Countess Franziska Von Hohenheim
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Countess Franziska Von Hohenheim
Countess Franziska Theresia von Hohenheim (10 January 1748 in Adelmannsfelden – 1 January 1811 in Kirchheim unter Teck) was a German nobility, German noblewoman. From birth she was a Baroness von Bernerdin and from 1765 onwards Baroness :File:Leutrum_von_Ertingen_Siebmacher119_-_Schwaben.jpg, Leutrum von Ertingen. She was the official mistress of Charles Eugene, Duke of Württemberg from 1772 to 1785, when she became his second wife. The marriage was morganatic marriage, morganatic until 1790, when she was allowed use of the Dynasty#Dynasts, dynastic title ''Duchy of Württemberg, Duchess of Württemberg''. Life She was the daughter of ''Freiherr'' Ludwig Wilhelm von Bernerdin zum Pernthurn (1717–1774) and his wife, Baroness Johanna Dorothea Charlotte von :de:Burg Vohenstein, Vohenstein zu Adelmansfelden (1718–1793) – of this couple's 15 children, only Franziska and four of her sisters reached adulthood. She spent her childhood in their family seat, :File:SindlingenSchlo ...
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900-252 Franziska Von Hohenheim
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an Ascender (typography), ascender ...
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