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Correntes
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französische Suiten: die verzierte Fassung / The French Suites: Embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courante Dance Pattern 2
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque, Baroque era. In a Baroque Suite de danses, dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second Movement (music), movement of the suite or the third if there is a Prelude (music), prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französisc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach
Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor; and choral works such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius Bach, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Time Dances
Triple is used in several contexts to mean "threefold" or a " treble": Sports * Triple (baseball), a three-base hit * A basketball three-point field goal * A figure skating jump with three rotations * In bowling terms, three strikes in a row * In cycling, a crankset with three chainrings Places * Triple Islands, an uninhabited island group in Nunavut, Canada * Triple Island, British Columbia, Canada * Triple Falls (other), four waterfalls in the United States & Canada * Triple Glaciers, in Grand Teton National Park, Wyoming * Triple Crossing, Richmond, Virginia, believed to be the only place in North America where three Class I railroads cross * Triple Bridge, a stone arch bridge in Ljubljana, Slovenia Transportation * Kawasaki triple, a Japanese motorcycle produced between 1969 and 1980 * Triumph Triple, a motorcycle engine from Triumph Motorcycles Ltd * A straight-three engine * A semi-truck with three trailers Science and technology * Triple (mathematics) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Vötterle
Karl Vötterle (12 April 1903 – 29 October 1975) was a German music publisher. Life Vötterle was born in Augsburg. With the intention of printing song sheets for the members of the musical youth movement, he founded the Bärenreiter-Verlag in Augsburg in 1923 (since 1927 in Kassel), which he made into one of the major music publishers worldwide. The rediscovery of Heinrich Schütz was decisive for the success of the publishing house in the first years. With the publication of the Quempas in 1930 he again stimulated new advent and Christmas musical singing customs. In Munich he became involved in the youth movement reformed ''Hochschulgilde Werdandi''. The association magazine ''Der deutsche Bursch'' of the appeared about this contact in the youth movement-oriented Bärenreiter publishing house. Early on Vötterle published contemporary composers like Hugo Distler, Ernst Pepping and Willy Burkhard. Promoting the music of the present has always been one of the publisher's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Dance
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of John Playford, Playford's ''The Dancing Master''. The descriptions in these various publications give the music, the formation, the number of dancers, and textual descriptions of the figures to be danced in relation to the musical bars, i.e. the floor patterns of the dances. There is only occasional indication of the steps used, presumably because they were well known. However, other sources of the period, such as the writings of the French dancing-masters Raoul Auger Feuillet, Feuillet and Lorin, indicate that steps more complicated than simple walking were used, at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Muffat
Georg Muffat (1 June 1653 – 23 February 1704) was a Baroque composer and organist. He is best known for the remarkably articulate and informative performance directions printed along with his collections of string pieces ''Florilegium Primum'' and ''Florilegium Secundum'' (First and Second Bouquets) in 1695 and 1698. Life Georg Muffat was born in Megève, Duchy of Savoy (now in France), of André Muffat (of Scottish descent) and Marguerite Orsyand. He studied in Paris between 1663 and 1669, where his teacher is often assumed to have been Jean Baptiste Lully. This assumption is largely based on the statement "For six years ... I avidly pursued this style which was flowering in Paris at the time under the most famous Jean Baptiste Lully." This is ambiguous (in all of the languages in which it was printed) as to whether the style was flourishing under Lully, or that Muffat studied under Lully. In any case, the style which the young Muffat learned was unequivocally Lullian and it r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita For Violin No
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') closely resemble the dance suites of the Baroque Period (and are often used synonymously with suites) with the addition of a prelude movement at the beginning of each partita. It was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor at Leipzig until 1722), his student Christoph Graupner, and Johann Sebastian Bach (1685–1750) used it for collections of musical pieces, as a synonym for suite. In the early Baroque period, a partita referred to a string of variations or a piece in parts that reflected different dances. Keyboard partitas Girolamo Frescobaldi (1583–1643) wrote keyboard partitas as variations that were based on popular dance melodies of the early Baroque period such the R''omannesca, La Monachina, Ruggiero,'' and ''La Follio.'' Dietrich Buxtehude (1637–1707) and Johann Froberger (1616–1667) wrote dance suites (ninete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early Bach cantata, cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the ''Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partitas, BWV 825-830
The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as '' Clavier-Übung I'' in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six English Suites, BWV 806-811 and the six French Suites, BWV 812-817, as well as the Overture in the French style, BWV 831. History The six partitas for keyboard form the last set of suites that Bach composed, and are the most technically demanding of the three. They were composed between 1725 and 1730 or 1731. As with the French and English Suites, the autograph manuscript of the Partitas is no longer extant. In keeping with a nineteenth-century naming tradition that labelled Bach's first set of Suites ''English'' and the second ''French,'' the Partitas are sometimes referred to as the ''German'' Suites. This title, however, is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
