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Cow Thief Skank
"Cow Thief Skank" is a 1973 single written and produced by Jamaican reggae musician Lee Perry and credited to his studio band the Upsetters. Released in Jamaica through Justice League and in the United Kingdom through Upsetter Records, it is one of Perry's series of ' skank' singles and is a duet between him and deejay Charlie Ace. The song was written as a diss track against fellow producer Niney the Observer, mocking an incident in Niney's youth where his thumb was cut off by a farmer after he attempted to steal one of his cows. "Cow Thief Skank" is notable for its collage-laden production, which utilised a bricolage and studio-as-instrument approach; Perry samples four other tracks – several bars of a song by the Staple Singers and rhythms from three of his own productions – for the record's music using reel-to-reel tape recordings. This cut-up technique has been described as a precursor to the invention of the sampler and the use of sampling in electronic music and bre ...
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The Upsetters
The Upsetters was the name given to the house band for Jamaican reggae producer Lee "Scratch" Perry. The name of the band comes from Perry's nickname of Upsetter, after his song "I Am the Upsetter", a musical dismissal of his former boss Coxsone Dodd. History The Upsetters were originally Gladdy's All-Stars, led by pianist Gladstone Anderson, and it was they who originally sound recording and reproduction, recorded the international hits "Live Injection" and "Return of Django (song), Return of Django". The double A-side release of "Return of Django" / "Dollar in the Teeth", peaked at No. 5 in the UK Singles Chart in November 1969. When other commitments prevented the All Stars from participating, another band named the Hippy Boys were recruited to do the subsequent tour in the United Kingdom. This line-up remained the studio band that is most associated with the name, going on to eventually form the nucleus of Bob Marley's backing band Wailers Band, the Wailers. The band in ...
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Reel-to-reel Audio Tape Recording
Reel-to-reel audio tape recording, also called open-reel recording, is Magnetic tape#Audio, magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . Domestic consumer machines almost always used or narrower tape and many offered slower speeds such as . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater High fidelity, fidelity at the cost of much larger tapes. I ...
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Ernie Smith (singer)
Ernie Smith (born Glenroy Anthony Michael Archangelo Smith,McCallum, Stare ''Greatest Hits'' sleevenotes May 1945, Kingston, Jamaica) is a reggae singer, with a deep baritone voice, who had his greatest success in the late 1960s and 1970s. Biography Smith was born in Kingston in May 1945 and raised in St. Ann and May Pen.Ernie Smith – An Unwilling Star
, '''', 23 February 2014. Retrieved 23 February 2014
Campbell, Howard (2008)

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Composite Material
A composite or composite material (also composition material) is a material which is produced from two or more constituent materials. These constituent materials have notably dissimilar chemical or physical properties and are merged to create a material with properties unlike the individual elements. Within the finished structure, the individual elements remain separate and distinct, distinguishing composites from mixtures and solid solutions. Composite materials with more than one distinct layer are called ''composite laminates''. Typical engineered composite materials are made up of a binding agent forming the ''matrix'' and a Filler (materials), filler material (particulates or fibres) giving ''substance'', e.g.: * Concrete, reinforced concrete and masonry with cement, lime or Mortar (masonry), mortar (which is itself a composite material) as a binder * Composite wood such as glulam and plywood with wood glue as a binder * Reinforced plastics, such as fiberglass and fibre-rein ...
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Mooing
Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns, and many of them are also specifically onomatopoeic. List of animal sounds See also * Animal communication * Animal epithet * Animal language * Bioacoustics * Cat organ & piganino * Cross-linguistic onomatopoeias * Field recording * List of animal names * List of onomatopoeias * "Old MacDonald Had a Farm" * "The Fox (What Does the Fox Say?) "The Fox (What Does the Fox Say?)" is an Electronic dance music, electronic dance novelty song and viral video by Norwegian comedy duo Ylvis. The top trending video of 2013 on YouTube, "The Fox" was posted on the platform on 3 September 2013, a ..." References External links List of animal sounds to download, listen and use for free.Derek Abbott, University of Adelaide {{DEFAULTSO ...
