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Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurukshetra War
The Kurukshetra War (), also called the Mahabharata War, is a war described in the Hindu Indian epic poetry, epic poem ''Mahabharata'', arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the ''Bhagavad Gita. Background The ''Mahābhārata'' is an account of the life and deeds of several generations of a ruling dynasty called the Kuru (Hindu mythology), Kuru clan. Central to the epic is an account of a war that took place between two rival families belonging to this clan. Kurukshetra (literally "Kshetram, Region of the Kurus"), also known as Dharmakshetra (the "Region of Dharma"), was the battleground on which the Kurukshetra War was fought. The first ''Mahābhārata'' says that this site was chosen because a sin committed on land was forgiven because of the land's sanctity. The events of the war make up more than a quarter of the ''Mahabharata''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna And Arjun On The Chariot, Mahabharata, 18th-19th Century, India
Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar calendar, lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophy, Hindu philosophical, Hindu theology, theological, and Hindu mythology, mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyasa
Vyasa (; , ) or Veda Vyasa (, ), also known as Krishna Dvaipayana Veda Vyasa (, ''Vedavyāsa''), is a ''rishi'' (sage) with a prominent role in most Hindu traditions. He is traditionally regarded as the author of the epic Mahabharata, Mahābhārata, where he also plays a prominent role as a character. He is also regarded by the Hindu traditions to be the compiler of the mantras of the Vedas into four texts, as well as the author of the eighteen Puranas, Purāṇas and the Brahma Sutras. Vyasa is regarded by many Hindus as a Avatar, partial incarnation (, ) of Vishnu. He is one of the immortals called the Chiranjivis, held by adherents to still be alive in the current age known as the Kali Yuga. Name "Vyasa" (Vyāsa) means "compiler" or "arranger and also "separation" or "division."Sanskrit Dictionary for Spoken Sanskrit''Vyasa''/ref> Other meanings include "split," "differentiate," or "describe." It is also a title, given to "a holy sage or a pious learned man," and is app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata (Mahabharata)
Bharata () is a legendary emperor featured in Hindu literature. He is a member of the Chandravamsha dynasty, and becomes the Chakravarti (Chakra possessing emperor). He is regarded to be the ancestor of the Pandavas, the Kauravas, Brihadratha and Jarasandha. The legend of Bharata is featured in the Adi Parva of the Mahabharata, where he is mentioned as the son of Dushyanta and Shakuntala. The story of his parents and his birth is related in Kalidasa's famous play, '' Abhijñānashākuntala''. He is a descendant of rajarshi Vishvamitra. According to popular tradition, Bhārata, one of the traditional names of the Indian subcontinent, is named after Bharata. Many depictions call him as Digvijaya Chakravartin Samrāj Sarvadamana Bharata (; ). Legend Mahabharata The Mahabharata states that King Dushyanta was once hunting in the forests, when he arrived at the ashrama of Sage Kanva. In the sage's absence, his adoptive daughter, Shakuntala welcomed Dushyanta, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaurava
''Kaurava'' is a Sanskrit term which refers to descendants of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic ''Mahabharata''. Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari. Duryodhana, Dushasana, Vikarna and Chitrasena are the most popular among the brothers. They also had a sister named Dussala and a half-brother named Yuyutsu. Etymology The term ''Kauravas'' is used in the ''Mahabharata'' with two meanings , *The wider meaning is used to represent all the descendants of Kuru. This meaning, which includes the Pandava brothers, is often used in the earlier parts of popular renditions of the ''Mahabharata''. *The narrower but more common meaning is used to represent the elder line of the descendants of Kuru. This restricts it to the children of King Dhritarashtra, excluding the children of his younger brother, Pandu, whose children form the Pandava line. The rest of this article deals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala
Shakuntala () is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play '' Abhijnanashakuntalam'' (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the ''Mahabharata'' (c. 400 BC - 400 AD), where she appears in the ''Adi Parva'' ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India. In the ''Mahabharata'', Shakuntala and Dushyanta secretly get married through the gandharva tradition (love marriage) and consummate their marriage in her forest hermitage. When she later approaches him with their son Bharata, he hesitates to acknowledge them. Shakuntala rebukes him forcefully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramopakhyana
''Rāmopākhyāna'' is a section of the Indian epic ''Mahabharata'', telling the story of Rama and Sita, a tale best known from the other great Sanskrit epic, the ''Ramayana''. Content The story comprises 704 verses spread across book 3 (the ''Vana Parva'', also known as the ''Aranyaka-parva'' or ''Aranya-parva''). In the standard numbering of the chapters of book 3, it comprises chapters 257–75. At the beginning of the ''Ramopakhyana'' section of the ''Mahabharata'', the character Yudhishthira has just suffered the abduction of his wife and been exiled to the forest. Asking whether there has ever been someone more unfortunate than himself, he is told the comparable story of Rama and Sita as a moralising tale, counseling him against despair. The account of Rama and Sita in the ''Rāmopākhyāna'' is noted for treating Rāma as a human rather than a divine hero; in not mentioning Sita's banishment following her return to Ayodhya; and in not mentioning how she disappears into t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damayanti
Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of ''Nala and Damayanti, Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala (Mahabharata), Nala, the king of Nishadha Kingdom, Nishadha kingdom. Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a Hamsa (bird), divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali (demon), Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the '' Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. List of longest epics Hindi epics In modern Hindi literature, '' Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savitri And Satyavan
''Savitri and Satyavan'', also called ''Sāvitrī-Upākhyāna'' and ''Pativrata-mahatmya Parva'', is an episode from the Indian epic '' Mahabharata'', appearing in the ''Vana Parva'' (The Book of the Forest). It tells the story of Princess Savitri, who, through her intelligence and devotion, overcomes a divine prophecy foretelling her husband Satyavan's early death. This episode is a significant literary and religious text in Hindu tradition, emphasizing themes of destiny, free will, and pativrata dharma (wifely duty). Content Background The '' Mahabharata'', a vast work of over 100,000 double verses, contains numerous side episodes, some of which are nested within one another, in addition to the main story, which narrates the battle between the Pandavas and Kauravas, two related princely families. The episode of Savitri and Satyavan, known in Sanskrit as ''Savitri Upakhyana'' or ''Pativrata Mahatmya Parva'', appears as an embedded narrative within the ''Vana Parva'', the thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urvashi
Urvashi (, ) is the most prominent apsara mentioned in the Hindu scriptures like the ''Vedas'', the epics ''Ramayana'' and ''Mahabharata'', as well as the ''Puranas''. She is regarded as the most beautiful of all the apsaras, and an expert dancer. Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary ''Chandravamsha'', whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam. Etymology The Sanskrit name ''"Urvaśī"'' is derived from roots''uru'' and ''aś''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
