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Cyril Haynes
Cyril Nathaniel "Spider" Haynes (born 1915 in the Panama Canal Zone; died 1996) was an American jazz pianist and arranger. Haynes was raised in New York City and studied at Columbia University. He played in the band for the vaudeville show '' Dixie on Parade'', then played with Billy Hicks in 1937 and worked as a pianist and arranger with Al Cooper's Savoy Sultans in New York's Savoy Ballroom in 1940/41. In 1943, he married Rosamond Yarborough. He was a member of the orchestra of Sidney and Wilbur De Paris. From the end of 1943 he played with Roy Eldridge, then in the trio of Cedric Wallace and with Frankie Newton, George James, and Barney Bigard. In 1945 he recorded under own name for the Label Comet; His co-players included Dick Vance, Don Byas, Al Casey, John Levy, and Harold "Doc" West. In the same year he played with a quartet of Budd Johnson, Denzil Best, and Johnny Williams, for a recording on Black & White Records ("So Tired"/"Solitude"). In Hollywood he worked with S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panama Canal Zone
The Panama Canal Zone ( es, Zona del Canal de Panamá), also simply known as the Canal Zone, was an unincorporated territory of the United States, located in the Isthmus of Panama, that existed from 1903 to 1979. It was located within the territory of Panama, consisting of the Panama Canal and an area generally extending on each side of the centerline, but excluding Panama City and Colón. Its capital was Balboa. The Panama Canal Zone was created on November 18, 1903 from the territory of Panama; established with the signing of the Hay–Bunau-Varilla Treaty, which allowed for the construction of the Panama Canal within the territory by the United States. The zone existed until October 1, 1979, when it was incorporated back into Panama. In 1904, the Isthmian Canal Convention was proclaimed. In it, the Republic of Panama granted to the United States in perpetuity the use, occupation, and control of a zone of land and land underwater for the construction, maintenance, opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comet Records
Comet Records was an American jazz and R&B record label, founded in 1944 by Les Schriber, Sr. and Harry Alderton. The label is most known for having recorded and produced T-Bone Walker and Red Norvo. The label was acquired by Black & White Records and operated as a subsidiary. Comet recorded – but never released – a session with Charlie Parker on June 6, 1945. That master was sold to Dial Records in 1949, when Black & White Records went out of business. Selected session discography Red Norvo and His Selected Sextet recorded June 6, 1945, at WOR Recording Studios, 1440 Broadway, New York. The master was originally owned by Comet, but sold to Dial Records who first released some of the cuts.The Dial recordings of Charlie Parker'' Edward M. Komara (compiler), Greenwood Press (1998), pg. 58; The musicians were Dizzy Gillespie, Charlie Parker, Flip Phillips, Red Norvo, Teddy Wilson, Slam Stewart, Specs Powell, and J.C. Heard. Heard alternated with Powell. ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Webster
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Career Early life and career A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. He played with Lester Young in the Young Family Band. He recorded with Blanche Calloway and became a member of the Bennie Moten Orchestra with Count Basie, Hot Lips Page, and Walter Page. For the rest of the 1930s, he played in bands led by Willie Bryant, Benny Carter, Cab Calloway, Fletcher Henderson, Andy Kirk, and Teddy Wilson. With Ellington Webster was a soloist with the Duke Ellington Orchestra from 1940, appearing on "Cotton Tail". He considered Johnny Hodges, an alto saxophonist in the Ellington orchestra, a major influence on his playing. Gunther Schuller wrote in 1989 that Hodges influence pushed him away from his original inspiration, Coleman Hawkins. Web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Village Vanguard
The Village Vanguard is a jazz club at Seventh Avenue South in Greenwich Village, New York City. The club was opened on February 22, 1935, by Max Gordon. Originally, the club presented folk music and beat poetry, but it became primarily a jazz music venue in 1957. It has hosted many highly renowned jazz musicians since then, and today is the oldest operating jazz club in New York City. History Early years Max Gordon opened the Village Vanguard in 1934 on Charles Street and Greenwich Avenue. He intended it to be a forum for poets and artists as well as a site for musical performances. Due to insufficient facilities, Gordon was refused a cabaret license from the police department and was unable to create the club that he envisioned. In his autobiography he wrote, "I knew if I was ever to get anywhere in the nightclub business, I'd have to find another place with two johns, two exits, two hundred feet away from a church or synagogue or school, and with the rent under $100 a month ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Grammy Lifetime Achievement Award, Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark (musician), June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slim Gaillard