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Lucea, Jamaica
Lucea () is a coastal town in Jamaica and the capital of the parish of Hanover. History Hanover, Jamaica's second smallest parish was founded on 12 November 1723 with Lucea as the capital and main city. From the middle of the 18th century, the farmers of Hanover provided the rest of Jamaica with most of its produce but mainly exported banana and logwood, which is used to make dyes. Fort Charlotte in Lucea was built in 1761. Alongside the fort is an impressive Georgian brick structure known as The Barracks, which was built in 1843 to provide shelter to the soldiers stationed there. In the early 20th century The Barracks became the educational center for the town and has now been transformed to become part of the Rusea's High School complex. In 1982 Rusea's High School was merged with the Hanover Secondary School and is still known as the Rusea's High School (Fort Charlotte). In January 2019 the school was still open and open-air lessons took place inside the fort. The pari ...
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David Katz (author)
David Katz (born 1965) is an American author and documentary radio and film producer. He has been described as "one of the world's foremost authorities on reggae, dub, and dancehall". Originally from San Francisco, California, he has been a resident of London in England for many years. Biography Katz was born in 1965 in San Francisco, California, and raised in the Bay Area, where he was exposed to reggae as a teen from the local radio station, KTIM. He obtained a BA in English Literature from San Francisco State University and moved to London, England, in the 1980s, where he was retained as Lee Perry's biographer, and later completed an MA in Media Studies at Goldsmiths, University of London. Career Katz is the author of ''People Funny Boy: The Genius of Lee "Scratch" Perry'', ''Solid Foundation: An Oral History of Reggae'', and ''Caribbean Lives: Jimmy Cliff''. He has contributed to many other books on music and culture, including the ''Rough Guide to Reggae'', ''A Tapestry of ...
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Moccasin
A moccasin is a shoe, made of deerskin or other soft leather, consisting of a sole (made with leather that has not been "worked") and sides made of one piece of leather, stitched together at the top, and sometimes with a vamp (additional panel of leather). The sole is soft and flexible and the upper part often is adorned with embroidery or beading. Though sometimes worn inside, it is chiefly intended for outdoor use. Historically, it is the footwear of many indigenous people of North America; moreover, hunters, traders, and European settlers wore them. Etymologically, the ''moccasin'' derives from the Algonquian language Powhatan word ''makasin'' (cognate to Massachusett ''mohkisson'' / ''mokussin'', Ojibwa ''makizin'', Mi'kmaq ''mksɨn''), and from the Proto-Algonquian word *''maxkeseni'' (shoe). History In the 1800s, moccasins usually were part of a Canadian regalia, e.g. a powwow suit of clothes. The most common style is that of the Plains Indians moccasin. Moccasi ...
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King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who influenced the development of dub music in the 1960s and 1970s. Tubby's studio work, in which as a mixing engineer he achieved creative fame previously only reserved for composers and musicians, was influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career In the late 1950s, Jamaican sound systems were becoming popular in Kingston and were developing into enterprising businesses. A radio repairman, Tubby found frequent work for the sound systems, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners ...
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Hip Hop Music
Hip-hop or hip hop (originally disco rap) is a popular music Music genre, genre that emerged in the early 1970s from the African Americans, African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire hip-hop culture, subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and hip hop production, instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly The Bronx, Bronx. DJs began expanding the instrumental Break (music), breaks of popular records when they noticed how excited it would make the crowds. The extend ...
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Record Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of EDM like techno, trip hop, and house music and rock music such as rap rock, rap metal, rapcore, and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precur ...
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Breakbeat
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip-hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a " break" in the music – for example, the Amen break (a drum solo from " Amen, Brother" by the Winstons) or the Think break (from "Think (About It)" by Lyn Collins). History 1970s–1980s: Classic breaks and hip-hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip-hop turntablists such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and the Winstons' " Amen, Brother", to form the rhythmic base for hip-hop songs. DJ Koo ...
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