Creature Features (Cinemax)
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Creature Features (Cinemax)
''Creature Features'' is a program of horror shows broadcast on local American television stations throughout the 1960s, 1970s, and 1980s. The movies broadcast on these shows were generally classic and cult horror movies of the 1930s to 1950s, the horror and science-fiction films of the 1950s, British horror films of the 1960s, and the Japanese kaiju " giant monster" movies of the 1950s to 1970s. Screen Gems In October 1957, Screen Gems released a bundle of old Universal horror movies to syndicated television, naming the collection "Shock!". They encouraged the use of hosts for the broadcasts. This is why many of the early programs were called "''Shock Theater''". Viewers loved the package, as well as the concept, and ratings soared. A "Son of Shock!" package was released in 1958. ''Creature Features'' was another film package that was released in the early 1960s and added to in the 1970s. The films in this package ranged from horror and science-fiction films of the 1950s ...
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Chiller Theatre (other)
''Chiller Theatre'' may refer to: *Chiller Theatre (1961 TV series), ''Chiller Theatre'' (1961 TV series), an American horror television series airing 1961–1982 and later *Chiller Theatre (1963 TV series), ''Chiller Theatre'' (1963 TV series), an American horror television series airing 1963–1983 *Chiller Theatre (1974 TV series), ''Chiller Theatre'' (1974 TV series), an American horror television series airing 1974–1978 *Chiller Theatre (1984 TV series), ''Chiller Theatre'' (1984 TV series), an American horror television series airing 1984–2009 See also

* ''Chiller Thriller'', an American horror television series airing 1974–1977 {{Media set index Chiller Theatre, ...
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Son Of Kong
''The Son of Kong'' (also known and publicized simply as ''Son of Kong'') is a 1933 American Pre-Code adventure monster film produced by RKO Pictures. Directed by Ernest Schoedsack and featuring special effects by Willis O'Brien and Buzz Gibson, the film stars Robert Armstrong, Helen Mack and Frank Reicher. The film is the sequel to ''King Kong'', being released just nine months after and is the second entry of the King Kong franchise. Plot A month after the destruction in New York City by Kong, filmmaker Carl Denham has been implicated in so many lawsuits that he is almost bankrupt. Denham leaves the city aboard the ''Venture'' with Captain Englehorn, who knows he too will be similarly prosecuted if he stays, but their efforts to make money shipping cargo around Asia are not successful. After arriving in the Dutch East Indies port of Dakang, Denham and Englehorn attend a show of performing monkeys, which ends with a song ("Runaway Blues"), sung by a young woman, Hilda Peter ...
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The Curse Of Frankenstein
''The Curse of Frankenstein'' is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel '' Frankenstein; or, The Modern Prometheus '' by Mary Shelley. It was Hammer's first colour horror film, and the first of their ''Frankenstein'' series. Its worldwide success led to several sequels, and it was also followed by new versions of ''Dracula'' (1958) and '' The Mummy'' (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.Sinclair McKay (2007)'' A Thing of Unspeakable Horror: The History of Hammer Films'' The film was directed by Terence Fisher and stars Peter Cushing as Victor Frankenstein and Christopher Lee as the Creature, with Hazel Court and Robert Urquhart. Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour". Plot In 19th century Switzerland, Baron Victor Frankenstein is awaiting execution for the murder of his maid Justine Moritz. He tells the story o ...
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Hammer Film Productions
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Victor Frankenstein, Baron Victor Frankenstein, Count Dracula, and the Mummy (undead), Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, Thriller film, thrillers, film noir and Comedy film, comedies, as well as, in later years, television series. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. This success was, in part, due to its distribution partnerships with American companies such as United Artists, Warner Bros., Universal Pictures, Columbia Pictures, Paramount Pictures, 20th Century Fox, Metro-Goldwyn-Mayer, American Internationa ...
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Gamera
is a fictional giant monster, or ''kaiju'', that debuted in the Gamera, the Giant Monster, eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's Godzilla (franchise), ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Cinema of Japan, Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing monster, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from Extrater ...
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Godzilla
is a fictional monster, or ''kaiju'', that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comic books, and television shows. Godzilla has been dubbed the King of the Monsters, an epithet first used in '' Godzilla, King of the Monsters!'' (1956), the American localization of the 1954 film. Originally and in most iterations of the creature, Godzilla is a colossal prehistoric reptilian or dinosaurian monster that is amphibious or resides partially in the ocean, awakened and empowered after many years by exposure to nuclear radiation and nuclear testing. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness,Souder, William (2012); On a Farther Shore - The Life and Le ...
