National Symbols Of Ukraine
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National Symbols Of Ukraine
The national symbols of Ukraine include a variety of official and unofficial National symbol, symbols and other items that are used in Ukraine to represent what is unique about the nation, reflecting different aspects of its cultural life and history. Symbols References

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National Symbol
A national symbol is a manifestation of a nation or community, serving as a representation of their National identity, identity and values. National symbols may be not only applied to sovereign states but also nations and countries in a state of Colony, colonial or other forms of Dependent territory, dependence, federalism, federal integration, or even ethnocultural communities that identify as a "nationality" despite lacking autonomy. National symbols intend to unite individuals by creating visual, verbal, or icon, iconic representations of the national people, values, goals, culture and/or history. These symbols are often rallied around as part of celebrations of patriotism and/or aspiring nationalism (such as independence, autonomy, and/or separation movements) and are designed to be inclusive and representative of all the people of the national community. Common official national symbols *The national flag, flag or banner of a state *The Gallery of country coats of arms, c ...
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Glory To Ukraine
"Glory to Ukraine!" ( ) is a Ukraine, Ukrainian national salute, known as a symbol of Ukrainian sovereignty and resistance to foreign aggression. It is the battle cry of the Armed Forces of Ukraine. It is often accompanied by the response "To the heroes — glory!" ( ). The phrase first appeared at the beginning of the 20th century in different variations, when it became popular among Ukrainians during the Ukrainian War of Independence from 1917 to 1921. The response "Glory to the heroes!" first appeared during the Ukrainian War of Independence or later in the 1920s among members of the League of Ukrainian Nationalists.Why Is the International Media Still Repeating Kremlin Propaganda about Ukr ...
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Bandura
A bandura ( ) is a Ukrainians, Ukrainian plucked string instrument, plucked-string folk-instrument. It combines elements of the zither and lute and, up until the 1940s, was also often called a kobza. Early instruments () had 5 to 12 strings and resembled lutes. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern "concert" instruments (1954).Mizynec, V. ''Folk Instruments of Ukraine''. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th and early 20th centuries traditional bandura players, often blind, were called kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' occurs in Polish chronicles from 1441. The hybridization, however, occurred in t ...
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List Of National Instruments (music)
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican '' cuatro''), but in others, their importance is primarily symbolic (such as the Welsh triple harp). Danish ethnologist Lisbet Torp has concluded that some national instrument traditions, such as the Finnish '' kantele'', are invented, pointing to the "influence of intellectuals and nationalists in the nationwide promotion of selected musical instruments as a vehicle for nationalistic ideas". Governments do not generally officially recognize national instruments; some exceptions being the Paraguayan harp, the Japanese '' koto'' and the Trinidadian steelpan. This list compiles instruments that have been alleged to be a ''national instrument'' by any of a variety of sources, and an instrument's presence on the list does not indicate th ...
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Taras Shevchenko
Taras Hryhorovych Shevchenko (; ; 9 March 1814 – 10 March 1861) was a Ukrainian poet, writer, artist, public and political figure, folklorist, and ethnographer. He was a fellow of the Imperial Academy of Arts and a member of the Brotherhood of Saints Cyril and Methodius. He wrote poetry in Ukrainian language, Ukrainian and prose (nine novellas, a diary, and his autobiography) in Russian language, Russian, making him one of many iconic figures which belong to several Slavic language cultures. The town of Aktau in Kazakhstan was named after Shevchenko in the period of Soviet authority. His literary heritage, in particular the poetry collection ''Kobzar (poetry collection), Kobzar'', is regarded to be the foundation of modern Ukrainian literature and to some degree also of the modern Ukrainian language. Life Childhood and youth Taras Shevchenko was born on in the village of Moryntsi, Kiev Governorate, Russian Empire, about 20 years after the third partitions of Poland, partiti ...
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National Poet
A national poet or national bard is a poet held by tradition and popular acclaim to represent the identity, beliefs and principles of a particular national culture. The national poet as culture hero is a long-standing symbol, to be distinguished from successive holders of a bureaucratically-appointed poet-laureate office. The idea and honoring of national poets emerged primarily during Romanticism, as a figure that helped consolidation of the nation states, as it provided validation of their ethno-linguistic groups. Most national poets are historic figures, though a few contemporary writers working in relatively new or revived national literatures are also considered "national poets". Though not formally elected, national poets play a role in shaping a country's understanding of itself. Some nations may have more than one national poet; the idea of a single one is always a simplification. It has been argued that a national poet "must write poetry that closely identifies with th ...
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Girl From Podolye By V
A girl is a young female human, usually a child or an adolescent. While the term ''girl'' has other meanings, including ''young woman'',Dictionary.com, "Girl"'' Retrieved January 2, 2008. ''daughter'' or ''girlfriend'' regardless of age, the first meaning is the most common one. The treatment and status of girls in any society is usually closely related to the status of women in that culture. In cultures where women have or had a low social position, girls may be unwanted by their parents, and society may invest less in girls. The difference in girls' and boys' upbringing ranges from slight to completely different. Mixing of the sexes may vary by age, and from totally mixed to total sex segregation. Etymology The English word ''girl'' first appeared during the Middle Ages between 1250 and 1300 CE and came from the Anglo-Saxon word ' (also spelled ' or '). The Anglo-Saxon word ' meaning ''dress'' or ''clothing item'' also seems to have been used as a metonym in some se ...
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Vyshyvanka
Vyshyvanka ( ; ) is a colloquial name, casual name for the embroidered shirt in Ukrainian and Belarusian national costumes. Ukrainian vyshyvankas are distinguished by embroidery features specific to Ukrainian embroidery. Etymology "Vyshyvanka" in the meaning of Ukrainian ''vyshyvanka'' is a loanword from Ukrainian. The word is from вишива́ти (vyshyvaty, ) and -анка (-anka), which means . Ukrainian vyshyvankas Embroidery The embroidery is a fundamental element of the Ukrainian folk costume in both sexes.The Ukrainian vyshyvanka is distinguished by local embroidery features specific to Ukrainian embroidery: In Ukrainian embroidery, black, red, and white colours are basic, and yellow, blue, and green are supplementary. In the area which now constitutes the modern nation of Ukraine, embroidery existed already in the 5th century B.C in Scythian art. Ukraine is famous throughout the world for its highly artistic embroidery. It is important for the embroiderer today t ...
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Folk Costume
Folk costume, traditional dress, traditional attire or folk attire, is clothing of an ethnic group, nation or region, and expresses cultural, religious or national identity. An ethnic group's clothing may also be called ethnic clothing or ethnic dress. Traditional clothing includes everyday and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be substituted without offense. Following the rise of romantic nationalism in parts of Europe, pre-industrial peasantry came to serve as ideals for genuinity and desirability. Garments evoking peasant dress were made from traditional pre-industrial textiles. In regions where Western dress styles are common, traditional garments are often worn during special events or celebrations. International events may cater to non-Western attendees with a compound dress code such as "business suit or national dress". In s ...
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Sviatoslav By Eugene Lanceray 1886
Sviatoslav (, ; , ) is a Russian and Ukrainian given name of Slavic origin. Cognates include Svetoslav, Svatoslav, , Svetislav. It has a Pre-Christian pagan character and means "one who worships the light" (likely in reference to the sun). In Christian times the name's meaning started to be associated with the Proto-Slavic roots (holy, light, world) and (glory), to be explained as "One who worships the Holy". A diminutive form for Sviatoslav is Svetlyo (Bulgarian), Slava (Russian), (Polish), Slavko, Sveto, Svet, Sviat, Sviatko (Ukrainian). Its feminine form is Sviatoslava. The name may refer to: People Monarchs *Sviatoslav I of Kiev (c. 943 – 972), prince of Kiev and Novgorod *Sviatoslav II of Kiev (1027–1076), prince of Kiev and Chernigov *Sviatoslav III of Kiev (before 1141–1194), prince of Turov (1142 and 1154), Vladimir and Volyn (1141–1146), Pinsk (1154), Novgorod-Seversky (1157–1164), Chernigov (1164–1177), Grand Prince of Kiev (1174, 1177–1180, 1182–11 ...
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Sviatoslav I
Sviatoslav or Svyatoslav I Igorevich (; Old Norse: ''Sveinald''; – 972) was Prince of Kiev from 945 until his death in 972. He is known for his persistent campaigns in the east and south, which precipitated the collapse of two great powers in Eastern Europe, Khazars, Khazaria and the First Bulgarian Empire. He conquered numerous East Slavs, East Slavic tribes, defeated the Alans and attacked the Volga Bulgaria, Volga Bulgars, and at times was allied with the Pechenegs and Hungarian people, Magyars (Hungarians). Following the death of his father Igor of Kiev, Igor in 945, Sviatoslav's mother Olga of Kiev, Olga reigned as regent in Kiev until 962. His decade-long reign over the Kievan Rus' was marked by rapid expansion into the Volga, Volga River valley, the Pontic–Caspian steppe, Pontic steppe, and the Balkans, leading him to carve out for himself the largest state in Europe. In 969, he moved his seat to Pereyaslavets on the Danube. In 970, he appointed his sons Yaropolk I ...
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