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Greek Dances
Greek dance (''choros''; ) is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plato
Plato ( ; Greek language, Greek: , ; born BC, died 348/347 BC) was an ancient Greek philosopher of the Classical Greece, Classical period who is considered a foundational thinker in Western philosophy and an innovator of the written dialogue and dialectic forms. He influenced all the major areas of theoretical philosophy and practical philosophy, and was the founder of the Platonic Academy, a philosophical school in History of Athens, Athens where Plato taught the doctrines that would later become known as Platonism. Plato's most famous contribution is the theory of forms, theory of forms (or ideas), which aims to solve what is now known as the problem of universals. He was influenced by the pre-Socratic thinkers Pythagoras, Heraclitus, and Parmenides, although much of what is known about them is derived from Plato himself. Along with his teacher Socrates, and his student Aristotle, Plato is a central figure in the history of Western philosophy. Plato's complete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpaea
Carpaea or Karpaea () among the Aenianians, Magnesians, and Macedonians was a kind of mimic military dance, performed by two persons; the one acting as a laborer, the other as a robber. It is described by Xenophon in his Anabasis (6.1.5 - 6.1.10): The manner of the dance was this: a man is sowing and driving a yoke of oxen, his arms laid at one side, and he turns about frequently as one in fear; a robber approaches; as soon as the sower sees him coming, he snatches up his arms, goes to meet him, and fights with him to save his oxen. The two men do all this in rhythm to the music of the flute. Finally, the robber binds the man and drives off the oxen; or sometimes the master of the oxen binds the robber, and then he yokes him alongside the oxen, his hands tied behind him, and drives off. Athenaeus in his Deipnosophistae The ''Deipnosophistae'' (, ''Deipnosophistaí'', lit. , where ''sophists'' may be translated more loosely as ) is a work written in Ancient Greek by Ath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Line Dancers Belmont California
Greek may refer to: Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group *Greek language, a branch of the Indo-European language family **Proto-Greek language, the assumed last common ancestor of all known varieties of Greek **Mycenaean Greek, most ancient attested form of the language (16th to 11th centuries BC) **Ancient Greek, forms of the language used c. 1000–330 BC **Koine Greek, common form of Greek spoken and written during Classical antiquity **Medieval Greek or Byzantine Language, language used between the Middle Ages and the Ottoman conquest of Constantinople **Modern Greek, varieties spoken in the modern era (from 1453 AD) *Greek alphabet, script used to write the Greek language *Greek Orthodox Church, several Churches of the Eastern Orthodox Church *Ancient Greece, the ancient civilization before the end of Antiquity * Old Greek, the language as spoken from Late Antiquity to around 1500 AD *Greek mythology, a body of myths o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' (plural ''auloi''; , plural ) or ''tibia'' (Latin) was a wind instrument in ancient Greece, often depicted in art and also attested by archaeology. Though the word ''aulos'' is often translated as "flute" or as " double flute", the instrument was usually double-reeded, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of modern woodwind instruments such as oboes or bagpipes with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with '' rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos''-player, who may also be called an aulist; however, ''aulode'' more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crotala
In classical antiquity, a crotalum, ( κρόταλον ''krotalon'') plural crotala, was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria attributes the instruments invention to the Sicilians, and forbids the use thereof to the Christians, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suda
The ''Suda'' or ''Souda'' (; ; ) is a large 10th-century Byzantine Empire, Byzantine encyclopedia of the History of the Mediterranean region, ancient Mediterranean world, formerly attributed to an author called Soudas () or Souidas (). It is an encyclopedic lexicon, written in Medieval Greek, Greek, with 30,000 entries, many drawing from ancient sources that have since been lost, and often derived from Christianity in the Middle Ages, medieval Christian compilers. Title The exact spelling of the title is disputed. The transmitted title (''paradosis'') is "Suida", which is also attested in Eustathius of Thessalonica, Eustathius' commentary on Homer's epic poems; several conjectures have been made, both defending it and trying to correct it in "Suda". * Paul Maas (classical scholar), Paul Maas advocated for the spelling, connecting it to the Latin verb , the second-person singular imperative of , "to sweat". * Franz Dölger also defended , tracing its origins back to Byzantine mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyrrhichios (dance)
The Pyrrhichios or Pyrrhike dance ("Pyrrhic dance"; Ancient Greek: πυρρίχιος or πυρρίχη, but often misspelled as πυρρίχειος or πυρήχειος) was the best known war dance of the Greeks. It was probably of Dorians, Dorian origin and practiced at first solely as a training for war. According to ancient sources, it was a weapon dance. Overview Plato (''Laws (dialogue), Leges'', 815a) describes it as imitating by quick movements the ways in which blows and darts are to be avoided and also the modes in which an enemy is to be attacked. It was danced to the sound of the aulos; its time was quick and light, as is also shown by the metric foot called pyrrhic. It was described by Xenophon in his work the ''Anabasis (Xenophon), Anabasis''. In that work he writes that the dance was performed at a banquet held in Ordu, Kotyora during which Greek and Paphlagonia#History, Paphalagonian forces settled their differences. The following is the part in which the Pyrrh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korybantes
According to Greek mythology, the Korybantes or Corybantes (also Corybants) (; ) were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the ''Kurbantes'' in Phrygia. Etymology The name ''Korybantes'' is of uncertain etymology. Edzard Johan Furnée and R. S. P. Beekes have suggested a Pre-Greek origin. Others refer the name to *κορυβή (''korybé''), the Macedonian version of κορυφή (''koryphé'') "crown, top, mountain peak", explaining their association with mountains, particularly Olympus. Family The Korybantes were the offspring of Apollo and the Muse Thalia or of Apollo and the nymph Rhetia. One account attests the parentage to Zeus and the Muse Calliope, or to Helios and Athena, or lastly, to Cronus. Kouretes The Kouretes () or Kuretes (see #Ecstatics, ''Ecstatics'' below) were nine dancers who venerated Rhea (mythology), Rhea, the Crete, Cretan counterpart of Cybele. A fragment from Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyporchema
The hyporchema () was a lively kind of mimic dance which accompanied the songs used in the worship of Apollo, especially among the Dorians. It was performed by men and women. It is comparable to the ''geranos'' (γερανός), the ritual "crane dance" associated with Theseus. A chorus of singers at the festivals of Apollo usually danced around the altar, while several other persons were appointed to accompany the action of the song with an appropriate mimic performance. Hyporchema was thus a lyric dance, and often passed into the playful and comic, whence Athenaeus compares it with the cordax of comedy. It had, according to the supposition of Müller, like all the music and poetry of the Dorians, originated in Crete, but was at an early period introduced in the island of Delos, where it seems to have continued to be performed down to the time of Lucian. A similar kind of dance was the '' geranos'' (crane dance), which Theseus on his return from Crete was said to have performed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
