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Cyclopéen (typeface)
Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot et Fils, G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot type was distributed in the United States by Continental Type Founders Association. Typefaces These typefaces were produced by Deberny & Peignot:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 * Acier Noir (1936, A.M. Cassandre) * Ancien (typeface), Ancien * Astrée (typeface), Astrée (1921, Robert Girard), the Stephenson Blake version is known as ''Mazarin'' * Auriol (typeface), Auriol, (1901–04, George Auriol) * Auriol-Labeur (George Auriol) * Auriol-Champlevé (George Auriol) * Banjo (typeface), Banjo (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin. Its eighteen integral regions (five of which are overseas) span a combined area of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auriol-Champlevé
George Auriol, born Jean-Georges Huyot (26 April 1863, Beauvais ( Oise) – February 1938, Paris), was a French poet, songwriter, graphic designer, type designer, and Art Nouveau artist. He worked in many media and created illustrations for the covers of magazines, books, and sheet music, as well as other types of work such as monograms and trademarks. Biography After he arrived in Paris in 1883, Auriol was introduced to typography and book design by Eugène Grasset and became particularly interested in the revival of historical type styles. Appointed by Georges Peignot, he created his signature typeface Auriol inspired by the Art Nouveau movement for the G. Peignot & Fils foundry, which was used in the work of Francis Thibaudeau and other publishers of the period. Auriol was a member of French bohemian culture, a denizen of the Chat Noir ("Black Cat Café") and long a friend of Erik Satie. Auriol illustrated playbill ''Playbill'' is an American monthly magazine for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Frutiger
Adrian Johann Frutiger ( ; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern. Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frutiger described creating sans-serif types as his "main life's work," partially due to the difficulty in designing them compared to serif fonts. Early life Adrian Frutiger was born in Unterseen, Canton of Bern, the son of a weaver. As a boy, he experimented with invented scripts and stylized handwriting in a negative reaction to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptienne (typeface)
Égyptienne is a Swiss serif typeface belonging to the classification slab serif, or ''Egyptian,'' where the serifs are unbracketed and similar in weight to the horizontal strokes of the letters. Egyptienne was designed in 1956 by Adrian Frutiger for the Fonderie Deberny et Peignot and was the first new text face created for the process of phototypesetting Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). Th .... The x-height is high, and some lowercase characters, especially a and e bear comparison with other Frutiger typefaces, especially Meridien and Serifa. Egyptienne shows historical influence of the Clarendon faces. Égyptienne commonly appears on Chocolate letters. References * Friedl, Frederich, Nicholas Ott and Bernard Stein. ''Typography: An Encyclopedic Survey of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éclair (typeface)
Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot type was distributed in the United States by Continental Type Founders Association. Typefaces These typefaces were produced by Deberny & Peignot:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 * Acier Noir (1936, A.M. Cassandre) * Ancien * Astrée (1921, Robert Girard), the Stephenson Blake version is known as ''Mazarin'' * Auriol, (1901–04, George Auriol) * Auriol-Labeur (George Auriol) * Auriol-Champlevé (George Auriol) * Banjo (1930) * Baskerville (1916), reengraved from the original punches. * Bellery-Desfontaines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristal (typeface)
Cristal may refer to: * Cristal Global, chemical company * Cristal (wine), a brand of champagne * Cristal (aguardiente), brands of aguardiente * ''Cristal'' (1985), a Venezuelan telenovela * ''Cristal'' (2006), a Brazilian telenovela * Cristal, Rio Grande do Sul, a city in Brazil * MS ''Cristal'', a cruise ship * Clube Atlético Cristal, a Brazilian football club * Cristal, a prize awarded at the Annecy International Animation Film Festival * Cristal, the iliac crest in supracristal plane * Bic Cristal, a brand of disposable ballpoint pens * Cristal, a typeface by French foundry Deberny & Peignot * ''Cristal'' (album) People with the surname * Linda Cristal (1931–2020), Argentine actress See also * Crystal (other) * Sporting Cristal Club Sporting Cristal S.A. is a Peruvian sports club located in the city of Lima, best known for its association football, football team. It was founded on 13 December 1955 in the RÃmac District, RÃmac district by engineer Rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compactes Italiques
Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot type was distributed in the United States by Continental Type Founders Association. Typefaces These typefaces were produced by Deberny & Peignot:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 * Acier Noir (1936, A.M. Cassandre) * Ancien * Astrée (1921, Robert Girard), the Stephenson Blake version is known as ''Mazarin'' * Auriol, (1901–04, George Auriol) * Auriol-Labeur (George Auriol) * Auriol-Champlevé (George Auriol) * Banjo (1930) * Baskerville (1916), reengraved from the original punches. * Bellery-Desfontaines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cochin (typeface)
Cochin is a serif typeface. It was originally produced in 1912 by Georges Peignot for the Paris foundry G. Peignot et Fils (future Deberny & Peignot) and was based on the copperplate engravings of 18th century French artist Charles-Nicolas Cochin, from which the typeface also takes its name. The font has a small x-height with long ascenders. Georges Peignot also created the design 'Nicolas-Cochin' as a looser variation in the same style. Characteristics With a very low x-height and delicate design, Cochin is described by Walter Tracy an example of a style of lettering and graphic design popular in the early twentieth century in several countries. Similar designs are Astrée and later Bernhard Modern and Koch-Antiqua, as well as several designs by Frederic Goudy such as Pabst and Goudy Modern. It had considerable success, for example becoming available on Monotype's hot metal typesetting system in the United States (Tracy describes this version as disappointing due to change ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphiques
Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. It was bought by the Haas Type Foundry (Switzerland) in 1972, which in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot type was distributed in the United States by Continental Type Founders Association. Typefaces These typefaces were produced by Deberny & Peignot:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 * Acier Noir (1936, A.M. Cassandre) * Ancien * Astrée (1921, Robert Girard), the Stephenson Blake version is known as ''Mazarin'' * Auriol, (1901–04, George Auriol) * Auriol-Labeur (George Auriol) * Auriol-Champlevé (George Auriol) * Banjo (1930) * Baskerville (1916), reengraved from the original punches. * Bellery-Desfontaines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bifur (typeface)
This article describes all named characters appearing in J. R. R. Tolkien's 1937 book ''The Hobbit''. Creatures as collectives are not included. Characters are categorized by race. Spelling and point of view are given as from ''The Hobbit''. Hobbits * Bilbo Baggins of Bag End, the protagonist and titular hobbit of the story.''The Hobbit'', ch. 1 "An Unexpected Party" * Bungo Baggins, Bilbo's father. (mentioned only) * Belladonna Took, Bilbo's mother. (mentioned only) * The Old Took, Bilbo's maternal grandfather. (mentioned only) * Grubb, Grubb, and Burrowes, auctioneers managing the liquidation of Bilbo's effects.''The Hobbit'', ch. 19 "The Last Stage" Both names are connected with digging. * The Sackville-Bagginses, acquisitive cousins to Bilbo. * Bullroarer Took, a historical figure mentioned as the Old Took's great grand-uncle, and therefore Bilbo's great great great grand-uncle. However, according to the family tree published in Appendix C of ''The Lord of the Rings'', Bull ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Bellery-Desfontaines
Henri Bellery-Desfontaines (20 March 1867 – 7 October 1909) was a French Art Nouveau painter, decorator and illustrator renowned for his posters, lithographs, tapestries, furniture, bank note designs, typography, and other works of decorative arts. Career Henri Bellery-Desfontaines was born in Paris. He is thought to have begun his artistic training under the tutelage of Luc-Olivier Merson (1846–1920). During his years as a student, he began to illustrate magazines. In 1895, drawn to illustration, probably due to financial problems, and he started to produce work for publications such as ''Revue Illustrée'', '' L'Image'', ''L'Estampe Moderne'', and '' L'Almanach des Bibliophiles''. In the same year, the Salon des Artistes Français hosted one of his tapestry designs. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them began as painters, switching later to decorative arts attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
