
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Medieval
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of World history (field), global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early Middle Ages, Early, High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the ...
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Deus Ex Machina
''Deus ex machina'' ( ; ; plural: ''dei ex machina''; 'God from the machine') is a plot device whereby a seemingly unsolvable problem in a story is suddenly or abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought on stage using a machine. The machine could be either a crane ('' mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eumenides'' but ...
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Mechane
A mechane (; , ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,Plato, '' Crat.'' 425d; '' Clit''. 407a hence the Latin term '' deus ex machina'' ("god from the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. Use in ancient Rome Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service, Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the body in all directions.App. ''B.C.'' 2.147. ''τὸ μὲν γὰρ σῶμα, ὡ� ...
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Scenery Wagon
A scenery wagon, also known as a ''stage wagon'', is a mobile platform (theatre), platform that is used to support and transport movable, three-dimensional theatrical scenery on a theater stage (theatre), stage. In most cases, the scenery is constructed on top of the wagon such that the wagon, and the scenery it supports, forms a single, integrated structure. Heavy duty casters are mounted to the underside of the platform so that the entire assembly can be quickly moved onstage or offstage, so as to facilitate rapid scenery changes during live productions. Scenery wagons are built in a wide range of sizes, ranging from less than one square foot up to the size of the playing area of the stage. Scenery wagons comprise one of the four methods used to move scenery during the course of a theatre performance, the other three being "flying" (suspending) scenery from a fly system, elevating or lowering scenery on a stage lift, or "running" (manually carrying) the scenery. Components Cast ...
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