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Cutbercht Gospels
The Cutbercht Gospels (Vienna, Österreichische Nationalbibliothek, Codex 1224) is an 8th-century illustrated Latin gospel book bound as a codex. It contains the four canonical gospels of ''Matthew'', ''Mark'', ''Luke'' and ''John'' as well as canon tables. It was copied and illustrated by an Englishman named Cutbercht (Cuthbert) at Saint Peter's Abbey in Salzburg. The Cutbercht Gospels contain a prologue (from Jerome's ''Commentary on Matthew'') which, with the first seventeen verses of ''Matthew'' 1, is derived from a different source text than the rest of the gospels. ''Matthew'' 1:1–17 is set off from the rest of the gospel and labelled ''praefatio'' (preface). The canon tables and the portrait of the evangelist are inserted before verse 18. The text and portraits of the canon tables are based on Italian models, while the overall structure of "arcades" is from a northern model, perhaps from Canterbury. Joseph Cincik detects "Slovak–Avar" or "Alpine–Danubian" influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelist Portrait
Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page. Their symbols may be shown with them, or separately. Often they are the only figurative illumination in the manuscript. They are a common feature in larger Gospel Books from the earliest examples in the 6th century until the decline of that format for illustrated books in the High Middle Ages, by which time their conventions were being used for portraits of other authors. Author portraits They originate in the classical secular tradition of the author portrait, which was often the only illustration in a classical manuscript, also used as a frontispiece (not unlike the contemporary author photo, though this is usually shown on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prophetic Books
The prophetic books are a division of the Christian Bible, grouping 18 books ( Catholic and Orthodox canon) or 17 books ( Protestant canon, excluding Baruch) in the Old Testament. In terms of the Tanakh, it includes the Latter Prophets from the Nevi'im, with the addition of Lamentions (which in the Tanakh is one of the Five Megillot) and Daniel, both of which are included among the books of the Hebrew Ketuvim. The prophetic books are named as such because prophets are traditionally attributed as authors. However, modern scholars think that the books as they have been handed down to the present time are the work of successive generations of writers who took their inspiration the messages of these prophets. These authors were active between 750 BC and 450 BC. The first six of the books are known as the major prophets, while the last 12 are known as the minor prophets. These names do not imply that the major prophets are more important than the minor prophets, but refer to the maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Art
Persian art or Iranian art () has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article. From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avar Wars
The Avar Wars were fought between Francia and the Avar Khaganate in Central Europe from 788 to 803, and ended with the Frankish conquest of the khaganate's western regions. The first conflicts between the Avars and the Franks occurred in the 560s, shortly before the Avar conquest of the Pannonian Basin. Armed conflicts between the two powers were not unusual during the following centuries. The conquest of the Kingdom of the Lombards in 774, and the subjugation of Bavaria in 788 by the Frankish king Charlemagne () alarmed the Avars. They invaded Italy and Bavaria, but they were forced to withdraw. In the summer of 791, after unsuccessful peace negotiations, Charlemagne invaded the khaganate along the river Danube from the west, while his son King Pippin of Italy () attacked from the southeast. Pippin pillaged an Avar fortress and seized much booty before returning to Italy. Charlemagne's troops destroyed two Avar fortresses across the Enns River but an equine epidemic killed about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avar Khaganate
The Pannonian Avars () were an alliance of several groups of Eurasian nomads of various origins. The peoples were also known as the Obri in chronicles of Rus, the Abaroi or Varchonitai ( el, Βαρχονίτες, Varchonítes), or Pseudo-Avars in Byzantine sources, and the Apar ( otk, 𐰯𐰺) to the Göktürks (). They established the Avar Khaganate, which spanned the Pannonian Basin and considerable areas of Central and Eastern Europe from the late 6th to the early 9th century. The name Pannonian Avars (after the area in which they settled) is used to distinguish them from the Avars of the Caucasus, a separate people with whom the Pannonian Avars might or might not have had links. Although the name ''Avar'' first appeared in the mid-5th century, the Pannonian Avars entered the historical scene in the mid-6th century, on the Pontic–Caspian steppe as a people who wished to escape the rule of the Göktürks. They are probably best known for their invasions and destruction in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arn Of Salzburg
