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Culteranismo
''Culteranismo'' is a stylistic movement of the Baroque period of Spanish history that is also commonly referred to as ''Gongorismo'' (after Luis de Góngora). It began in the late 16th century with the writing of Luis de Góngora and lasted through the 17th century. ''Culteranismo'' is characterized by an ornamental, ostentatious vocabulary and a message that is complicated by a heavy use of metaphors and latinate complex syntactical order. The name blends ''culto'' ("cultivated") and ''luteranismo'' ("Lutheranism") and was coined by its opponents to present it as a heresy of "true" poetry. Poetry from this movement seems to use as many words as possible to convey little meaning or to conceal meaning. It is also associated with Latinized syntax and mythological allusions. ''Culteranismo'' existed in stark contrast with '' conceptismo'', another movement of the Baroque period which is characterized by a witty style, word games, simple vocabulary, and an attempt to convey multi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis De Góngora
Luis de Góngora y Argote (born Luis de Argote y Góngora; ; 11 July 1561 – 24 May 1627) was a Spanish Baroque lyric poet and a Catholic prebendary for the Church of Córdoba. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called '' culteranismo'', also known as ''Gongorismo''. This style apparently existed in stark contrast to Quevedo's '' conceptismo'', though Quevedo was highly influenced by his older rival from whom he may have isolated "conceptismo" elements. Biography Góngora was born to a noble family in Córdoba, where his father, Francisco de Argote, was ''corregidor,'' or judge. In a Spanish era when purity of Christian lineage (limpieza de sangre) was needed to gain access to education or official appointments, he adopted the surname of his mother, Leonor de Góngora. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marinism
Marinism (Italian: ''marinismo'', or ''secentismo'', "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular ''La Lira'' and ''L'Adone''. Features The critic James V. Mirollo, the author of the first monograph in English on the subject, distinguished the terms as follows:James V. Mirollo. ''The Poet of the Marvelous.'' Columbia University Press, New York, 1963. :''Marinismo'' first appeared in the last 9thcentury as a label for the themes and techniques of Marino and his followers. It continues to be used synonymously with ''secentismo'' and ''concettismo'', although the former has more pejorative connotations as well as wider cultural implications, while the latter embraces the European practice of the witty style. ''Marinista'' and ''Marinisti'' go back to the ''seicento'' 7th century Stigliani detractorrefers 1627] to Marino's followers as ''i Marinisti'' ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juana Inés De La Cruz
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz (12 November 1651 – 17 April 1695), was a Hieronymite nun and a Mexican writer, philosopher, composer and poet of the Baroque period, nicknamed "The Tenth Muse", "The Mexican Phoenix", and "The Phoenix of America" by her contemporary critics. She was also a student of science and corresponded with the English scientist Isaac Newton. She was among the main contributors to the Spanish Golden Age, alongside Juan de Espinosa Medrano, Juan Ruiz de Alarcón and Garcilaso de la Vega "''el Inca"'', and is considered one of the most important female writers in Spanish language literature and Mexican literature. Sor Juana's significance to different communities and has varied greatly across time- having been presented as a candidate for Catholic sainthood; a symbol of Mexican nationalism; and a paragon of freedom of speech, women's rights, and sexual diversity, making her a figure of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hortensio Félix Paravicino
Hortensio Félix Paravicino y Arteaga (12 October 1580 – 12 December 1633) was a Spanish preacher and ''Culteranismo'' Baroque poet from the noble house of Pallavicini. Life He was born in Madrid and was educated at the Jesuit college in Ocaña, and on April 18, 1600 joined the Trinitarian Order. A sermon pronounced before Philip III at Salamanca in 1605 brought Paravicino into notice; he rose to high posts in his order, was entrusted with important foreign missions, became royal preacher in 1616, and on the death of Philip III in 1621 delivered a famous funeral oration which was the subject of acute controversy. His (1638-1641) makes use of extravagant tropes and metaphors. His (1641) include his devout and secular poems, as well as a play entitled ; his verse, like his prose, shows the influence of Gongora, and were highly regarded in his lifetime. He was a great connoisseur of painting, but argued for the destruction of all paintings of nudes: "the finest paintings are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Tassis, 2nd Count Of Villamediana
