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Correlazione
''Correlazione'' is a ballet made by Miriam Mahdaviani for New York City Ballet's Diamond Project II to Corelli's concerti grossi, Op. 6, No. 1 in D major, No. 3 in C minor, No. 8 in G minor '' (Christmas Concerto)'', and to the Sonata for Violin Op. 5, No. 12 in D minor (''La follia''). The premiere took place 26 May 1994 at the New York State Theater, Lincoln Center. Original cast *Yvonne Borree *Jenifer Ringer * Albert Evans *Arch Higgins Articles May 15, 1994 articleby Jennifer Dunning, The New York Times Reviews May 28, 1994 reviewby Anna Kisselgoff, The New York TimesJanuary 25, 1995 reviewby Anna Kisselgoff, The New York Times May 28, 1996 reviewby Jack Anderson, The New York TimesJanuary 14, 1997 reviewby Jack Anderson, The New York TimesMay 6, 2002 reviewby Anna Kisselgoff, The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Mahdaviani
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a '' repetiteur'' for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland. Mahdaviani married Eric Goldstone on October 9, 1988, and has two daughters, Carolyn and Elizabeth. Ballets *''1988'' The Newcomers *''1991'' Dance Preludes *''1992'' Images *''1994'' Correlazione *''1997'' Urban Dances *''2000'' Appalachia Waltz *''2002'' In the Mi(d)st Reviews June 25, 2002Anna Kisselgoff, NY TimesJune 29, 1997Anna Kisselgoff, NY TimesDecember 2, 1990Jennifer Dunning, NY TimesMay 1, 1985Anna Kisselgoff, NY TimesNove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Higgins
''Arch Higgins'' (born Berkeley, California) was a soloist with New York City Ballet. He began his study at eight years with Berkeley Ballet Theater with former City Ballet dancer Sally Streets. From 1982 he attended summer courses at the School of American Ballet which he entered full-time on scholarship four years later. He was the recipient of the Mae L. Wien Award and joined the NYCB corps de ballet in 1989. Higgins was promoted to soloist in 1998 and danced until 2011. He is now a guest teacher for the company and assistant children's ballet master. Rôles originated featured rôles David Allan * '' Pastoral Dances'' John Alleyne * '' The New Blondes'' Robert La Fosse * ''Duke!'' (Rockin' in Rhythm) Miriam Mahdaviani * '' Appalachia Waltz'' * '' Correlazione'' Peter Martins * ''Reliquary'' Trey McIntyre * ''Rain'' * '' Steel'' Kevin O'Day * ''Swerve Poems'' Jerome Robbins * ''West Side Story Suite'' Susan Stroman * ''Double Feature'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Miriam Mahdaviani
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a '' repetiteur'' for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland. Mahdaviani married Eric Goldstone on October 9, 1988, and has two daughters, Carolyn and Elizabeth. Ballets *''1988'' The Newcomers *''1991'' Dance Preludes *''1992'' Images *''1994'' Correlazione *''1997'' Urban Dances *''2000'' Appalachia Waltz *''2002'' In the Mi(d)st ''Editing In the Mi(d)st'' is a ballet made by Miriam Mahdaviani to Oliver Knussen's ''The Way to Castle Yonder'' and excerpts from his ''Music for a Puppet Court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Borree
Yvonne Borree is a former principal dancer at New York City Ballet. She was raised in Norfolk, Virginia, where she began her dance studies with the Tidewater Ballet Association at four years of age. She attended the School of American Ballet for three summers and was invited to enter SAB full-time in 1985. Two years later Yvonne became an apprentice with SAB's parent company, New York City Ballet, and joined the corps de ballet in 1988. she danced with guest artist Mikhail Baryshnikov in George Balanchine's " Duo Concertant" in Spring, 1992. Ms. Borree was promoted to the rank of soloist the next year and to principal in 1997. She is the daughter of Susan Borree, who danced with Jerome Robbins' Ballets: USA, with New York City Ballet and American Ballet Theatre. Yvonne Borree's farewell performance took place Sunday, June 6, 2010, by < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets To The Music Of Arcangelo Corelli
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Anderson (dance Critic)
Jack Anderson (born June 15, 1935) is an American poet, dance critic, and dance historian. He is well known for his numerous reviews of dance performances in ''The New York Times'' and ''Dance Magazine'' as well as for his scholarly studies in dance history and for eleven volumes of poetry. Early life and education Jack Warren Anderson was born in Milwaukee, Wisconsin, where his father, George, was a motion picture projectionist at a downtown movie theater and his mother, Eleanore, was a hospital administrator. As a youth, Jack took piano lessons and acted in little theater groups before leaving home to go to college. At Northwestern University he earned a bachelor's degree with a major in theater and minors in English literature and philosophy, and at Indiana University he earned a master's degree in creative writing. He pursued further graduate study at the University of California at Berkeley but abandoned it after a year when he got his first job with a newspaper. Journalism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Kisselgoff
Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and cultural news reporter in 1968, and became its Chief Dance Critic in 1977, a role she held until 2005. She left the ''Times'' as an employee at the end of 2006, but still contributes to the paper. Biography She was born on 12 January 1938 in Paris. Kisselgoff began studying ballet at the age of four in New York City with Valentina Belova, and later for nine years with Jean Yazvinsky. She graduated from Bryn Mawr College, and then studied French History at the Sorbonne and Russian at the School of Oriental Languages in Paris. Later, she received an M.A. in European History and an M.A. in journalism at Columbia University. Before joining ''The New York Times'', she wrote features and dance reviews as a freelancer for the New York Times International Edition and worked at the English desk of Agence France-Presse in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jennifer Dunning
Jennifer Dunning (born February 4, 1942) is a writer and critic for '' The New York Times'' on the subjects of dance Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoir ... and ballet. She is the author of the 1985 ''But First a School: The First Fifty Years of the School of American Ballet'', the 1996 '' Alvin Ailey, a Life in Dance'', and the 1997 ''Great Performances: A Celebration''. Dunning was born in New York City and studied dance. In 1977 she became the ballet critic for ''The New York Times''. She retired from the paper in 2008. References * {{DEFAULTSORT:Dunning, Jennifer 1942 births Living people American dance critics Critics employed by The New York Times Bessie Award winners American women journalists American women critics 21st-century American women ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Evans (dancer)
Albert Pierce Evans (December 29, 1968 – June 22, 2015) was an American ballet dancer and choreographer. He joined the New York City Ballet in 1988, became a principal dancer in 1995, making him the second African American dancer to hold this position, and had pursue choreography. He retired from performing in 2010, then served as a ballet master until his death. Early life Evans was born in Atlanta. He started training in ballet and modern dance after watching ''The Nutcracker'' on television. In 1986, he entered the School of American Ballet on full scholarship. Career In 1988, Evans joined the New York City Ballet. He was soon given lead roles by choreographers Eliot Feld and William Forsythe, both for NYCB's American Music Festival. He was also cast in other lead roles while being a corps de ballet member. He was promoted to soloist in 1991 and principal dancer in 1995. He was the second African American principal dancer in the company, after Arthur Mitchell, and the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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