Crucifixion Between Sts. Jerome And Christopher
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Crucifixion Between Sts. Jerome And Christopher
The ''Crucifixion Between Saints Jerome and Christopher'' is a painting by the Italian Renaissance master Pinturicchio, painted around 1475 and housed in the Borghese Gallery of Rome, Italy. It is one of the earliest known works by the Umbrian painter, after some of the panels of the '' Miracles of Saint Bernardino'' cycle (1473). Description The work depicts the Crucifixion on a river valley background, whose small details show the influence of Flemish painting. On the left-hand side is the penitent Saint Jerome, with the traditional symbols of the tamed lion, the cardinal's hat on the ground, and a stone used to beat his chest. On the right is Saint Christopher holding a martyr's palm and looking at the Christ Child on his shoulder; the latter holds an apple and wears a coif, an element which is present in other early works by Pinturicchio such as the ''Madonna with Blessing Child'' in the National Gallery, London. The work shares the same preparatory drawing, and perhaps the ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. http://www.oxfordartonline.com/subscriber/article/benezit/B00142364 . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser-known Perugian painters such as Benedetto Bonfigli, Bonfigli and Fiorenzo di Lorenzo. According to Giorgio Vasari, Vasari, Pinturicchio was a paid assistant of Pietro Perugino, Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo S ...
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Coif
A coif () is a close fitting cap worn by both men and women that covers the top, back, and sides of the head. History Coifs date from the tenth century, but fell out of popularity with men in the fourteenth century."A New Look for Women." Arts and Humanities Through the Eras. Gale. 2005. Coifs were worn by all classes in England and Scotland from the Middle Ages to the early seventeenth century (and later as an old-fashioned cap for countrywomen and young children). Tudor (later Stewart in Scotland) and earlier coifs are usually made of unadorned white linen and tied under the chin. In the Elizabethan and early Jacobean eras, coifs were frequently decorated with blackwork embroidery and lace edging. Coifs were worn under gable hoods and hats of all sorts, and alone as indoor headcoverings. Coifs were also worn by a now-defunct senior grade of English lawyer, the Serjeant-at-Law even after they became judges. A United States law school honor society is called the Order of ...
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Paintings Of Jerome
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings ca ...
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Lions In Art
The lion has been an important symbol to humans for tens of thousands of years. The earliest graphic representations feature lions as organized hunters with great strength, strategies, and skills. In later depictions of human cultural ceremonies, lions were often used symbolically and may have played significant roles in magic, as deities or close association with deities, and served as intermediaries and clan identities. History and mythology First depictions The earliest known cave paintings of lions (which are of the extinct species ''Panthera spelaea'') were found in the Chauvet Cave and in Lascaux in France's Ardèche region and represent some of the earliest paleolithic cave art, dating to between 32,000 and 15,000 years ago. The zoomorphic Löwenmensch figurine from Hohlenstein-Stadel and the ivory carving of a lion's head from Vogelherd Cave in the Swabian Jura in southwestern Germany were carbon-dated 39,000 years old, dating from the Aurignacian culture. Ancien ...
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Paintings Of The Crucifixion Of Jesus
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Paintings In The Borghese Collection
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Paintings By Pinturicchio
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings ca ...
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1470s Paintings
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE Military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ...
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Fiorenzo Di Lorenzo
Fiorenzo di Lorenzo ( 1440 – 1522) was an Italian painter, of the Umbrian school. He lived and worked at Perugia, where most of his authentic works are still preserved in the Galleria Nazionale dell'Umbria. Fiorenzo is known from a few signed works, including the ''Madonna of the Recommended'' (1476) and a niche with lunette, two wings and predella (1487), as well as from the documentary evidence that he was decemvir of that city in 1472, in which year he entered into a contract to paint an altarpiece for the church of Santa Maria Nuova, the pentatych of the ''Madonna and Saints''. Of his birth and death and pupilage nothing is known. Renaissance art biographer Giorgio Vasari does not even mention Fiorenzo's name, though he probably refers to him when he says that Cristofano, Perugino's father, sent his son to be the shop drudge of a painter in Perugia, who was not particularly distinguished in his calling, but held the art in great veneration and highly honoured the men w ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ...
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Christ Child
The Christ Child—also known as Baby Jesus, Infant Jesus, Child Jesus, Divine Child, Divine Infant and the Holy Child—refers to Jesus in Christianity, Jesus Christ during his early years. The term refers to a period of life of Jesus, Jesus' life, described in the canonical Gospels, encompassing his nativity of Jesus, nativity in Bethlehem, the visit of the Magi, and his Presentation of Jesus, presentation at the Temple in Jerusalem. It also includes his childhood, culminating in the event where his parents Finding in the Temple, find him in the Temple at age 12, after which the Gospels Unknown years of Jesus, remain silent about his life until the start of his ministry of Jesus, ministry. Liturgical feasts Liturgical feasts relating to Christ's infancy and childhood include: * Christmas, The Feast of the Nativity of Jesus Christ (25 December) * The Feast of the Circumcision of Christ#Byzantine Catholic and Eastern Orthodox Churches, Feast of the Circumcision of Christ (1 Janu ...
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Borghese Gallery
The or Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a '' villa suburbana'', a country villa at the edge of Rome. The museum displays one of the most prestigious art collections in the world, with masterpieces by artists such as Caravaggio, Bernini, Canova, Raphael and Titian. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his '' Boy with a Basket of Fruit'', ...
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