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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills, Tall Dwarfs, the Clean and the Verlaines, and early 1980s college rock radio stations who would frequently play jangle pop bands like the Smiths and R.E.M. The genre solidified itself during the mid–1980s with ''NME''s ''C86'' cassette in the United Kingdom and the underground success of Sonic Youth, Dinosaur Jr. and Unrest (band), Unrest in the United States. During the 1990s, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore, Midwest emo, slacker rock and space rock began. By this time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jangle Pop
Jangle pop is a Music subgenre, subgenre of pop rock and college rock that emphasizes jangle, jangly guitars and 1960s-style pop music, pop melodies. The "jangly" guitar sound is characterized by its clean, shimmering and Arpeggio, arpeggiated tone, often created using 12-string electric guitar, 12-string electric guitars. The term is usually applied to late 1970s/early 1980s bands emerging from the post-punk scene, often influenced by 1960s groups such as the Byrds. Notable acts include Big Star, R.E.M. and the Smiths. Etymology and characteristics In the late 1970s and 1980s, prominent early jangle pop groups included Big Star, R.E.M., the dB's, 10,000 Maniacs, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Dance
Alternative dance (also known as indie dance or underground dance in the United States) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained worldwide exposure through acts such as New Order in the 1980s and the Prodigy and in the 1990s. Characteristics AllMusic states that alternative dance mixes the "melodic song structure of alternative and indie rock with electronic beats, synths and/or samples, and club orientation of post-disco dance music". '' The Sacramento Bee'' calls it " postmodern– Eurosynth– technopop– New Wave in a blender". The genre draws heavily on club culture for inspiration while incorporating other styles of music such as electropop, house, and EBM. The performers of alternative dance are closely identified with their music through a signature style, texture, or fusion of specific musical elements. They are usually signed to small record labels. History 1980s� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music Of Birmingham
Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Yorkshire
New Yorkshire was a musical movement identified by UK music magazine ''NME'' in 2005, in response to the success of Yorkshire bands such as Arctic Monkeys, The Cribs, and Kaiser Chiefs at the time. The bands cited by the magazine included Sheffield guitar-based groups Milburn (band), Milburn, Harrisons, Bromheads Jacket, and The Long Blondes, and Leeds bands The Pigeon Detectives, Your Vegas, The Research, and Black Wire. ''NME'' identified new crossover genres developing in Leeds, which it described as "disco-punk" and "dance-metal". ¡Forward, Russia!, and The Sunshine Underground are examples of this. Other bands that fall into this genre include Stable, O Fracas, The Defunct, Dead Disco, Stoney (musician), Stoney, This Et Al, The Ivories, Monkey Swallows the Universe, Tiny Dancers, Little Man Tate (Band), Little Man Tate, Bhuna, Solar Powered Butterflies, Reverend and The Makers, Duels (band), Duels, Little Ze, Letters and Colours, The Yell, Smokers Die Younger, Champion Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scene That Celebrates Itself
Shoegaze (originally called shoegazing and sometimes conflated with dream pop) is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during such concerts. My Bloody Valentine and their 1991 album ''Loveless'' are widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Nevada
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music In The Netherlands
Dutch rock is a form of rock music produced in the Netherlands, primarily in the English language as well as in Dutch. History Mainstream Pioneers of Dutch rock were the so-called ''Indorock'' bands from the late 1950s, like The Tielman Brothers and the Blue Diamonds. They played rock guitar instrumental music at a time when white Dutch musicians did not perform rock 'n' roll. They stemmed from the Indo community in The Hague, which was also the center of the succeeding genre in the mid-1960s, Nederbeat, when Dutch musicians formed bands influenced by British beat groups and rock music. It earned the city the title of ''Beatstad'' ('Beat city') in later years. With 1960s bands like Golden Earring and Shocking Blue, Vandenberg in the 1980s, and Kane, Di-Rect and Anouk in the 1990s, 2000s The Hague became synonymous for mainstream rock. More progressive music emerged in the 1960s in Amsterdam. In 1964 (see 1964 in music), The Outsiders were the first Dutch psychedelic rock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisley Underground