Arno, Arn or Aquila (c. 750–821) was bishop of Salzburg, and afterwards its first archbishop. He preserved his voluminous correspondence from the scholar Alcuin of York. Early years He entered the church at an early age, and after passing some time at Weihenstephan Abbey, Freising, became abbot of Elnon, or Saint-Amand Abbey as it was afterwards called, where he made the acquaintance of Alcuin. Carolingian Empire In 785 he was made bishop of Salzburg and in 787 was employed by Tassilo III, duke of the Bavarians, as an envoy to Charlemagne at Rome. He appears to have attracted the notice of the Frankish king, through whose influence in 798 Salzburg was made the seat of an archbishopric; and Arno, as the first holder of this office, became metropolitan of Bavaria and received the ''pallium'' from Pope Leo III. The area of his authority was extended to the east by the conquests of Charlemagne over the Avars for the Carolingian Empire, and he began to take a prominent part in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgil Of Salzburg
Virgil (– 27 November 784), also spelled Vergil, Vergilius, Virgilius, Feirgil or Fearghal, was an Irish churchman and early astronomer. He left Ireland around 745, intending to visit the Holy Land; but, like many of his countrymen, he settled in Francia. Virgil served as abbot of Aghaboe, bishop of Ossory and later bishop of Salzburg. He was called "the Apostle of Carinthia" and "the geometer". Biography He originated from a noble family of Ireland, where his name was Feirgil or Fearghal, and is said to have been a descendant of Niall of the Nine Hostages. Feirgil was probably educated at the Iona monastery. In ''Annals of the Four Masters'' and ''Annals of Ulster'', he is referenced as the Abbot of Aghaboe, in County Laois, where he was known as "the Geometer" because of his knowledge of geography. Around 745, he left Ireland, intending to visit the Holy Land; but, like many of his countrymen, who seemed to have adopted this practice as a work of piety, he settled do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Script
Insular script was a medieval script system originating from Ireland that spread to Anglo-Saxon England and continental Europe under the influence of Irish Christianity. Irish missionaries took the script to continental Europe, where they founded monasteries such as Bobbio. The scripts were also used in monasteries like Fulda, which were influenced by English missionaries. They are associated with Insular art, of which most surviving examples are illuminated manuscripts. It greatly influenced Irish orthography and modern Gaelic scripts in handwriting and typefaces. Insular script comprised a diverse family of scripts used for different functions. At the top of the hierarchy was the Insular half-uncial (or "Insular majuscule"), used for important documents and sacred text. The full uncial, in a version called "English uncial", was used in some English centres. Then "in descending order of formality and increased speed of writing" came "set minuscule", "cursive minuscule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northumbria
la, Regnum Northanhymbrorum , conventional_long_name = Kingdom of Northumbria , common_name = Northumbria , status = State , status_text = Unified Anglian kingdom (before 876)North: Anglian kingdom (after 876)South: Danish kingdom (876–914)South: Norwegian kingdom (after 914) , life_span = 654–954 , flag_type = Oswald's Stripes, the provincial flag of Northumbria and red was previously purple , image_coat = , image_map = Map_of_the_Kingdom_of_Northumbria_around_700_AD.svg , image_map_size = 250 , image_map_caption = Northumbria around 700 AD , image_map2 = , image_map2_size = , image_map2_caption = , government_type = Monarchy , year_start = 653 , year_end = 954 , event_end = South is annexed by Kingdom of England , event1 = South is annexed by the Danelaw , date_eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercia
la, Merciorum regnum , conventional_long_name=Kingdom of Mercia , common_name=Mercia , status=Kingdom , status_text=Independent kingdom (527–879)Client state of Wessex () , life_span=527–918 , era= Heptarchy , event_start= , date_start= , year_start=527 , event_end= , date_end= , year_end=918 , event1= , date_event1= , event2= , date_event2= , event3= , date_event3= , event4= , date_event4= , p1=Sub-Roman Britain , flag_p1=Vexilloid of the Roman Empire.svg , border_p1=no , p2=Hwicce , flag_p2= , p3=Kingdom of Lindsey , flag_p3= , p4=Kingdom of Northumbria , flag_p4= , s1=Kingdom of England , flag_s1=Flag of Wessex.svg , border_s1=no , s2= , flag_s2= , image_flag= , image_map=Mercian Supremacy x 4 alt.png , image_map_caption=The Kingdom of Mercia (thick line) and the kingdom's extent during the Mercian Supremacy (green shading) , national_motto= , national_anthem= , common_languages=Old English * Mercian dialect British Latin , currency=Sceat History of the English penny (c. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coptic Textiles
Coptic art is the Christianity, Christian art of the Byzantine empire, Byzantine-Roman Egypt, Greco-Roman Egypt and of Coptic Orthodox Church, Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and craftsmanship, and includes tunics and tombstones as well as portraits of saints. The Coptic Museum in Coptic Cairo houses some of the world's most important examples of Coptic art. Origins Coptic art displays a mix of Egyptian and Hellenistic art, Hellenistic influences. Subjects and symbols were taken from both Greek mythology, Greek and Egyptian mythology, sometimes altered to fit Christianity, Christian beliefs. Persia and Syria also influenced Coptic and Hellenistic art, though to a lesser extent, leaving images such as the peacock and the griffin. Icon painting Copti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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