|
Odissi
''Odissi'' (''ଓଡ଼ିଶୀ'') also referred to as ''Orissi'' in old literature, oldest surviving classical dance of India, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities Shiva and Surya, as well as Hindu goddesses (Shaktism)., Quote: "There are other te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over two thousand years, distinguished by its unique ''sangita-shastra''s (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by specific modulations such as the ''āndolita'' and the ''kurāla''. Odissi compositions are largely written in Sanskrit and Odia language, Odia. The various compositional forms of Odissi music include ''Odissi Prabandha, Chaupadi, Chhanda, Champu, Chautisa, Janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli,'' and more. Presentation dynamics are roughly classified into four: ''rāgānga'', ''bhābānga, nātyānga'' and ''dhrubapadānga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, ''Krupasidd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gitagovinda
The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called p''rabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''ashtapadis''. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Every night in the Jagannath Temple, Puri, Jagannatha temple, the ''Gitagovinda'' of Jayadeva is sung in the style of Odissi music, a tradition that has continued unbroken since the time of Jayadeva himself. Musicians of Kerala have adapted the ''ashtapadis'' into a musical form performed in temples called ''Sopana Sangeetham, sopana sangeetham.'' Jaya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotipua
''Gotipua'' (Odia language, Odia- ଗୋଟିପୁଅ, pronounced ''goṭipuå'') is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahari Dance
''Mahari'' is a ritualistic dance form from the eastern Indian state of Odisha that used to be performed at the temple of Lord Jagannatha at Puri by ''devadasi'' dancers called ''mahari''. Following the abolition of the devadasi system, the dance has been discontinued at the Jagannatha Temple but is now performed on stage at many venues. The Mahari dance spurred the development of both Odissi and the Gotipua dance forms of Odisha. The Maharis have been among the foremost exponents of both traditional Odia dance and Odissi music. History Mahari dance is nearly thousand years old with dance having been an integral part of the daily rituals at the Jagannath temple of Puri since the time of Ganga rulers of Utkala. In the twelfth century, Chodaganga Deva gave the dance a legal status, establishing new localities for the maharis to stay and introduced new ceremonies for the deity. The classical dance form of Odissi has its roots in the Mahari dance while the Gotipua dance origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhubaneswar
Bhubaneswar () is the capital and the largest city of the States and territories of India, Indian state of Odisha. It is located in the Khordha district. The suburban region, especially the old town, was historically often depicted as ''Chakra Khetra'' and ''Ekamra Khetra'' (Area adorned with a mango tree). Bhubaneswar is dubbed the "Temple City", a nickname earned because of many temples which are standing there. In contemporary times, the city is a hub of sports, tourism and IT in the country. Although the modern city of Bhubaneswar was formally established in 1948, the history of the areas in and around the present-day city can be traced to the 1st century BCE. It is a confluence of Hinduism, Hindu, Buddhism, Buddhist and Jainism, Jain heritage and includes several Kalinga architecture, Kalingan temples, many of them from 6th–13th century CE. With Puri and Konark, it forms the "Swarna Tribhuja" (), one of Eastern India's most visited destinations.Ramesh Prasad Mohapatra, ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribhanga
Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the other again at the shoulders and neck. The pose goes back at least 2,000 years in Indian art, and has been highly characteristic for much of this period, "found repeated over and over again in countless examples of Indian sculpture and painting". Indian religions carried it to East and South-East Asia. Like the equivalent contrapposto and "S Curve" poses in Western art, it suggests movement in figures and gives "rhythmic fluidity and ... youthful energy". The word derives from Sanskrit, where ''bhanga'' (or ''bhangha'') is the word for an attitude or position, with ''tri'' meaning "triple", making "triple-bend position". Other poses described in old texts on dance were ''samabhanga'' for the "figure in equipoise", whether standing, sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odisha
Odisha (), formerly Orissa (List of renamed places in India, the official name until 2011), is a States and union territories of India, state located in East India, Eastern India. It is the List of states and union territories of India by area, eighth-largest state by area, and the List of states and union territories of India by population, eleventh-largest by population, with over 41 million inhabitants. The state also has the third-largest population of Scheduled Castes and Scheduled Tribes, Scheduled Tribes in India. It neighbours the states of Jharkhand and West Bengal to the north, Chhattisgarh to the west, and Andhra Pradesh to the south. Odisha has a coastline of along the Bay of Bengal in the ''Indian Ocean''. The region is also known as Utkaḷa and is mentioned by this name in India's national anthem, Jana Gana Mana. The language of Odisha is Odia language, Odia, which is one of the Classical languages of India. The ancient kingdom of Kalinga (historical region), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odishi
Odishi ( ka, ოდიში ) was a historical district in western Georgia, the core fiefdom of the former Principality of Mingrelia, with which the name "Odishi" was frequently coterminous. Since the early 19th century, this toponym has been supplanted by Mingrelia (Samegrelo). Geography Like most historical regions of Georgia, Odishi had fluctuating borders. It was bounded by the Black Sea to the west and the Tskhenistsqali river to the east; to the northwest, Odishi bordered and at times expanded into Abkhazia; to the north were the mountains of Takveri, that is, the letter-day Lechkhumi, and Svaneti; and the Rioni river formed the border between Odishi and Guria to the south. In its narrower sense, Odishi referred to a tract of land between the Inguri and Tekhuri rivers, bathed by the Black Sea. The chief town and largest settlement was Zugdidi. Chqondidi at Martvili served as the principal Christian cathedral. A Georgian demonym for the people of Odishi was ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Or White
"Black or White" is a song by American singer Michael Jackson, released by Epic Records on November 11, 1991, as the first single from Jackson's eighth studio album, '' Dangerous'' (1991). Jackson wrote, composed, and produced the track with record producer Bill Bottrell, who provides an uncredited guest performance. Epic Records described it as "a rock 'n' roll dance song about racial harmony". "Black or White" reached number one on the US ''Billboard'' Hot 100 on December 7, 1991, the fastest to reach the position since the Beatles' 1969 single " Get Back". It stayed at the position for seven weeks, making Jackson the first artist to have multiple number ones on the ''Billboard'' Hot 100 in the 1970s, 1980s and 1990s. In addition to having received triple platinum certification by the Recording Industry Association of America (RIAA), "Black or White" reached number one in the charts of at least 20 countries and territories, including the UK, Australia, Belgium, Canada, Cuba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalinga Architecture
The Kaliṅga architectural style is a style of Hindu architecture which flourished in the ancient Kalinga previously known as Utkal and in present eastern Indian state of Odisha. The style consists of three distinct types of temples: Rekha Deula, Pidha Deula and Khakhara Deula. The former two are associated with Vishnu, Surya and Shiva temples while the third is mainly with Chamunda and Durga temples. The Rekha Deula and Khakhara Deula houses are the sanctum sanctorum while the Pidha Deula constitutes outer dancing and offering halls. In Kalinga, the ancient land of Shakta cult, divine iconography existed since the mythological era. Present day research implies that idols (deities) were placed under auspicious trees in the ancient days. The various aspects of a typical Kalinga temple include architectural stipulations, iconography, historical connotations and honoring the traditions, customs and associated legends. Architecture Selecting people There is a specific hier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