Paisley Underground is a musical genre that originated in California. It was particularly popular in Los Angeles, reaching a peak in the mid-1980s. Paisley Underground bands incorporated psychedelia, rich vocal harmonies and guitar interplay, owing a particular debt to 1960s groups such as Love and the Byrds, but more generally referencing a wide range of pop and garage rock revival. Etymology The term "Paisley Underground" originated in late 1982, and took root with a comment made by Michael Quercio of the band the Three O'Clock, during an interview with the '' LA Weekly'' alternative newspaper. As the event was later reported: Quercio was close friends with Lina Sedillo who was the bass player with local punk band Peer Group, who had played on the same bill as The Salvation Army on occasion. One evening Sedillo taped Peer Group rehearsing and one of the numbers contained an improvised spoken middle section. Sedillo was wearing a red paisley dress she had bought from a th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock In Belgium
Belgian rock refers to rock music produced in Belgium or written and performed by Belgian musicians. It was originally inspired by rock and roll music from America and the United Kingdom in the 1960s, but later evolved to be influenced by other genres including alternative rock and electronic music. Because Belgium is a federal state with strong cultural identities - a French-speaking area in the southern region of Wallonia as well as a Dutch-speaking population in the north region of Flanders - Belgian rock music uses these two national languages, as well as the English language. The history of Belgian rock echoes that of European rock: after the 1950s, during which rock pioneers introduced the new genre, rock evolved further under the influences of beat music and pop music. During the 1970s, hard rock and progressive rock expressed new forms of rock, and punk rock signalled a return to the simplicity of rock and roll with Belgian bands like The Kids (Belgian band), The Kids, Red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Indie Rock
Australian indie rock is part of the overall flow of Australian rock history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the punk rock era onwards. History Beginnings Rock and roll in Australia got started in the late 1950s and 1960s, influenced by the sounds coming from the United States and UK. Early on, the surf rock sound dominated, though in the mid-1960s, the beat genre from the UK had become established. Numerous garage bands formed in the cities and suburbs, and a vibrant musical culture began. Isolated from the diversity of genres in the northern hemisphere, Australian mainstream record labels tried to replicate the success of trends imported from overseas and produce radio friendly singles by successful artists such as John Farnham and The Easybeats. In the meantime, Russell Morris enjoyed a surprise hit with singles such as "The Real Thing". Produced by music legend Ian Molly Meldrum, and written by singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Rave
New rave (also typeset as nu-rave, nu rave or neu rave) is a genre of music described by ''The Guardian'' as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a British-based music scene between 2005 and late 2008 of fast-paced electronica-influenced indie music that celebrated the late 1980s Madchester and rave scenes through the use of neon colours and using the term 'raving' to refer to going nightclubbing. Use of term The British music magazine ''NME'' is largely responsible for popularising the term throughout 2006 and 2007, until claiming in mid-2008 reviews that "New Rave is over". The genre has connotations of being a "new" version of music heard at raves, as well as being a play on the term "new wave". Aesthetics The aesthetics of the new rave scene are similar to those of the original rave scene, being mostly centred on psychedelic visual effects. Glowsticks, neon and other lights ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Folk
Indie folk (also called alternative folk) is an alternative genre of music that arose in the 1990s among musicians from indie rock scenes influenced by folk music. Characteristics The staff of '' Paste Magazine'' said in 2020: "No music genre is particularly easy to define, but “indie folk” is about as nebulous as they come." Indie folk hybridizes the acoustic guitar melodies of traditional folk music with contemporary instrumentation. The lyrical style commonly includes raw emotional experiences, social commentary and an introspective lens. The genre blends the ethos and experimental nature of indie music with the storytelling of folk music. Instruments frequently used in the genre include guitars, banjos, mandolins, and ukuleles. History The genre has its earliest origins in 1990s folk artists who displayed alternative rock influences in their music, such as Ani DiFranco and Dan Bern, and acoustic artists such as Elliott Smith and Will Oldham. In the following deca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