Bulee "Slim" Gaillard (January 9, 1911 – February 26, 1991), also known as McVouty, was an American jazz singer and songwriter who played piano, guitar, vibraphone, and tenor saxophone. Gaillard was noted for his comedic vocalese singing and word play in his own constructed language called "Vout-o-Reenee", for which he wrote a dictionary. In addition to English, he spoke five languages (Spanish, German, Greek, Arabic, and Armenian) with varying degrees of fluency. He rose to prominence in the late 1930s with hits such as "Flat Foot Floogie (with a Floy Floy)" and "Cement Mixer (Put-Ti-Put-Ti)" after forming Slim and Slam with Leroy Eliot "Slam" Stewart. During World War II, Gaillard served as a bomber pilot in the Pacific. In 1944, he resumed his music career and performed with such notable jazz musicians as Charlie Parker, Dizzy Gillespie, and Dodo Marmarosa. In the 1960s and 1970s, he acted in films—sometimes as himself—and also appeared in bit parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black & White Records
Black & White Records was an American record company and label founded by Les Schreiber in 1943. It specialized in jazz and blues. When the label was sold to Paul and Lillian Reiner, it moved from New York City to Los Angeles. The catalog included music by Art Hodes, Cliff Jackson, Lil Armstrong, Barney Bigard, Wilbert Baranco, Erroll Garner, Jack McVea, and Willie "The Lion" Smith. Ralph Bass was the recording director. The name was chosen to indicate that black and white musicians were signed to the label. Early days Black & White Records was founded in 1943 by Les Schreiber (1901–1965), and was located at 2117 Foster Avenue, Brooklyn, New York. The company initially issued recordings by Art Hodes and Cliff Jackson. In 1945, Paul Reiner (6 December 1905, Hungary–1 February 1982, Los Angeles) and his wife, Lillian (' Drosd; 28 April 1908, Massachusetts–4 September 1982, Los Angeles), purchased the company, moved it to Los Angeles, and hired Ralph Bass to be recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Williams (bassist)
Johnny Williams Jr. (March 13, 1908 − October 23, 1998) was an American jazz tubist and double-bassist. Early life Williams learned to play violin as a child, and switched to tuba as a teenager; he played both this instrument and the stand-up bass while playing in regional territory bands in the southern states. Career Williams relocated to New York City in 1936, where he worked with Red Allen, Buster Bailey, Sidney Bechet, Benny Carter, J.C. Higginbotham, Billie Holiday, Harry James, James P. Johnson, the Mills Blue Rhythm Band, Frankie Newton, and Teddy Wilson. He also played in the bands of Coleman Hawkins and Louis Armstrong in the early 1940s before joining Teddy Wilson's band once again. He and Edmond Hall recorded together in 1944, and worked together until 1947; following this, Williams played with Tab Smith and then with Johnny Hodges in the mid-1950s. From the 1960s onward, Williams was less active, though he worked occasionally with musicians such as Buddy Tate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denzil Best
Denzil DaCosta Best (April 27, 1917 – May 24, 1965) was an American jazz percussionist and composer born in New York City. He was a prominent bebop drummer in the 1950s and early 1960s. Biography Best was born in New York City, into a musical Caribbean family originally from Barbados. Trained on piano, trumpet, and bass, he concentrated on the drums starting in 1943. Between 1943 and 1944, he worked with Ben Webster, and subsequently with Coleman Hawkins (1944–45), Illinois Jacquet (1946) and Chubby Jackson. The drummer was known to sit in at Minton's Playhouse. He took part in a recording with George Shearing in 1948 and was a founding member of his Quartet, remaining there until 1952. In 1949, he played on a recording session with Lennie Tristano for Capitol and also recorded later with Lee Konitz. In a 1953 car accident he fractured both legs and was forced into temporary retirement until 1954, when he played with Artie Shaw, and then in a trio with Erroll Garner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. In the 1950s he led his own group, and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold "Doc" West
Harold "Doc" West (August 12, 1915 – May 4, 1951) was an American jazz drummer. Early life West was born in Wolford, North Dakota. He learned to play piano and cello as a child before switching to drums. Career In the 1930s, West played in Chicago with Tiny Parham, Erskine Tate, and Roy Eldridge (1937–38). Late in the 1930s he filled in for Chick Webb when Webb was unable to lead his own orchestra. Early in the 1940s he played with Hot Lips Page, and played on the early bebop scene at Minton's Playhouse in New York City with Dizzy Gillespie, Charlie Parker, Tiny Grimes, and Don Byas. He played with Oscar Pettiford in 1944 and stood in for Jo Jones occasionally in Count Basie's orchestra. West appears on recordings from Slam Stewart, Leo Watson, Wardell Gray, Billie Holiday, Erroll Garner, Big Joe Turner Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwrite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Levy (musician)
John Levy (April 11, 1912 – January 20, 2012) was an American jazz double-bassist and businessman. Life Levy was born in New Orleans, Louisiana. In 1944, he left his family home in Chicago, Illinois, and moved to New York City where he played bass for such jazz musicians as Ben Webster, Erroll Garner, Milt Jackson, and Billie Holiday. In 1949, he became the bassist in the original George Shearing Quintet, where he also acted as Shearing's road manager. In 1951, Levy opened John Levy Enterprises, Inc., becoming the first African-American personal manager in the pop or jazz music field. By the 1960s, Levy's client roster included Shearing, Nancy Wilson, Cannonball Adderley, Joe Williams, Shirley Horn, Soul singer Jimmie Raye, and Ramsey Lewis. In 1997, Levy was inducted into the International Jazz Hall of Fame, and in 2006 he was named a Jazz Master by the National Endowment for the Arts. He died on January 20, 2012, aged 99, in Altadena, California Altadena () (" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
