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Cordignano
Cordignano is a town and ''comune'' with 7,020 inhabitants in the province of Treviso, Veneto, Italy. Morphology of the territory Located on the border between Veneto and Friuli-Venezia Giulia (province of Pordenone), the municipality of Cordignano covers a considerable portion of the territory, elevation varying between above sea level, extending from the plateau to the plains below Cansiglio, to the north of road SS 13. Element that strongly characterizes the region is the presence of Meschio River, which runs through the town, coming from Vittorio Veneto. History The first inhabited center of the territory of the municipality dates back to prehistoric times. It then traces of a fort (known as Castelat) dated between the 14th and 10th centuries BC, in the north, at the Alpine foothills of Belluno. In Roman times the area continued to grow mainly in the agricultural field, forming an active farming community still witnessed in the Middle Ages. It was in this period that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Camino
The da Camino (also known as Camino or Caminesi) were an Italian noble family whose fame is connected to the mediaeval history of the March of Treviso, a city of which they were lords for a while. History Of Lombard origin, the da Camino descend most likely from the Colalto family, with one Guitcillo or Guicillo who is named in relationship with a castle in 958 at Montanara. His son Guido (''Guidone'') inherited this castle, placed long the road connecting Veneto to Friuli, in reward for having saved the life of the German king Conrad I. Guido was also created count of Montanara. His sons Alberto and Guecello received by the bishop of Ceneda further lands in the plain between the Piave and Livenza, in particular near Oderzo, where they built a castle. From the name of the place, now Camino ''frazione'' of Oderzo, they took their future name. Thanks to further acquisitions from bishops and emperors, within a century the Caminesi extended their power over the ''comitates'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veneto
it, Veneto (man) it, Veneta (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-34 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €163 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €33,200 (2018) , blank2_name_sec1 = HDI (2019) , blank2_info_sec1 = 0.900 · 9th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITD , websi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craft
A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of goods, or their maintenance, for example by tinkers. The traditional term ''craftsman'' is nowadays often replaced by ''artisan'' and by ''craftsperson'' ( craftspeople). Historically, the more specialized crafts with high-value products tended to concentrate in urban centers and formed guilds. The skill required by their professions and the need to be permanently involved in the exchange of goods often demanded a generally higher level of education, and craftsmen were usually in a more privileged position than the peasantry in societal hierarchy. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work, and therefore had to rely on the exchange of goods. Some crafts, especi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moroccan People
Moroccans (, ) are the citizens and nationals of the Kingdom of Morocco. The country's population is predominantly composed of Arabs and Berbers (Amazigh). The term also applies more broadly to any people who are of Moroccan nationality, sharing a common culture and identity, as well as those who natively speak Moroccan Arabic or other languages of Morocco. In addition to the approximately 37 million residents of Morocco, there is a large Moroccan diaspora as part of the wider Arab diaspora. Considerable Moroccan populations can be found in France, Spain, Belgium, Italy, and the Netherlands; with smaller notable concentrations in other Arab states as well as Germany, the United Kingdom, the United States, and Canada. Ethnic groups Moroccans are primarily of Arab and Berber origin as in other neighbouring countries in the Maghreb region. Arabs make up 67% of the population of Morocco, while Berbers make up 31% and Sahrawis make up 2%. Socially, there are two co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanians
The Romanians ( ro, români, ; dated exonym '' Vlachs'') are a Romance-speaking ethnic group. Sharing a common Romanian culture and ancestry, and speaking the Romanian language, they live primarily in Romania and Moldova. The 2011 Romanian census found that just under 89% of Romania's citizens identified themselves as ethnic Romanians. In one interpretation of the 1989 census results in Moldova, the majority of Moldovans were counted as ethnic Romanians.''Ethnic Groups Worldwide: A Ready Reference Handbook By'' David Levinson, Published 1998 – Greenwood Publishing Group.At the time of the 1989 census, Moldova's total population was 4,335,400. The largest nationality in the republic, ethnic Romanians, numbered 2,795,000 persons, accounting for 64.5 percent of the population. Source U.S. Library of Congress "however it is one interpretation of census data results. The subject of Moldovan vs Romanian ethnicity touches upon the sensitive topic ofMoldova's national i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanians
The Albanians (; sq, Shqiptarët ) are an ethnic group An ethnic group or an ethnicity is a grouping of people who identify with each other on the basis of shared attributes that distinguish them from other groups. Those attributes can include common sets of traditions, ancestry, language, history, ... and nation native to the Balkan Peninsula who share a common Albanian Cultural heritage, ancestry, Albanian culture, culture, Albanian history, history and Albanian language, language. They primarily live in Albania, Kosovo, North Macedonia, Montenegro, Serbia as well as in Croatia, Greece, Italy and Turkey. They also constitute a large diaspora with several communities established across Europe, the Americas and Oceania. Albanians have Paleo-Balkan languages, Paleo-Balkanic Origin of the Albanians, origins. Exclusively attributing these origins to the Illyrians, Thracians or other Paleo-Balkan people is still a matter of debate among historians and ethnologists. The firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portal (architecture)
A portal is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates, or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation. The elements of a portal can include the voussoir, tympanum, an ornamented mullion or ''trumeau'' between doors, and columns with carvings of saints in the westwork of a church. Examples File:Baroque portal in Brescia.jpg, Baroque portal of a private palace in Brescia File:Dülmen, St.-Viktor-Kirche, Eingangsportal -- 2021 -- 4504-10.jpg, Wooden portal of the Church of St. Victor in Dülmen File:Porto - Sant Martí de Cedofeita - Façana principal.JPG, Romanesque portal of the Church of São Martinho de Cedofeita, with nested arches File:Hronsky Benadik-Hlavny portal klastorneho kostola.jpg, Gothic portal of the church in Hronský Beňadik File:FI-Tamp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frescoes
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Vecellio
ceiling San Zanipolo Marco Vecellio (1545–1611) was an Italian painter of the Renaissance period. He was also called Marco di Tiziano, since he was Titian's nephew. He was born and active mainly in Venice. He accompanied his distinguished uncle in the journeys to Rome and Germany. He was the favorite pupil of Titian, and approached nearer to his style than any other member of the family. There are several pictures by him in the Doge's palace The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme auth ..., among the best an allegory in the ante-chamber to the Sala del Gran Consiglio. Another good example is a picture in the Sala della Bussola, ''Doge Leonardo Donato before the Virgin and Infant Christ''. He also painted for churches at Venice, Treviso, and in the Friuli, among other thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni De Min (painter)
Giovanni De Min (Belluno, October 24, 1786- Tarzo, November 23, 1859) was an Italian painter and engraver, active in a Neoclassic style. Biography His parents were of humble origins; his mother, Lucia Schiochet, was the domestic servant of Francesco Maria Colle, a professor of the Atheneum of Padua. In Padua, Demin first apprenticed with Paolo De Filippi, who noting his skills, and with the patronage of the Falier family of San Vitale, had him enrolled by 1804 at the Academy of Fine Arts of Venice, directed by Lattanzio Querena. There he studied alongside Francesco Hayez, and was a pupil of the painter Teodoro Matteini and Pietro Tantini. In 1808, De Min was awarded a stipend from the Academy to study in Rome. There he fell under the influence of neoclassical artists such as Canova. Returning to Venice, De Min mainly dedicated himself to fresco or panel decoration of houses and salons. His decorations (1817) of mythologic themes in the Palazzo Cicognara in Venice, using des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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