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Countless Hours Making Waves
''Countless Hours Making Waves'' is the debut EP by British rock / post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad conste ... band Days in December. The EP was released on 19 July 2004. Three of the bandmembers from Days in December went on to form the band New Device in 2007. Track listing #"Bright Lights" #"One Year Late" #"Interlude" #"Glass Vice" #"Last Chance Before the Storm" #"Glass Vice" (video) References 2004 debut EPs {{2000s-hard-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Days In December
Days in December was a London-based post-hardcore band who released an EP entitled " Countless Hours Making Waves". Biography Formation The band was formed in December 2002 (hence the name) in North West London, England. Debut single "Comfort In Surrounding Space" was released on CD in 2003, and several tours ensued. After numerous lineup changes, the band's final incarnation included Daniel Leigh (vocals), Phil Kinman (lead guitar), Robb Wybrow (guitar & vocals), Rob Turnbridge (bass guitar), and Frankie Torpey (drums). Progression Days in December completed tours alongside Funeral for a Friend (whose drummer Ryan Richards contributed vocals to the track "Last Chance Before The Storm"), Bullet For My Valentine, SikTh, Beloved, Dead Poetic, and Armor for Sleep, as well performances on the 2005 Taste Of Chaos UK tour, at the 2006 "Full Ponty" festival, and at the National Adventure Sports Show. The band was acclaimed with "Single of the Week" in Kerrang magazine, for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post Hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac who stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Rock
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of Music of the United States, American music and rock music across the world.V. Bogdanov, C. Woodstra and S. T. Èrlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), pp. 1316–7. Initial attempts to emulate American rock and roll took place in Britain in the mid-1950s, but the terms "rock music" and "rock" usually refer to the music derived from the blues rock and other genres that emerged during the 1960s. The term is often used in combination with other terms to describe a variety of hybrids or subgenres, and is often contrasted with pop music, with which it shares many structures and instrumentation. Rock music has tended to be more orientated toward the albums marke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac who stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Device
New Device are a UK-based hard rock band, established in late 2007. The band's style is rooted in classic rock of the 1980s, influenced by bands such as: Aerosmith, Skid Row, Metallica and Guns N' Roses. They first gained a modicum of fame via their Myspace site, when they uploaded early demos which were successfully received by fans. ''Takin' Over'' New Device began the recording process for their debut album ''Takin' Over'' in June 2008, with Ryan Richards of Funeral for a Friend handling drum duties. The album was released on Powerage Records on 20 July 2009. The band's debut single was the album's title track, " Takin' Over". Second single "In The Fading Light" was featured on the soundtrack for the British movie "Fish Tank". The band played at the Download Festival in 2009 and at the Sonisphere Festival in the same year. The band appeared in ''Kerrang!'' magazine in their ''Introducing...'' section in October 2009. They have also appeared in Classic Rock magazine, Rock S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
