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Countdown To Ecstasy
''Countdown to Ecstasy'' is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track. Although the album was a critical success, it failed to generate a hit single in the United States, and consequently only charted at number 35 on the ''Billboard'' Top LPs & Tapes chart, though it was certified Gold by the Recording Industry Association of America (RIAA) in 1978. The album has received perfect scores from music critics in numerous retrospective reviews. Musical style Like Steely Dan's 1972 debut album '' Can't Buy a Thrill'', ''Countdown to Ecstasy'' has a rock sound that exhibits a strong influence ...
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Steely Dan
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Originally having a traditional band lineup, Becker and Fagen chose to stop performing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. ''Rolling Stone'' magazine named them "the perfect musical antiheroes for the seventies". Becker and Fagen played together in a variety of bands from their time together studying at Bard College in Annandale-on-Hudson. They later moved to Los Angeles, gathered a band of musicians and began recording music. Their debut album, '' Can't Buy a Thrill'' (1972), established a template for their career, blending elements of rock, jazz, Latin music, R&B, and bluesAllMusic Steely Dan: Biography with sophisticated studio production and cryptic, irony-infused lyrics. The band enjoyed critical and commerci ...
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Rick Derringer
Richard Dean Zehringer (August 5, 1947 – May 26, 2025), known professionally as Rick Derringer, was an American musician, producer and songwriter. He gained success in the 1960s with his band, the McCoys. Their debut single, " Hang On Sloopy", became a number-one hit in 1965 and is regarded as a classic track from the garage rock era. The McCoys had seven songs chart in the top 100, including covers of "Fever" and "Come On, Let's Go". After releasing '' All American Boy'', Derringer established a career as a solo artist. In 1973, Derringer found further success with his song " Rock and Roll, Hoochie Koo". He worked extensively with brothers Edgar and Johnny Winter, playing lead and rhythm guitar in their bands and producing all of their gold and platinum records, including Edgar Winter's hits "Frankenstein" and " Free Ride" (both in 1973). He collaborated with Steely Dan, Cyndi Lauper, and "Weird Al" Yankovic, producing Yankovic's Grammy Award-winning songs " Eat It" (1984) and ...
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Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to '' Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Education Hull attended Wichita Sta ...
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Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ...
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Texture (music)
In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts ...
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Vamp (music)
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “ Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cove ...
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Blues
Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, chants, and rhymed simple narrative ballad (music), ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the Call and response (music), call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in Pitch (music), pitch, are also an essential part of the sound. Blues shuffle note, shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove (popular music), groove. Blues music is characterized by its lyrics, Bassline, bass lines, and Instrumentation (music), instrumen ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) operates an awards program based on the certified number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see ). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shi ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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Hit Single
A hit song, also known as a hit record, hit single, or simply hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions or significant streaming data and commercial sales. Prior to the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released '' The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to what later became music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ...
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