Don (honorific), Don Juan de Tassis y Peralta, 2nd Count of Villamediana (Spanish language, es: ''Don Juan de Tassis y Peralta, segundo conde de Villamediana''; baptised 26 August 1582 – 21 August 1622) was a Spanish poet of the Baroque ''Culteranismo'' school. In Spain he is simply known as Conde de Villamediana. Life Villamediana was born at Lisbon in late 1581 or early 1582. His father, Juan de Tassis y Acuña, 1st Count of Villamediana, upon whom the title of count was conferred by King Philip III of Spain in 1603, was a diplomat heading the Spanish legation who signed the Treaty of London (1604), Treaty of London, May 1604. On leaving Salamanca he married in 1601, and succeeded to the title on the death of his father in 1607; he was prominent in the life of the capital, was forbidden to attend court, and resided in Italy from 1611 to 1617. On Villamediana's return to Spain, he was soon noted as a Satire, satirist. Prominent men such as the Francisco Goméz de Sandoval y R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull (mythology)
Cattle in religion and mythology, Cattle are prominent in some religions and mythologies. As such, numerous peoples throughout the world have at one point in time honored bulls as sacred. In the Sumerian religion, Marduk is the "bull of Utu". In Hinduism, Shiva's steed is Nandi bull, Nandi, the Bull. The sacred bull survives in the constellation Taurus (constellation), Taurus. The bull, whether lunar as in Mesopotamia or solar as in India, is the subject of various other cultural and religion, religious incarnations as well as modern mentions in New Age cultures. In prehistoric art Aurochs are depicted in many Paleolithic European cave paintings such as those found at Lascaux and Livernon in France. Their life force may have been thought to have magical qualities, for early carvings of the aurochs have also been found. The impressive and dangerous aurochs survived into the Iron Age in Anatolia and the Near East and were worshipped throughout that area as sacred animals; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Literature
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called '' rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Literary Movements
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many countries in the Americas **Spanish cuisine ** Spanish history **Spanish culture **Languages of Spain, the various languages in Spain Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain The culture of Spain is influenced by its Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphuism
Euphuism is an elegant literary style that was briefly in fashion during the Elizabethan era. The euphuism style employed the frequent use of alliteration, antithesis, balance, and simile, with references to nature and mythological tales. Euphuism was fashionable in the 1580s, especially in the Elizabethan court. Its origins can be traced back to Spanish writer Antonio de Guevara, whose ornate, manierist courtesan prose became very popular throughout Europe, and whose work ''The Clock of the Princes'', translated into English in 1557 by Thomas North, reached its peak in popularity during Elizabeth I's reign. ''Euphues'' (1580) "Euphues" (εὐφυής) is the Greek for "graceful, witty". John Lyly published the works '' Euphues: The Anatomy of Wit'' (1578) and ''Euphues and his England'' (1580). Both works illustrated the intellectual fashions and favourite themes of Renaissance society— in a highly artificial and mannered style. The plots are unimportant, existin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiberno-Latin
Hiberno-Latin was a learned style of literary Latin first used and subsequently spread by Irish monks during the period from the sixth century to the twelfth century. Vocabulary and influence Hiberno-Latin was notable for its curiously learned vocabulary. While neither Hebrew nor Greek was widely known in Western Europe during this period, odd words from these sources, as well as from Irish and British sources, were added to Latin vocabulary by these authors. It has been suggested that the unusual vocabulary of the poems was the result of the monks learning Latin words from dictionaries and glossaries which did not distinguish between obscure and common words; unlike many others in Western Europe at the time, the Irish monks did not speak a language descended from Latin. During the sixth and seventh centuries AD, Irish monasticism spread through Christian Europe; Irish monks who founded these monasteries often brought Hiberno-Latin literary styles with them. Notable auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
