Cäcilie (Strauss)
"Cäcilie", Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem "Cäcilie" written by Heinrich Hart (1855–1906), a German dramatic critic and journalist who also wrote poetry. It was written for the poet's wife Cäcilie. , or UK English as "Cecilia". History Strauss composed the song at Marquartstein on 9 September 1894. , the day before his wedding to the soprano Pauline de Ahna. All four of the Opus 27 songs, including ''Cäcilie'' were given as a wedding present to her. Instrumentation and accompaniment The song was originally written with piano accompaniment in the key of E major, but later orchestrated in his 'heroic' key of E. The instrumentation is: 2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 4 horns in E, 2 trumpets in E, 3 trombones, tuba, 3 timpani, harp and the orchestral string section. The tempo direction is "Sehr lebhaft und drängend". Strauss, in his rich and lively orchestr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lied
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tuba
The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British Brass band (British style), brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz on 12 September 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Brass instrument valve#Double-piston valve, Berlinerpumpen type that was the forerunner of the modern piston valve. The first tenor tuba was invented in 1838 by Moritz's ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maria Reining
Maria Reining (August 7, 1903 in Vienna – March 11, 1991 in Deggendorf) was an Austrian soprano, honored with the title Kammersängerin. At first, Reining worked in a Viennese bank, and she did not begin her singing career until the age of 28, at the Vienna State Opera, mainly in soubrette roles. Two years later, she moved to Darmstadt, then to the Munich State Opera, where she made her debut as Elsa in ''Lohengrin'', under Hans Knappertsbusch. In 1937, she followed Knappertsbusch to the Vienna State Opera, where she sang Elsa again. Reining was a member of the Vienna State Opera ensemble between 1931 and 1933 and again between 1937 and 1957. Between 1937 and 1941, she sang at the Salzburg Festival with great success, conducted, among others, by Arturo Toscanini. Reining predominantly sang roles by Mozart, Wagner and Richard Strauss. As a guest, she appeared at the leading European opera houses; among others, she sang at the Royal Opera House in London and at La Scala in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Morgen!
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany. History Strauss had met Mackay in Berlin, and set ''Morgen!'' to music on 21 May 1894. It was one of his four Lieder Opus 27, a wedding present to his wife Pauline. Initially, he set the accompaniment for piano alone, and for piano with violin. In 1897 he arranged the piece for orchestra with violin solo. "Morgen!" remains one of Strauss's best-known and most widely recorded works. Strauss himself recorded it in 1919 accompanying the tenor Robert Hutt on the piano, and again in 1941 conducting the orchestral version with tenor Julius Patzak and the Bavarian State Orchestra. His last recording of it was 11 June 1947, a live broadcast on radio with Strauss ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heimliche Aufforderung
"" ("The Secret Invitation" or "The Lovers; Pledge"), Op. 27, No. 3, is one of a set of four songs composed for voice and piano by Richard Strauss in 1894. The German conductor Robert Heger orchestrated it in 1929."Richard Strauss: 'Heimliche Aufforderung' (The Lover’s Pledge) Arranger: Robert Heger The text is from a poem in German by . History Strauss composed the song on 22 May 1894 and gave it as a wedd ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ruhe, Meine Seele!
"", Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his '' Four Last Songs'', "". The words are from a poem "" (Rest, my soul) written by the poet Karl Henckell. History Strauss composed the song in May 1894, and that September he gave it as a wedding present to his wife the soprano Pauline de Ahna. Related songs Timothy L. Jackson has noted that Strauss had composed the song "Ruhe, meine Seele!" for piano and voice in 1894 but did not orchestrate it until 1948, just after he had completed "Im Abendrot" and before he composed the other three of his '' Four Last Songs''. Jackson suggests that the addition of "Ruhe, meine Seele!" to the ''Four Last Songs'' forms a five-song unified song cycle, if "Ruhe, meine Seele!" is performed as a prelude to "Im Abendrot", to which it bears motivic similarity. Instrumentation and accom ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heinrich Hart
The brothers Heinrich and Julius Hart were German writers and literary critics who collaborated closely. They were among the pioneers of naturalism in German literature. Heinrich was born 30 December 1855, in Wesel and died 11 June 1906, in Tecklenburg. Julius was born 9 April 1859, in Münster and died 7 July 1930, in Berlin. The Hart brothers published works of literary criticism, notably ''Kritische Waffengänge'' (parts 1–6, 1882–1884), in which they opposed the light reading chosen by the bourgeoisie The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and aristocracy. They are traditionally contrasted wi .... Works *Hart, J. ''Sansara'' (1879) *Hart, J. ''The Triumph of Life'' (1898) *Hart, H. ''Gesammelte Werke'', vols. 1–4. Berlin (1907) *Hart, J. ''Revolution der Ästhetik''. Berlin (1908) *Hart, H. ''Song of Humanity'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Western Concert Flute
The Western concert flute can refer to the common C concert flute or to the family of transverse flute, transverse (side-blown) flutes to which the C flute belongs. Almost all are made of metal or wood, or a combination of the two. A musician who plays the flute is called a “flautist” in British English, and a “flutist” in American English. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, Flute choir, flute ensembles, and occasionally jazz combos and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large Flute Repertoire, repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern Fife (instrument), fifes. These were later modified to include up to eight keys for chromatic notes. Six ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Semitone
A semitone, also called a minor second, half step, or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones). In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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String Section
The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In discussions of the Orchestration, instrumentation of a musical work, the phrase "the strings" or "and strings" is used to indicate a string section as just defined. An orchestra consisting solely of a string section is called a string orchestra. Smaller string sections are sometimes used in jazz, pop, and rock music and in the pit orchestras of musical theatre. Seating arrangement The most common seating arrangement in the 2000s is with first violins, second violins, violas, and cello sections arrayed clockwise around the Conductor (music), conductor, with basses behind the cellos on the right. The first violins are led by the concertmaster (leader in the UK); each of the other string sections also has a principal player (principal secon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Mesopotamia (now Iraq), Persia (now Iran) and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. Historically, strings were made of sinew (animal tendons). Other materials have included gut (animal intestines), plant fiber, braided hemp, cotton cord, silk, nylon, and wire. In pedal harp scor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized Beater (percussion), beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the European classical music, classical orchestra by the last third of the 18th century. Today, they are used in many types of Musical ensemble, ensembles, incl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |