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Cut (music)
In African American music, and in deejaying and turntablism, a cut "overtly insists on the repetitive nature of the music, by abruptly skipping it back to another beginning which we have already heard. Moreover, the greater the insistence on the pure beauty and value of repetition, the greater the awareness must also be that repetition takes place not on the level of musical development or progression, but on the purest tonal and timbric level". David Brackett describes the cut, repetition on the level of the beat, ostinato, and the harmonic sequence, as what makes improvisation possible. In a cut repetition is not considered accumulation. "Progress in the sense of 'avoidance of repetition' would at once sabotage such an effort". Brackett finds the cut in all African American folk and popular music "from ring to rap" and lists the blues (AAB), "Rhythm" changes in jazz, the AABA form of bebop, the ostinato vamps at the end of gospel songs allowing improvisation and a ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African American Music
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots." White slave owners subjugated their slaves physically, mentally, and spiritually through brutal and demeaning acts. Some White Americans considered African Americans separate and unequal for centuries, going to extraordinary lengths to keep them oppressed. African-American slaves created a distinctive type of music that played an important role in the era of enslavement. Slave songs, commonly known as work songs, were used to combat the hardships of the physical labor. Work songs were also used to communicate with other slaves without the slave owner hearing. The song " Wade in the Water" was sung by slaves to warn others trying to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland * Scots language, a West Germanic language spoken in lowland Scotland * Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian-era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (Spanish ... * {{disambiguation Language and nationality disambiguation pages ca:Escocès ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Whistle
The tin whistle, also known as the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, a class of instrument which also includes the recorder and Native American flute. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all early cultures had a type of fipple flute, and it is most likely the first pitched flute-type instrument in existence. Examples found to date include a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Irish Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a Music genre, genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''crwth'' (a small rubbed strings harp) and ''Celtic harp, cláirseach'' (a bigger harp with typically 30 strings), the ''tiompán'' (a small string instrument played with a Bow (music), bow or plectrum), the ''feadán'' (a Fife (musical instrument), fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type Natural horn, horn), the ''beannbhuabhal'' and ''corn'' (Hornpipe (musical instrument), hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''storgán'' (Clarion (instrument), clarions or trumpets), and the ''cnámha'' (bones (instrument), bones). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertexual
Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, Gerard Genette (1997) ''Paratexts'p.18/ref>Hallo, William W. (2010) ''The World's Oldest Literature: Studies in Sumerian Belles-Lettres'p.608/ref>Cancogni, Annapaola (1985''The Mirage in the Mirror: Nabokov's Ada and Its French Pre-Texts''pp.203-213 or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers (fiction, poetry, and drama and even non-written texts like performance art and digital media), intertextuality may now be understood as i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop Music
Hip-hop or hip hop (originally disco rap) is a popular music Music genre, genre that emerged in the early 1970s from the African Americans, African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire hip-hop culture, subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and hip hop production, instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly The Bronx, Bronx. DJs began expanding the instrumental Break (music), breaks of popular records when they noticed how excited it would make the crowds. The extend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music vary according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often performed in a call-and-response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done ''a cappella''.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vamp (music)
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “ Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