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Daiei Film
Daiei Film Co. Ltd. ( Kyūjitai: Shinjitai: ''Daiei Eiga Kabushiki Kaisha'') was a Japanese film studio. Founded in 1942 as Dai Nippon Film Co., Ltd., it was one of the major studios during the postwar Golden Age of Japanese cinema, producing not only artistic masterpieces, such as Akira Kurosawa's '' Rashomon'' (1950) and Kenji Mizoguchi's '' Ugetsu'' (1953), but also launching several film series, such as ''Gamera'', '' Zatoichi'' and ''Yokai Monsters'', and making the three ''Daimajin'' films (1966). It declared bankruptcy in 1971 and was acquired by Kadokawa Pictures. History Daiei Film was the product of government efforts to reorganize the film industry during World War II in order to rationalize use of resources and increase control over the medium. Against a government plan to combine all the film studios into two companies, Masaichi Nagata, an executive at Shinkō Kinema, pressed hard for an alternative plan to create three studios. His efforts won out and Shin ...
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Toho
is a Japanese entertainment company that primarily engages in producing and distributing films and exhibiting stage plays. It is headquartered in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Toho is best known for producing and distributing many of Ishirō Honda and Eiji Tsuburaya's ''kaiju'' and ''tokusatsu'' films as well as the films of Akira Kurosawa and the anime of Studio Ghibli, Shin-Ei Animation, TMS Entertainment, CoMix Wave Films, and OLM, Inc. The company has released the majority of the highest-grossing Japanese films, and through its subsidiaries, is the largest film importer in Japan. The Doraemon film series, distributed by Toho since 1980, is the highest-grossing film series and anime film series in Japan. It is also one of the highest-grossing non-English language film series. Toho Company Limited logo with full name in native language Toho's most famous creation is Godzilla, featured in 33 of the c ...
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Kaiju
is a Japanese term that is commonly associated with media involving giant monsters. Its widespread contemporary use is credited to ''tokusatsu'' (special effects) director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized the ''kaiju'' film genre by creating the ''Godzilla (franchise), Godzilla'' franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures. ''Godzilla (1954 film), Godzilla'' (1954) is often regarded as the first ''kaiju'' movie. When developing it, Honda and Tsuburaya drew inspiration from the character of King Kong, both in its influential King Kong (1933 film), 1933 film and in the conception of a giant monster, establishing it as a pivotal precursor in the evolution of the genre.King Kong’s influence on the giant monster genre: * * * * * * * * * * * * * * During their formative years, ''kaiju'' movies were generall ...
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The Terror (1963 Film)
''The Terror'' is a 1963 American Independent film, independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil. The film is sometimes linked to Corman's Poe cycle, a series of movies based on the works of Edgar Allan Poe; however, ''The Terror'' is not based on any text written by Poe but relies on the Poe theme of a deceased wife that continues to haunt the husband such as in "Ligeia" and "Morella" which were part of the Cycle. The movie has become infamous because of the circumstances including its chaotic production and disjointed narrative, including that all of Boris Karloff's scenes were shot in two days, the long time it took to complete, the number of people who worked on it that became famous, and the part the film played in the financing and production of ''Targets'' (1968), directed by Peter Bogdanovich and starri ...
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The Raven (1963 Film)
''The Raven'' is a 1963 American comedy Gothic horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The supporting cast includes Jack Nicholson as the son of Lorre's character. It was the fifth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories produced by Roger Corman and released by American International Pictures (AIP). The film was written by Richard Matheson, based on references to Poe's 1845 poem "The Raven". AIP released the film as a double feature with '' Night Tide''. Three decades earlier, Karloff had appeared in another film with the same title, Lew Landers's 1935 horror film ''The Raven'' with Bela Lugosi. Plot In the year 1506, the sorcerer Dr. Erasmus Craven has been mourning the death of his wife Lenore for over two years, much to the dismay of his daughter (Lenore's stepdaughter), Estelle. One night he is visited ...
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B-movies
A B movie, or B film, is a type of cheap, low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series. Today, the term "B movie" is used in a broader sense. In post-Golden Age usage, B movies can encompass a wide spectrum of films, ranging from sensationalistic exploitation films to independent arthouse productions. In either usage, most B movies represent a particular genre: the Western wa ...
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